Initializing... drag & drop files here
Supports: TIFF, TIF
.tiff / .tif files. Multi-page TIFFs and image batches are supported — each frame can become a slide in the output RM video..rm file.TIFF (Tag Image File Format, finalized as version 6.0 in 1992) is a high-fidelity raster container — common for scanner output, GIS rasters, archival scans, and prepress artwork — that can hold lossless LZW or Deflate, JPEG, or uncompressed bitmaps at depths up to 32 bits per channel. RM (RealMedia, .rm) is a streaming video container from RealNetworks first released in 1997. Mainstream development of new RealVideo codecs wound down after RealNetworks divested most of its codec patent portfolio in 2012, so RM today is primarily a legacy / archival target rather than a delivery format for modern web playback.
Reasons people still need TIFF → RM today:
.rm catalogues in the late 1990s and 2000s often need to drop in updated slides while keeping the surrounding playlist (.ram / .smil) structure intact rather than re-encoding the whole library.If you are not specifically required to deliver RM, consider TIFF to MP4 or TIFF to RMVB — MP4 is far more broadly playable, and RMVB packs better quality at the same size for offline distribution.
| Property | TIFF | RM |
|---|---|---|
| Type | Raster still image (single or multi-page) | Streaming video container |
| Released | 1986; v6.0 finalized 1992 (Aldus / now Adobe) | 1997, RealNetworks |
| Typical codecs | Uncompressed, LZW, Deflate, JPEG, ZSTD, PackBits | RealVideo RV10 / RV20 (this tool); RealAudio pairings |
| Audio | None | Required track (RealAudio / AAC depending on muxer) |
| Compression | Lossless by default; lossy JPEG-in-TIFF optional | Lossy temporal compression |
| Native players | Photoshop, GIMP, Preview, irfanView, GIS tools | RealPlayer; VLC (built-in decoder); MPC + Real Alternative |
| Status (2026) | Active — ISO 12639 base, used in prepress and archives | Legacy; new codec development halted around 2012 |
| Best for | Archival masters, scans, prepress, multi-channel imagery | Maintaining or extending legacy RealMedia archives |
This tool encodes the output with the RealVideo codecs that the RM container supports natively. RV20 is the default — pick the preset that matches your distribution constraints.
| Setting | What it does | When to use |
|---|---|---|
| RV10 video codec | H.263-based; introduced with RealPlayer 5 | Maximum compatibility with very old RealPlayer 5/6 clients |
| RV20 video codec | H.263 + Scalable Video Technology; RealPlayer 6 era | Default; balanced quality and reach |
| Constant Quality | Targets a fixed visual quality, bitrate varies | Slideshows with simple flat frames — keeps file size lean |
| Constraint Quality | Caps quality variation between frames | Mixed content (photo TIFFs interleaved with text scans) |
| Preset: Very High | Recommended default; ~ visually clean at modest bitrate | Most use cases |
| Preset: Highest | Largest output, lowest quantization | Archival masters that may be re-encoded later |
| Preset: Lowest / Very Low | Smallest output, heavy quantization | Streaming over very constrained links (sub-300 kbps) |
| Image Duration | Seconds-per-frame for the slideshow | 3–5s reads as a slideshow; 1/24s creates a stop-motion-style animation from frame-numbered TIFFs |
| Merge images | One RM file containing all slides | Building a single timed reel |
| Video per image | One RM per TIFF | Batch-converting individual stills to RM clips |
Almost always for legacy compatibility. Newsroom archives, university distance-learning servers (Helix), government training portals, and some kiosk systems built around RealPlayer in the late 1990s and 2000s still ingest .rm natively. If you need to drop new slides into one of those catalogues without rebuilding the whole playlist, RM is the correct target. For a public-facing modern slideshow, prefer TIFF to MP4 instead.
The encoder writes RV10 or RV20 (selectable under Codec). RV10 is H.263-based and dates to RealPlayer 5; RV20 adds RealNetworks' Scalable Video Technology from the RealPlayer 6 era. We do not encode RV30/RV40/RV60 because the encoder side of those codecs was never fully open-sourced.
Yes. If your TIFF contains multiple pages (common for scanned documents, fax stacks, or GIS layers) and you leave "Merge images" selected, each page becomes one frame in the output RM. The "Image Duration" setting controls how long each page is held. If instead you upload several separate TIFFs and pick "Video per image," each file produces its own .rm clip.
Yes, the uploader accepts 8-bit and 16-bit-per-channel TIFFs, including LZW, Deflate, JPEG-in-TIFF, and uncompressed variants. RealVideo internally encodes 8-bit 4:2:0 YUV, so the extra precision is collapsed during encoding — the file converts, but you should not expect the bit-depth fidelity to survive. For archival masters where bit depth matters, keep the TIFFs and use RM only for the distribution copy.
Two reasons. First, RealVideo is lossy: the encoder discards high-frequency detail at low bitrates, more aggressively at the "Lowest" / "Very Low" presets. Second, RM uses 4:2:0 chroma subsampling, so saturated reds and fine colored text lose definition compared to the original TIFF. Bump the preset to "Highest" or raise the resolution to keep more detail.
.rm files today?VLC plays .rm natively through its built-in RealMedia decoder on Windows, macOS, and Linux — no codec pack required. Media Player Classic plus the Real Alternative codec bundle is the long-standing Windows-only option. RealNetworks' own RealPlayer (still distributed for Windows and macOS) also plays files this tool produces. Modern browsers, iOS, and Android do not decode RM natively.
This converter writes a silent RM (the muxer adds the audio track header required by the container but no soundtrack). If you need narration or music aligned to the slides, convert TIFF to MP4 first, add audio in a video editor, then re-encode to RM if RM delivery is still mandatory — or skip the RM step entirely.
RMVB (RealMedia Variable Bitrate) generally produces noticeably better quality at the same average file size because it spends more bits on busy frames and less on flat slides. RM with constant bitrate is a safer pick if your target playback environment is older or streams the file (variable bitrate streaming was less reliable on early RealPlayer clients). For offline archival, prefer TIFF to RMVB; for legacy streaming compatibility, stay on RM.
TIFF to RM conversion runs on xconvert's servers. Uploads transfer over an encrypted connection, the encode happens on our converter nodes, and the source files are deleted automatically after a few hours — no account, no watermark, no permanent storage.