Initializing... drag & drop files here
Supports: TIFF, TIF
.tiff / .tif files — including multipage TIFFs from scanners, medical imaging, or microscopy. Batch upload is supported, and pages are read in filename order so prefix them 01_, 02_, etc. for a deterministic sequence..f4v you download in your browser — no watermark, no sign-up. Need MP4 instead? Use TIFF to MP4.TIFF (Tagged Image File Format), created by Aldus in 1986 and now maintained by Adobe, is the workhorse of scanners, fax archives, microscope cameras, and scientific imaging — it stores up to 16-bit-per-channel data losslessly and can pack many pages into one file, but it has no native concept of time, audio, or playback. F4V is Adobe's H.264-in-ISO-base-media-file-format container, introduced in December 2007 with Flash Player 9 Update 3; it shares its file structure with MP4 and is sometimes called "Flash MP4". Converting TIFF pages into an F4V turns a static archive into a paced, playable clip.
.f4v natively; sliding a scanned TIFF deck into the same pipeline avoids re-authoring the course..f4v over RTMP; this preserves that delivery path while the source remains print-grade TIFF.| Property | TIFF | F4V |
|---|---|---|
| Type | Still-image container (multipage) | Video container (H.264 + AAC) |
| Container basis | Tag-based, format-specific | ISO base media file format (same family as MP4) |
| Year introduced | 1986 (v6.0 in 1992) | December 2007 (Flash Player 9 Update 3) |
| Codec(s) | Uncompressed, LZW, ZIP/Deflate, JPEG, CCITT Group 4, WebP, ZSTD | H.264/AVC video; AAC audio |
| Bit depth | Up to 16-bit per channel (scientific 32-bit float supported) | 8-bit per channel (H.264 Main/High) |
| Color model | RGB, CMYK, LAB, grayscale, paletted | YUV 4:2:0 (typical) |
| Native playback | Image viewers / Photoshop / browsers via plugin | VLC, MPlayer; legacy Flash Player (EOL Dec 2020) |
| Audio | None | AAC stereo / surround |
| Web streaming | No | Yes (RTMP, progressive download) |
| Typical use | Scanning, prepress, medical, archival | Legacy Flash players, RTMP streaming, LMS |
| Preset | Visual quality | Typical bitrate (1080p) | When to pick it |
|---|---|---|---|
| Lowest / Very Low | Heavy compression, banding visible | ~0.5-1 Mbps | Quick previews, draft review uploads |
| Low / Medium | Acceptable for general viewing | ~2-4 Mbps | Web slideshows, internal demos |
| High | Clean for most projection / desktop | ~5-8 Mbps | E-learning, portfolio slideshows |
| Very High (Recommended) | Near-source for typical viewing | ~8-12 Mbps | Microscopy timelapse, prepress proofing |
| Highest | Maximum H.264 fidelity in F4V | ~15-20 Mbps | Archival masters, broadcast handoff |
Native browser playback requires the Adobe Flash Player plugin, which Adobe end-of-lifed on December 31, 2020 and no current browser ships. On the desktop, VLC opens F4V without extra codecs because the container is ISO-base-media-file-format (the same family as MP4) and the payload is H.264. If you need universal HTML5 playback, convert to MP4 instead — the codec is identical, only the container differs.
Each subfile/page inside a multipage TIFF is read as one frame. Combined with "Merge images" mode and your chosen Image Duration, a 30-page TIFF at 1/30 s per frame becomes a 1-second 30-frame F4V; the same 30 pages at 5 s each becomes a 2.5-minute slideshow. Filename order is honored when you upload a folder of individual .tif files.
TIFF typically stores pages either uncompressed or with lossless codecs (LZW, ZIP, CCITT Group 4), preserving every pixel at up to 16 bits per channel. F4V re-encodes the frame data with H.264 — a lossy spatial/temporal codec at 8-bit per channel — which routinely shrinks payloads 20-100x at the Very High preset. The TIFF originals are deleted from our servers after a few hours if you need to re-render.
Yes. Under Video Resolution choose "Keep original" and the encoder writes frames at the native TIFF dimensions. Note that H.264 in F4V tops out at 4096x2304 (Level 5.1 / 5.2 commonly used in Flash players); 8K TIFF scans need to be downscaled or your player may refuse the stream. Bit depth always drops to 8 bits per channel in H.264.
If you pick a fixed video resolution that differs from the TIFF aspect, the converter letterboxes (or pillarboxes) with the Background Color you select. Default is Black; pick White, Gray, or any of the 23 named colors to match your branding. To avoid bars, choose "Keep original" or "Width x Height" with the source TIFF's exact dimensions.
F4V and MP4 carry the same H.264 + AAC payload — both descend from MPEG-4 Part 12 (ISO base media file format). Pick F4V only if your target system is a legacy Flash-aware player, RTMP server (Wowza, Red5, Adobe Media Server), or an LMS that explicitly requests .f4v. For everything else — websites, mobile, modern editors, social — choose MP4 via TIFF to MP4 for broader compatibility.
Frame rate is derived from "Image Duration": 1/30 s per image yields 30 fps, 1/24 s yields 24 fps, 1 s per image yields 1 fps. For smooth timelapse playback on most monitors pick 1/24 or 1/30 s. Slideshow pacing (2-10 s) is fine inside an F4V but produces very low effective frame rates that some legacy players animate awkwardly — pad with shorter holds if you see judder.
Conversion runs on our servers against our hosted encoder — there's no hard page cap, but very large multipage TIFFs (gigabyte-scale microscopy stacks at 16-bit) can take time. For batches of single-page TIFFs the practical bottleneck is upload time; you can upload many files at once and apply the same settings to all of them.