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Supports: TIFF, TIF
TIFF (Tagged Image File Format, introduced in 1986 by Aldus and now maintained by Adobe) is the archival workhorse of scanning, photography, and prepress. It supports lossless compression, deep colour, and multi-page documents — but it isn't a video format. WMV (Windows Media Video, introduced by Microsoft in 1999, with WMV9 standardised by SMPTE as VC-1 in 2006) is one of a handful of formats that Windows Media Player has played natively since Windows XP. Wrapping a TIFF sequence into a WMV turns archival stills into something that auto-plays inside the Windows ecosystem.
| Property | TIFF | WMV |
|---|---|---|
| Media type | Still image (single or multi-page) | Video container with audio |
| Introduced | 1986 (Aldus) | 1999 (Microsoft, WMV7) |
| Standardised as | Adobe-maintained spec | WMV9 → SMPTE VC-1 (2006) |
| Compression | Lossless (LZW, ZIP, PackBits, CCITT) or lossy (JPEG, JP2K) | Lossy (WMV1/2, WMV9/VC-1) |
| Typical bit depth | 8 / 16 / 32 bits per channel | 8 bits per channel |
| Max file size (classic) | ~4 GiB (32-bit offsets) | No fixed cap |
| Native player support | Photo viewers, imaging suites | Windows Media Player, VLC, MPC-HC |
| Browser playback | None (download only) | None (download only) |
| Best for | Archives, scans, prepress, RAW dev | Windows-only video delivery, PowerPoint, legacy LMS |
| Setting | Suggested value | When to use |
|---|---|---|
| Quality Preset | Very High (default) | Best for archival slideshows where you want crisp text on scanned pages |
| Quality Preset | Medium | Good for general kiosk or PowerPoint embeds where file size matters |
| Image Duration | 5 seconds | Standard slideshow pacing for readable photo or document review |
| Image Duration | 1/24s or 1/30s | Time-lapse playback (cinema 24 fps or NTSC 30 fps cadence) |
| Resolution | 1920×1080 | Most modern Windows displays and projectors |
| Resolution | Keep Original | Preserves the native TIFF dimensions (best for archive fidelity) |
| Background Color | Black | Hides letterboxing on mixed aspect ratios |
| Background Color | White | Matches scanned documents and printed-page contexts |
WMV plays natively in Windows Media Player and the Windows 11 Media Player app without any codec install, which still matters on locked-down corporate desktops where the IT policy blocks third-party codecs or where users open files by double-clicking rather than via a browser. If your audience is cross-platform (macOS, mobile, web), convert TIFF to MP4 instead — MP4/H.264 is more portable.
Yes. Each page of a multi-page TIFF is treated as one frame, and the Image Duration setting controls how long each page stays on screen. A 50-page scan at 5 seconds per page produces a 4-minute, 10-second WMV.
This converter focuses on the image-to-video render itself, so the WMV is produced silent. To add music, save the WMV first, then use a video editor (or trim WMV for length adjustments) — most editors accept WMV with WMA audio for further work.
Pick a Fixed Resolution like 1920×1080 and let the Background Color (Black or White) handle letterboxing for any TIFF whose aspect ratio doesn't match. Alternatively, choose Keep Original if all your TIFFs are the same dimensions — this preserves pixel-perfect fidelity from the source.
The WMV9/VC-1 codec supports resolutions up to 4K (and the VC-1 spec on Blu-ray maxes at 1920×1080), but real-world WMV files are usually authored at 1080p or below. This converter offers up to 4320p (8K) presets, but Windows Media Player's hardware decode for very high resolutions can be inconsistent — stick to 1080p or 2160p for the most reliable playback.
WMV's older codecs (WMV2 by default in many tools) are less efficient than H.264 or H.265. If file size matters more than Windows-native playback, convert TIFF to MP4 or TIFF to WebM instead — both use modern codecs with far better compression at the same visual quality.
Yes — once you have the WMV, you can use trim WMV to clip out a section without re-rendering the whole slideshow. This is handy when you've created a 10-minute kiosk loop and need a 30-second teaser version.
There's no hard count limit set by the converter, but each file uploads through your browser session, so very large batches (hundreds of full-resolution 600 DPI scans) are limited by browser memory and connection speed rather than a per-file quota. For book-scan-sized jobs, split into chapters of 50-100 TIFFs.
Files process in your active browser session and are not retained long-term. There's no sign-up, no email collection, and no watermark added to the output WMV.