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Supports: WEBM
.webm files or click "+ Add Files" to browse. Batch uploads are supported, and each file is processed on our servers..flv (FLV1 video + MP3/AAC audio) — no watermark, no sign-up, runs on xconvert’s servers with no per-file cap.WebM (VP8/VP9 + Opus/Vorbis in a Matroska-derived container) is the modern open web video format and the default for browser-captured recordings, Chrome screen-grab tools, and YouTube downloads. FLV (Flash Video, introduced by Macromedia in 2003 and inherited by Adobe) is the opposite end of the lifecycle: Adobe officially ended Flash Player support on December 31, 2020, and began blocking Flash content on January 12, 2021. There are still real reasons to produce an FLV, but every one is legacy compatibility — never a quality or efficiency win.
flowplayer or JW Player 5.x still expect .flv URLs and will reject MP4 or WebM uploads outright..cptx projects only accept FLV import for embedded video. WebM clips have to be transcoded before they can be dropped on the timeline.| Property | WebM | FLV |
|---|---|---|
| Year introduced | 2010 (Google) | 2003 (Macromedia) |
| Container basis | Matroska (open) | Proprietary (Adobe) |
| Typical video codecs | VP8, VP9, AV1 | Sorenson Spark (H.263), VP6, FLV1, H.264 |
| Typical audio codecs | Opus, Vorbis | MP3, AAC, Nellymoser, Speex, ADPCM |
| Browser playback (2026) | Chrome, Firefox, Edge, Safari 16+ desktop / 17.4+ iOS, Opera | None natively — Flash Player EOL 2020-12-31 |
| Subtitles | WebVTT in-container | Not in container (sidecar only) |
| HDR / 10-bit | Yes (VP9 Profile 2, AV1) | No |
| Max resolution in common use | 8K (AV1), 4K (VP9) | 1080p in practice |
| Adaptive streaming | DASH, WebM-DASH | HLS/DASH wrap MP4/TS, not FLV; RTMP only |
| Best for | HTML5 web, archiving, modern editing | Legacy Flash players, OBS capture buffer, RTMP ingest |
The FLV container in our pipeline writes Sorenson Spark (FLV1) video with your chosen audio codec. Pick based on what the receiving system actually demands.
| Setting | Best when | Trade-off |
|---|---|---|
| Quality Preset → Very High | Default; preserving source detail | Larger file than CBR equivalents |
| Constant Bitrate (1–4 Mbps) | RTMP ingest with bandwidth ceilings | Quality dips on high-motion scenes |
| Constant Quality | Editing master that will be re-encoded later | File size varies per scene |
| Specific file size | Hard upload cap on a legacy CMS | Multi-pass; longer convert time |
| Audio: MP3 128–192 kbps | Maximum legacy compatibility | Larger than AAC at equal quality |
| Audio: AAC 128 kbps | Flash Player 9.0.115+ era systems | Older Flash 7/8 cannot decode |
Because the FLV container outlived the Flash player. OBS Studio still records FLV by default for crash recovery, RTMP-based streaming servers (Wowza, nginx-rtmp, Red5) still accept FLV, and a long tail of e-learning systems, museum kiosks, and corporate intranets refuse to upgrade. If a system rejects your .webm upload and only accepts .flv, this conversion is the fix.
No. Adobe ended Flash Player support on December 31, 2020, and Chrome, Firefox, Edge, and Safari all removed the Flash plugin. Modern browsers will not play FLV natively. You need a desktop player like VLC, MPV, or PotPlayer, or you need to re-wrap the stream into MP4. For browser playback, use Convert FLV to MP4 afterwards, or just go directly with WebM to MP4.
The pipeline writes FLV1 (Sorenson Spark / H.263 variant) as the video codec, which is the broadest-compatible choice for legacy FLV players including Flash Player 7 and older Macromedia tooling. H.264-in-FLV exists (Flash Player 9.0.115+ from 2007 onward) but most systems that still need FLV in 2026 are the older Flash 7/8 era; FLV1 is the safer default.
Almost always, yes. VP9 (typical WebM codec) is roughly 50% more efficient than FLV1/Sorenson Spark at equal perceptual quality, and Opus audio is several times more efficient than MP3. A 10 MB WebM commonly becomes a 20–35 MB FLV at matched quality. Use the Resolution Percentage or Specific file size controls to push the FLV down — accept the quality hit as the cost of legacy compatibility.
No. VP8 and VP9 in WebM support alpha, but the FLV1 codec inside an FLV container does not. Any transparent pixels in your WebM are flattened against the background color you select (default black). If you need alpha video, FLV is the wrong target — keep WebM, or export to ProRes 4444 in a MOV.
Yes. Leave Video resolution → Keep original and the Preset at Very High and the converter passes through your source dimensions and FPS. Only the codec and container change. This is what you want when feeding an FLV-only ingest that expects a 1:1 replacement of an existing file.
Opus is re-encoded because no Flash-era player can decode Opus. The default audio codec for FLV output is MP3 at a reasonable bitrate; you can pick AAC or other PCM/ADPCM variants if your downstream system has specific requirements. Re-encoding audio always loses some quality, so pick the highest bitrate your target system accepts.
No hard cap — files are processed on our servers and deleted automatically after a few hours. Very long 4K WebM sources (multi-gigabyte recordings) will be slow to convert because every frame has to be re-encoded with the older FLV1 codec, which is not GPU-accelerated. For files over a few hundred MB, consider downscaling with Compress WebM first and then converting the smaller WebM to FLV.
FLV is the original 2003 Macromedia container with a flat tag stream. F4V is Adobe's 2007 successor based on the ISO base media file format (the same family as MP4) and was designed for H.264 + AAC. If your target system asks for "Flash video" it almost always means classic FLV — F4V is rarely the right answer in 2026 because anything that accepts F4V also accepts MP4. This tool produces classic .flv.