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Supports: MPEG2
This tool pulls the audio track out of an MPEG-2 video and re-encodes it as a standalone WMA file — the video stream is discarded, so you keep only the sound. People who name the source by its codec (.mpeg2) are usually working with DVD rips or DVB/ATSC broadcast captures, where the audio is MP2 or AC-3. WMA is Microsoft's legacy audio format: pick it when an old Windows Media Player library, an in-car head unit, or a Windows-era device specifically expects .wma. If you just need playable audio anywhere, MPEG-2 to MP3 or MPEG-2 to AAC is the safer modern choice.
| Property | MPEG-2 (the file you have) | WMA (the audio you get) |
|---|---|---|
| Type | Video container; audio is one stream inside | Audio-only format |
| Standard | ISO/IEC 13818 (also ITU-T H.222/H.262) | Microsoft proprietary (Windows Media Audio) |
| First released | 1996 (DVD / digital-broadcast era) | August 1999 (Windows Media Technologies 4.0) |
| Container | MPEG Program / Transport Stream (.mpeg2, .mpg, .vob, .ts) | ASF (Advanced Systems Format) |
| Audio codec | MP2 (MPEG Layer II) or AC-3 / Dolby Digital — both lossy | WMA Standard (WMA v2 by default) — lossy |
| Channels | Up to 5.1 surround (AC-3 on DVD) | Stereo for standard WMA; multichannel needs WMA Pro |
| Native playback | DVD players, set-top boxes, most desktop video apps | Windows / Windows Media Player; patchy elsewhere |
| Best for | Storing DVD-Video and broadcast TV | Legacy Windows audio libraries and WMP workflows |
.wma.Just the audio. This is an extraction — the MPEG-2 video stream is discarded and only the soundtrack is re-encoded to WMA. If you want to keep the picture, convert to a video format with MPEG-2 to MP4 instead.
For most people, no. The audio in an MPEG-2 file is already lossy (MP2 or AC-3), so converting it to WMA is a lossy-to-lossy transcode either way. WMA's only real advantage is native integration with Windows and Windows Media Player. MP3 plays on virtually everything, so unless something specifically needs .wma, MPEG-2 to MP3 is the more compatible target. WMA does tend to hold detail slightly better than MP3 at very low bitrates (below about 64 kbps), but at 128 kbps and up the two are broadly comparable.
Some loss is unavoidable. The soundtrack inside MPEG-2 was already compressed once (usually MP2 or AC-3), and re-encoding it to WMA discards a little more — the damage is cumulative. To keep it minimal, set the WMA bitrate equal to or higher than the source so the WMA encoder isn't the bottleneck. Converting a 192 kbps source to a 96 kbps WMA throws away more than necessary; a comparable or higher WMA bitrate keeps the result close to the original.
DVD audio is frequently AC-3 (Dolby Digital) with up to 5.1 channels. Standard WMA (WMA v2) is a stereo codec, so a surround source is downmixed to two channels — which is what most phones, headphones, and players expect anyway. True multichannel WMA requires the separate WMA Pro codec, which is far less widely supported, so a stereo downmix is the practical choice for almost every WMA use case.
WMA v2 (Windows Media Audio 9) is the standard, more efficient encoder and the right default for almost everyone — Microsoft marketed it as delivering near-CD-quality audio from around 64 kbps and it is backward-compatible with older Windows Media decoders. WMA v1 is the original 1999 codec; choose it only for a very old device that predates v2 support. In our testing, extracting a 48 kHz stereo soundtrack from a DVD-sourced MPEG-2 file to 192 kbps WMA v2 produced a file with no obvious change on casual listening.
Native WMA support is mainly a Windows and Windows Media Player story. Some third-party players (VLC, foobar2000) and a number of car stereos and DLNA devices decode WMA, but Apple's Music app, most phones, and many modern web players do not handle it well. If you need broad compatibility, MP3 or AAC is the safer target. To go the other direction later, use our WMA to MP3 converter.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. There is no sign-up, no watermark, and your files are never shared or made public.