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Supports: OGV
This walks you through re-encoding an .ogv (Ogg Video, almost always Theora) into HEVC / H.265 — the modern, far more efficient codec. Read it if you want a smaller file from an old Theora capture and want to understand the one honest catch: HEVC can shrink the file, but it cannot put back detail Theora's lossy encoder already discarded.
.ogv (Ogg Video) file. Batch upload is supported. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared.The whole point of this conversion is efficiency. Theora dates to the mid-2000s (released in alpha around 2004, stabilised as libtheora 1.0 in November 2008) and sits roughly in the H.264-baseline efficiency era. HEVC was ratified in 2013 and delivers equivalent visual quality at roughly half the bitrate of H.264 — far ahead of Theora. So a like-for-like re-encode usually produces a meaningfully smaller file. The honest limit: both Theora and HEVC are lossy, so re-encoding only ever subtracts detail. You can make the file smaller; you cannot make it look better than the original .ogv. At best, quality holds; pushed too hard, it softens.
.ogv was probably already heavily compressed (Wikipedia uploads, WebRTC captures). There is a floor past which re-encoding can't shrink a file without visible loss.There is a real licensing flip here worth naming: you are moving from a royalty-free open codec (Theora, Xiph.Org) to a patent-encumbered one (HEVC / H.265, licensed through pools such as MPEG LA, Access Advance, and Velos Media). If keeping the file open and royalty-free matters to you — for the open web, archives, or redistribution — HEVC is the wrong direction. Convert to OGV to WebM (VP9 or AV1, both royalty-free and well supported in modern browsers) or OGV to MP4 (universal H.264 playback) instead. HEVC earns its place only when your target devices decode H.265 in hardware — recent iPhones, iPads, Macs, Apple TV, and many 2017-or-newer phones and TVs — and you want maximum compression for those devices specifically. Note also that converting does not reset a license: a Wikimedia clip under CC BY-SA stays under CC BY-SA after re-encoding.
No — it makes the file smaller, not better. Both Theora and HEVC are lossy, so re-encoding can only subtract detail, never restore what the original Theora encode already threw away. What HEVC buys you is efficiency: equivalent visual quality at roughly half the bitrate, so you keep most of the source's appearance in a much smaller file. If quality looks worse after conversion, your Quality Preset or CRF was set too aggressively — raise it toward "Very High" or CRF 20-22.
HEVC's compression gains come from much heavier computation — coding tree units up to 64×64 pixels, deeper motion search, and more complex entropy coding. In our testing, an HEVC encode commonly runs 2-5x longer than the equivalent H.264 encode of the same clip, and far longer than the lightweight Theora original. The wait is the cost of the smaller file; there is no setting that makes HEVC both faster than H.264 and smaller.
It depends on where the file will play. Choose HEVC only when your target devices decode H.265 in hardware (recent iPhones, iPads, Macs, Apple TV, most 2017+ phones and TVs) and you want maximum compression. For playing on the open web or sharing widely, OGV to MP4 (H.264) is safer because it plays nearly everywhere. To stay royalty-free and open, OGV to WebM (VP9/AV1) is the better match for OGV's open-format roots.
Yes. The source's Vorbis audio is decoded and re-encoded into the HEVC output; the Audio Codec defaults to AAC, with AC3, MP3, and Opus available. Because Vorbis is lossy and the output codec is lossy too, the audio is re-compressed rather than copied — keep AAC at a sensible bitrate to avoid stacking audible artefacts. For audio-only extraction instead, use OGV to MP3.
On openness, yes — and it is worth being clear about. Theora is royalty-free and maintained by the Xiph.Org Foundation; HEVC is patent-encumbered and licensed through pools including MPEG LA, Access Advance, and Velos Media. You gain modern compression and Apple-ecosystem hardware playback, but you lose the royalty-free status. If that trade matters, OGV to WebM with VP9 or AV1 keeps both the efficiency gain and the royalty-free licensing.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. Nothing is shared, made public, or used for anything other than your conversion, and there is no sign-up, no watermark, and no email required.