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Supports: RW2
This guide is for anyone who has a Panasonic LUMIX RW2 RAW photo and needs it inside an .flv (Flash Video) file — usually to feed an old Flash-era authoring tool or a legacy player that still expects that container. By the end you'll have a short, silent FLV holding your rendered photo, and a clear idea of why RW2 to JPG or RW2 to MP4 is almost certainly the better destination.
.rw2 onto the page or click "+ Add Files". RAW files are large, so the main wait is the upload, not the conversion; you can queue several at once.An RW2 is a single still, so most of this conversion is about how long that one frame plays and which codec wraps it. Three controls do the real work:
.flv wrapper.Note that there is no audio control here: because the source is an image, the converter hides the Audio Codec menu entirely, so the FLV is silent no matter which video codec you choose.
.flv natively. Open the file in VLC or process it with ffmpeg, both of which still read FLV.FLV is a dead-end container for almost every modern purpose: Flash Player is gone, browsers dropped it, and phones never supported it well. If you only want to view, print, or share the photograph, use RW2 to JPG for a universal image. If you genuinely need the still as a playable clip, RW2 to MP4 writes an H.264 file that plays on phones, browsers, and editors — a far better home than FLV. Choose FLV only when a specific legacy Flash-era tool or pipeline insists on the .flv extension. And whatever you do, keep the original RW2: it is your editable digital negative, and none of the RAW latitude survives the trip into a video frame.
Because an RW2 is a single photograph, not footage — there's no timeline, movement, or audio inside it. Converting one RW2 yields a freeze-frame: the rendered image held for the Image Duration you set, with no panning, animation, or sound. An FLV container can carry an audio stream, but a single still has nothing to fill it, so the converter omits audio entirely for image sources. To build a sequence that actually changes, upload several RW2 files and choose Merge images.
By default the output uses the FLV codec — Sorenson Spark, identified by the FourCC FLV1, which is a proprietary variant of the H.263 standard and the format original Flash players required. Under Video Codec in Advanced Options you can switch to H.264, which delivers better quality at the same file size and is supported by later Flash Player versions and modern players that read .flv. The container is the same .flv either way; only the encoded video stream differs.
Yes, substantially, and it's inherent to the conversion rather than a tool flaw. An RW2 stores 12- or 14-bit, unprocessed sensor data that must be demosaiced and tone-mapped to become viewable; that render bakes in white balance, exposure, and color, so the RAW latitude — the whole reason to shoot RW2 — is gone once it's a video frame. On top of that, a roughly 12-47 MP RAW is scaled down to an FLV frame (standard-definition-to-1080p class), discarding most of the resolution, and the default Sorenson Spark codec is an older, lossy format. Always keep the master RW2 — the FLV is a throwaway delivery file, not an archive.
Yes. Adobe ended Flash Player support on December 31, 2020 and blocked Flash content on January 12, 2021, so browsers and the old Flash plugin no longer play .flv. But the container itself isn't encrypted or locked — desktop players like VLC still open FLV directly, and ffmpeg can decode and re-mux it. If you need broad, future-proof playback, convert to RW2 to MP4 instead; MP4 with H.264 plays essentially everywhere.
For almost every purpose, JPG or MP4. To view, print, share, or upload the photograph, RW2 to JPG gives you a universal image that opens everywhere. If you genuinely need the still as a playable clip, RW2 to MP4 produces an H.264 file that plays on phones, browsers, and modern editors. FLV makes sense only when a legacy Flash-era authoring tool or workflow specifically demands the .flv extension — it's a dead container otherwise.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after the conversion — no sign-up, no watermark, never shared or made public. In our testing, a single 20-megapixel RW2 converted at the default 5-second duration produced a short, silent FLV that opened in VLC without an extra codec download but, as expected, would not play in a current web browser.