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Supports: RW2
This walks you through stitching a sequence of Panasonic RW2 raw photos into a single animated APNG, where each RW2 file becomes one frame played in upload order. It is written for LUMIX shooters who captured a burst, bracketed set, or interval timelapse in raw and want a compressed, web-viewable animation that keeps full color and smooth transparency.
.rw2 photos. Add them in the order you want them animated — the sequence on the page is the playback order. Each raw file is demosaiced and rendered to an 8-bit sRGB frame on our side.The biggest difference between this and a normal photo conversion is that RW2 holds minimally-processed sensor data — Panasonic LUMIX bodies record 12- or 14-bit raw, not a finished image. Before anything can animate, each RW2 is demosaiced (the Bayer sensor data is interpolated into RGB) and rendered down to an 8-bit sRGB frame, since APNG, like all PNG, tops out at 8 bits per channel. That render uses a neutral default; it will not match a custom edit you made in Lightroom or SILKYPIX, so if you have a specific look in mind, develop the raws first and animate the exported stills instead.
Order matters more than any other setting. The converter reads your RW2 files top-to-bottom as they appear in the list and assembles them into one APNG, so a shuffled list produces a shuffled animation. A few patterns that come up often:
A single RW2 produces a single-frame APNG — there is nothing to animate, so use a still-image converter instead. Very new LUMIX bodies occasionally ship a raw variant that open-source decoders do not yet support, in which case the file may fail to decode and should be exported from Panasonic's own SILKYPIX-based software first. And if your goal is the absolute widest playback across old software, an animated GIF still has broader legacy reach than APNG; in that case convert RW2 to GIF instead and accept GIF's 256-color limit.
Yes — that is the point of this tool. Upload several Panasonic RW2 photos and they are stitched into a single APNG, each file becoming one frame in the order you arranged them. A burst, an exposure bracket, or an interval timelapse all work; one RW2 on its own just yields a single static frame.
No. RW2 stores minimally-processed sensor data, and the converter renders each raw with a neutral default before animating, so any develop settings you applied in Lightroom, Capture One, or SILKYPIX are not reflected. To keep a specific look, develop the raws first and animate the exported stills. In our testing, a set of LUMIX RW2 frames at default Image quality (%) produced clean, sharp APNG frames that matched the camera's neutral render closely.
Panasonic LUMIX raw frames are typically 12-24 megapixels and APNG compression is lossless, so an animation built from many full-resolution frames stays big. Drop a Preset Resolution, lower Image quality (%), reduce the Colors palette, and use fewer frames at a lower framerate to bring the size down.
For photographic raw content, yes. APNG supports full 24-bit color and 8-bit alpha with lossless frames, while GIF is capped at 256 colors with on/off transparency — so gradients and skin tones from a LUMIX sensor stay smooth in APNG and band in GIF. Choose GIF only when you need the widest compatibility with very old software; for that, convert RW2 to GIF.
It falls back to the first frame, shown as an ordinary static PNG, because an APNG's first frame is stored as a valid PNG stream. Around 95% of browsers in use today (current Chrome, Firefox, Safari, and Edge) render the full animation.
Yes. RW2 records 12 or 14 bits per channel straight from the sensor; APNG, like all PNG, stores 8 bits per channel. Each raw is demosaiced and tone-mapped down to 8-bit sRGB during conversion. That is plenty for on-screen viewing, but it is why you should keep the original RW2 files if you plan to re-edit later.