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Supports: MOV
If the file has to open on a Windows PC with nothing installed, convert: Microsoft's own support documentation says "only QuickTime files version 2.0 or earlier can be played in Windows Media Player. Later versions of QuickTime require the proprietary Apple QuickTime Player," which is exactly why a modern iPhone or Mac .mov shows a codec error there. If the file is going into an editor, onto a Mac, or up to a streaming service, stay on MOV — WMV is a 1999-era Microsoft codec family and every conversion into it is a full re-encode.
| Property | MOV (source) | WMV (output here) |
|---|---|---|
| Owner | Apple — QuickTime container, in use since 1991 | Microsoft — Windows Media Video |
| Container | QuickTime File Format (.mov) |
Advanced Systems Format (.asf bytes, .wmv name) |
| Video codec written | Whatever the camera or editor used — usually H.264, HEVC or ProRes | Windows Media Video 7 or 8 |
| Audio codec written | Usually AAC or PCM | Windows Media Audio v1 or v2 |
| Channels the audio can carry | Up to the source layout | Two — WMA Standard is stereo-only |
| Plays in Windows Media Player with nothing installed | Only QuickTime v2.0 or earlier | Yes, natively |
| Plays on macOS / iOS with nothing installed | Yes | No — needs VLC or similar |
| Plays in Chrome, Firefox, Safari | H.264 MOV usually yes | No |
| Standardized outside the vendor | Basis of ISO's MP4 file format | WMV 9 became SMPTE 421M (VC-1) in March 2006 — not the version encoded here |
| Best for | Editing, capture, Apple workflows, uploading | Windows-only playback, PowerPoint, legacy intranet video |
.wmv explicitly in its manual..mov onto the page or click "Add Files" to browse. You can queue several clips and convert them with identical settings..wmv. Files upload over an encrypted connection, are processed on our servers, and are deleted automatically after a few hours — no sign-up, no watermark.Windows Media Video 7 and 8 have no CRF-style quality mode, so the preset does not set a quality target — it multiplies the source video's own bitrate and encodes at that rate with 1.5× headroom for busy scenes. That has one consequence worth knowing before you complain about the output size:
| Preset | Bitrate relative to your MOV's video bitrate |
|---|---|
| Highest | 1.50× |
| Very High (default) | 1.32× |
| High | 1.14× |
| Medium | 0.90× |
| Low | 0.72× |
| Very Low | 0.54× |
| Lowest | 0.30× |
Anything above Medium asks the encoder for more bits than the H.264 original used, and because WMV 8 is a far less efficient codec than H.264, the WMV can legitimately come out larger than the MOV it came from. If a specific file size is the goal, use Specific file size or Constant Bitrate instead of chasing the preset.
The two quality-slider modes need one warning. Constant Quality and Constraint Quality show a slider labelled "CRF", but Windows Media Video is driven by an MPEG-style qscale from 1 to 31 where lower is better and the useful range is roughly 2 to 8 — not the x264 scale where 23 is normal. The slider opens at 23, which is near the worst end. In a 10-second 720p test encode, q 2 produced a file roughly ten times the size of q 23, which is the size of the gap you are choosing between. Prefer Constraint Quality, which pairs the slider with a Max bitrate so the output has a ceiling you actually control.
Because of the codec, not the container. Microsoft's file-type documentation limits Windows Media Player's QuickTime support to files "version 2.0 or earlier" — files from modern iPhones, Macs and recent QuickTime versions carry H.264 or HEVC, which the player will not decode on its own. Converting to WMV writes Microsoft's own codec into Microsoft's own container, so the player handles it natively.
Neither. This converter writes Windows Media Video 7 ("WMV 1") or Windows Media Video 8 ("WMV 2"), with WMV 2 as the default. WMV 9 — the version standardized as SMPTE 421M / VC-1 in March 2006 — has widely available decoders but no open-source encoder in the toolchain, which is why it is not on the list. WMV 8 plays in Windows Media Player just as natively.
Often not. WMV 8 predates H.264 by years and needs more bits for the same picture, and the default Very High preset targets 1.32× your source's video bitrate. If you want a smaller file, choose Medium or lower, set an explicit target under Specific file size, or drop the resolution to 720p first. Expecting an automatic size win from a 1999-era codec family is the most common surprise on this conversion.
It becomes stereo. The audio side of a WMV file here is WMA Standard, which supports at most two discrete channels, so a six-channel MOV is downmixed on the way through. If preserving surround matters more than Windows-native playback, keep the file as MOV to MP4 instead.
No. There is no deinterlacing step anywhere in this pipeline, so interlaced fields are encoded exactly as they arrive and the comb artefacts stay baked into the WMV. Deinterlace in a desktop editor before uploading if the footage shows horizontal combing on motion.
Yes — WMV to MOV goes the other direction. Understand what you get: the round trip is two lossy re-encodes, so the returned MOV carries WMV-generation artefacts permanently. Keep the original MOV as your master and treat the WMV as a delivery copy.
Not reliably. Sources with non-square pixels — DV, some camcorder and DVD-derived footage — have their pixel aspect ratio reset during scaling, so a 16:9 anamorphic clip can come out looking horizontally squeezed. The workaround is to set an explicit Width x Height under Video resolution that matches the display aspect you want, rather than leaving it on Keep original.
There is no watermark and no account requirement; the practical constraint is upload time, since the entire video has to reach our servers before encoding starts. A long 4K recording is a large upload — trimming to the section you need first, or using the video cutter beforehand, is much faster. Uploaded files are processed on our servers over an encrypted connection and deleted automatically after a few hours.