Initializing... drag & drop files here
Supports: TIFF, TIF
.tiff / .tif images. Multi-page TIFFs and batch uploads are supported..eps) with a bounding box and DSC header, ready to drop into Illustrator, InDesign, or QuarkXPress.TIFF (Tagged Image File Format, introduced by Aldus in autumn 1986 and now maintained by Adobe) is a flexible raster container — every pixel is stored, with optional LZW, ZIP, JPEG, or PackBits compression. EPS (Encapsulated PostScript, developed in 1987 by Adobe alongside Aldus) is a self-contained PostScript document that follows Adobe's Document Structuring Conventions, carries a bounding-box comment, and can hold either vector PostScript drawings or an embedded raster. Converting a TIFF to EPS wraps the raster bitmap in that PostScript envelope so legacy prepress tools, RIPs, and page-layout software can place it predictably.
%%BoundingBox comment.\includegraphics{figure.eps} (or pdfLaTeX after epstopdf conversion). Authors who scanned plates as TIFF often need an EPS copy for the submission package..eps for "vector" submissions even when the artwork is technically raster; wrapping a high-DPI TIFF in EPS satisfies that filter.| Property | TIFF | EPS |
|---|---|---|
| Format type | Raster (bitmap) container | PostScript document (can hold vector and/or raster) |
| Introduced | 1986 (Aldus, Revision 6.0 in 1992) | 1987 (Adobe + Aldus) |
| File extension | .tiff, .tif |
.eps, .epsf, .epsi |
| Maximum file size | ~4 GB classic; up to 18 EB with BigTIFF (2007) | No format-defined cap; limited by interpreter |
| Compression | None, LZW, ZIP, JPEG, PackBits, CCITT G3/G4 | Optional inside embedded image; PostScript code itself is text |
| Colour | 1-bit bilevel through 16-bit-per-channel CMYK, with ICC profiles | RGB, CMYK, grayscale via PostScript colour operators |
| Transparency | Alpha channel (extra sample) | Not supported in classic EPS; flattened to background |
| Vector content | No | Yes (when authored from vector source) |
| Web browsers | Not natively rendered by Chrome, Firefox, Edge, Safari | Not natively rendered by any browser |
| Typical use | Scans, photography masters, archival | Prepress placement, legacy print delivery, LaTeX figures |
| Modern alternative | DNG, PNG-16, OpenEXR | PDF, SVG, PDF/X |
| DPI | Best for | Trade-off |
|---|---|---|
| 72 | On-screen previews, web mockups | Visibly soft when printed above thumbnail size |
| 96 | Standard screen captures, presentations | Borderline for office printing |
| 150 | Internal proofs, newsprint, draft prints | Half the detail of true 300 DPI offset |
| 200 | Office laser printing, B&W documents | Good compromise; not enough for glossy stock |
| 300 (default) | Offset, digital press, magazines, packaging | Industry standard since the 1990s |
| 600 | Line art, small type, OCR-bound scans | File size roughly 4x vs 300 DPI |
| 1200 | Archival fine-art repro, museum scans | Very large files; only needed for high-end repro |
No — and any "TIFF to EPS" converter that claims to vectorise your image is misleading you. TIFF is raster (a grid of pixels). Converting to EPS wraps that raster inside a PostScript document with a bounding box and DSC header so prepress tools accept it, but the underlying pixels stay the same. If you genuinely need a vector mark, you have to redraw or trace the artwork in Illustrator, Inkscape, or a tracing tool — see TIFF to SVG for raster-to-vector trace options.
For most modern workflows, yes — PDF/X-1a or PDF/X-4 is the format virtually every print shop now prefers, and a high-resolution TIFF is fine when the printer accepts raster directly. EPS is mainly useful when the receiving software, RIP, or submission portal explicitly asks for .eps. Microsoft removed EPS support from Office in May 2018 due to security concerns, so do not expect Word, PowerPoint, or Outlook to render the file.
Because the EPS contains an embedded raster, not vectors. Scaling a 300 DPI EPS to 200% effectively prints it at 150 DPI. Convert the source TIFF at a higher DPI (600 or 1200) before wrapping, or scale down only, never up. If you need infinite scaling, the artwork has to be authored or traced as vector PostScript.
No. Classic EPS has no native alpha-channel transparency — the PostScript imaging model paints opaque marks. Any transparent regions in the source TIFF are flattened against the white "Image Transparency" background colour (or whichever colour you pick). If you need transparency, convert to PDF instead via TIFF to PDF, which supports the PDF transparency model from PDF 1.4 onward.
Classic EPS is a single-page format by definition — the "encapsulated" in the name means one image with one bounding box. Multi-page TIFFs are converted page-by-page, producing one .eps per page. If you need a single multi-page deliverable, PDF is the right target.
Adobe Illustrator, Photoshop (rasterises on open), InDesign (places only), CorelDRAW, Affinity Designer, Inkscape, and GIMP all open EPS. Free viewers include Ghostscript and GSview. macOS Preview opens EPS via a Ghostscript-backed converter. Most web browsers do not render EPS — you have to open the file in a graphics application or convert it back to a web format like PNG or SVG.
300 DPI is the prepress baseline and is sufficient for the vast majority of offset and digital print jobs at 1:1 reproduction size. Choose 600 DPI when the EPS contains fine line art, small typography below 6 pt, technical drawings, or scans that will be reproduced at larger than their original size. Going above 600 DPI rarely improves perceived print quality but multiplies file size — a 600 DPI scan is roughly 4x the bytes of a 300 DPI scan; a 1200 DPI scan is roughly 16x.
Yes — open the EPS in Photoshop, Affinity Photo, or GIMP and re-export as TIFF. Because the raster inside the EPS was wrapped (not re-encoded with a lossy step), you will get back the same pixel data, though any colour-management transform applied during conversion will be baked in. The reverse direction is also available on xconvert via EPS to TIFF.
Uploads are processed on xconvert's servers (rendering PostScript reliably requires Ghostscript-class tooling, which is not available in-browser). Files are not retained for training, sharing, or analytics, and there is no sign-up, watermark, or file count limit.