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Supports: MRW
MRW is the Minolta RAW still-photo format from early Konica Minolta DSLRs and DiMAGE cameras — a single, unprocessed sensor capture, not a moving image. DivX is a video codec (MPEG-4 Part 2 Advanced Simple Profile, usually carried in an AVI or .divx container). This converter wraps one MRW photo into a short, silent DivX video clip that simply holds that still on screen — useful when a player, editor, or upload slot only accepts a video file. It does not animate the photo, and the output has no audio track.
| Property | Value |
|---|---|
| Full name | Minolta RAW |
| Type | Camera raw still image (single frame) |
| Originating vendor | Minolta / Konica Minolta |
| Released | Early 2000s; phased out after Sony acquired Minolta's camera line in 2006 |
| Sensor data | Unprocessed CCD readout, 8/10/12-bit per channel |
| Cameras | DiMAGE 5/7/7i/7Hi/A1/A2/A200; Dynax/Maxxum 5D and 7D |
| Native browser support | None — browsers cannot display MRW |
| Replaced by | ARW (Sony Alpha raw) |
| Opens in | Photoshop, XnViewMP, Apple Photos, the original DiMAGE Master |
| Property | Value |
|---|---|
| Type | Video codec + container |
| Codec standard | MPEG-4 Part 2, Advanced Simple Profile (ASP) |
| Container | AVI, or the .divx Media Format (an AVI extension, introduced 2005) |
| Origin | Emerged ~1998-2001; DivX, Inc. founded 2000 |
| Relationship to Xvid | Same MPEG-4 Part 2 family; Xvid forked from the OpenDivX core in 2001 |
| Audio in this conversion | None — an MRW still produces a silent clip |
| Native browser support | None — browsers do not decode DivX/MPEG-4 ASP |
| Compared to H.264 | Older and less efficient; H.264 (MP4) compresses better and plays on far more devices |
No. A single MRW photo carries no audio, so the output is a silent video. The encoder writes only the video track; there is no soundtrack to lose or preserve.
Yes — this is unavoidable. MRW holds 8/10/12-bit unprocessed sensor data with wide highlight and shadow latitude. DivX video is 8-bit per channel, so the wide tonal range is baked down to a fixed exposure during conversion. If you want to keep editing headroom, convert to a still image instead with our MRW to JPG converter.
For sharing, MP4 is the safer choice. DivX uses the older MPEG-4 Part 2 codec, which many phones, browsers, and streaming sites no longer play natively, while H.264 in MP4 plays almost everywhere and compresses better. Use MRW to MP4 unless a specific older device or DVD-style player requires a DivX/AVI file.
The usual reason is a container requirement: an upload form, video editor, or hardware player that only accepts video files. Wrapping the still in a short clip lets it pass that gate. In our testing, a single MRW set to a 5-second Duration produces a brief clip that holds the image for those five seconds and then ends.
Yes. The Duration control sets how many seconds the single image is displayed, from a fraction of a second up to ten seconds per frame. Pick a larger value for a longer clip; the file size grows roughly in proportion to the duration you choose.
They are close cousins. Both implement the MPEG-4 Part 2 standard, and Xvid forked from DivX's OpenDivX code in 2001. They are broadly interoperable in AVI files, but DivX is the proprietary branch while Xvid is open source.
By default it follows the MRW photo's rendered dimensions, which are large for a camera raw. You can downscale with a Video resolution preset — useful because older DivX/Xvid-certified hardware plays standard sizes like 720x480 or 1280x720 most reliably, and a smaller frame keeps the file compact. Upscaling adds no real detail, so match the frame to your target player rather than enlarging it.
VLC and MPC-HC play it on any desktop out of the box, as do DVD and Blu-ray players marked "DivX Certified." Web browsers and phones generally will not decode MPEG-4 Part 2 natively, so if you need something broadly playable convert with MRW to MP4 instead — H.264 in MP4 opens almost everywhere, while a DivX AVI is best reserved for the older hardware that specifically asks for it.