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Supports: TS
.ts capture or click "+ Add Files" to select one or more transport-stream files. Batch is supported, so you can queue an entire DVR recording or multi-part broadcast in one run..ts (MPEG-2 Transport Stream, defined in ISO/IEC 13818-1) is the wrapper your TV tuner, IPTV box, or DVB-T/ATSC capture card writes when it records a broadcast: 188-byte packets engineered for lossy radio links, often carrying MPEG-2 video and stitched together from whatever the broadcaster muxed in. AVCHD, jointly specified by Sony and Panasonic in 2006, is a much stricter profile: H.264 video at up to 1920×1080, AC-3 (or LPCM) audio, in an MPEG-2 transport stream container — the format consumer Blu-ray players, NLE timelines, and AVCHD-aware camcorders all expect.
BDMV / STREAM folder hierarchy with .mts payloads)..ts files but happily play AVCHD discs and AVCHD-on-DVD-R, which is the cheapest way to put a recording on a TV without a media-server setup.| Property | TS (MPEG-2 Transport Stream) | AVCHD |
|---|---|---|
| Standard | ISO/IEC 13818-1 (MPEG-2 Part 1, Systems) | Sony / Panasonic spec, 2006 (uses MPEG-2 TS container) |
| Primary purpose | Broadcast & streaming transmission (DVB, ATSC, IPTV) | Consumer HD camcorder recording, Blu-ray-style playback |
| Typical video codec | MPEG-2 (broadcast), occasionally H.264 | H.264 / MPEG-4 AVC (required) |
| Typical audio codec | MPEG-1 Layer II, AC-3, AAC (broadcast-dependent) | AC-3 Dolby Digital, or LPCM on professional models |
| Max resolution | Codec-limited; commonly 1920×1080 broadcast HD | 1920×1080 (1080i / 1080p) |
| Max video bitrate | No hard cap; broadcast typically 15–25 Mbit/s | 24 Mbit/s (HD modes), up to 28 Mbit/s in PS progressive |
| File extension | .ts |
.mts (on camcorder SD card), .m2ts (after PC import) |
| Folder structure | None — single file | BDMV/STREAM/00000.MTS directory tree |
| Plays on Blu-ray hardware | Rarely (no standard folder layout) | Yes — disc players and PS3/PS4/PS5 read AVCHD discs |
| Best for | Capturing live broadcasts, IPTV restreaming, mux work | Archiving to disc, NLE editing, camcorder card playback |
| Setting | Recommended value | When to use |
|---|---|---|
| Video codec | H.264 (default) | Mandatory for AVCHD compliance |
| Audio codec | AC-3 (default) | Universal Blu-ray / camcorder support |
| Quality Preset | Very High | Archive-grade, near-source quality |
| Constant Bitrate | 17–20 Mbit/s | Matches Sony FH/Panasonic HA modes (1080i broadcast quality) |
| Variable Bitrate | 24 Mbit/s max | Matches AVCHD FX mode — top non-progressive tier |
| Progressive PS mode | 28 Mbit/s | 1080p60 source; check that your target player supports PS |
| Resolution | 1920×1080 or 1280×720 | AVCHD spec only allows these HD sizes (plus SD variants) |
Because AVCHD is a complete spec, not just an extension. A .ts file from your DVR is almost always MPEG-2 video with MP2 or AAC audio, and the GOP/bitrate structure is whatever the broadcaster sent. AVCHD requires H.264 video, AC-3 (or LPCM) audio, specific resolutions, and the BDMV/STREAM/ folder layout for disc playback. Renaming changes nothing inside the file — a real re-encode is the only path that produces something a Blu-ray player or camcorder will accept.
Only if you reconstruct the full AVCHD folder tree (BDMV, CERTIFICATE, AVCHDTN, etc.) on the card — most camcorders refuse to index loose .mts files. The converter here gives you the spec-compliant stream; tools like Multi-AVCHD or tsMuxeR wrap it into the directory structure the camcorder expects. If you only need PC/NLE playback, the bare .mts file is fine.
The video codec is the same. The differences are the container (MPEG-2 TS vs. ISO BMFF/MP4), the mandatory audio codec (AC-3 for AVCHD vs. AAC for MP4), the resolution restrictions (AVCHD locks to specific HD sizes; MP4 allows anything), and Blu-ray-player compatibility (AVCHD-on-disc plays on standalone hardware; MP4 generally doesn't). If you only need PC or phone playback, TS to MP4 gives you a smaller, more portable file.
Broadcast TS streams can have discontinuous PCRs (program clock references), missing PAT/PMT tables, or audio splices from ad insertion. These confuse the demuxer. If sync drifts, try converting to MP4 first (TS to MP4) to clean the stream, then re-encode that MP4 to AVCHD — the intermediate step often resolves timestamp issues.
Yes — AVCHD's AC-3 audio supports up to 5.1 channels at bitrates from 64 kbit/s to 640 kbit/s (typical broadcast levels are 256–384 kbit/s). The converter passes through your source channel layout when the encoder allows; for guaranteed 5.1, leave the audio codec on AC-3 and don't downmix in the trim options.
For standard AVCHD compatibility, cap at 24 Mbit/s. For PS (progressive) 1080p60 mode supported by newer Sony/Panasonic gear, you can go to 28 Mbit/s. Going higher technically violates the spec — some players ignore it, but standalone Blu-ray decks may stutter or refuse playback. If you need higher bitrates, output to plain H.264 MP4 or MKV instead.
PS3, PS4, and PS5 all play AVCHD discs and folders directly. Most Blu-ray players from 2009 onward read AVCHD on burned DVD-R or BD-R media. For very old (2007–2008) hardware, check the manual — early AVCHD support was patchy. The conversion itself produces a compliant stream; whether your specific player accepts it depends on its firmware vintage.
These are different tasks. Use this converter to get into AVCHD from a .ts source. If you already have AVCHD and just want a smaller file, run it through the Video Compressor instead. To go the other direction (AVCHD back to a portable container), use AVCHD to MP4. If your source is already .mts from a camcorder rather than a .ts from a broadcast, use MTS to AVCHD — the path is shorter and the encoder defaults are tuned for camera footage.