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Supports: WMV
.wmv clip onto the converter or click "+ Add Files" to browse. Batch uploads are supported, so you can extract audio from several WMV recordings in one pass..aif extension. Files process in your browser session — no sign-up, no watermark.WMV (Windows Media Video, introduced by Microsoft in 1999) is an ASF-container format that pairs video with a Windows Media Audio (WMA) track. AIFF (Audio Interchange File Format, developed by Apple in 1988 and based on Electronic Arts' IFF) stores uncompressed PCM audio — lossless, big-endian, and natively understood by macOS, Logic Pro, Final Cut Pro, and Pro Tools. Converting WMV to .aif strips the video, decodes the WMA audio once, and writes it out as PCM so the file behaves like a first-class audio asset on Apple-centric workflows.
.aif as a native asset. WMA support on macOS historically required Flip4Mac or other plugins, most of which are no longer maintained — converting up front avoids the codec hunt..aif is a stable, codec-free archive copy that will still open in 2040 without depending on Windows Media licensing.| Property | WMV | AIF |
|---|---|---|
| Type | Video container (audio + video) | Audio-only container |
| Developer | Microsoft (1999) | Apple (1988) |
| Container | ASF (Advanced Systems Format) | IFF-derived chunk format |
| Typical audio codec | WMA (lossy) or WMA Pro | PCM (uncompressed, lossless) |
| Byte order | Little-endian | Big-endian |
| Lossless? | No (WMA is lossy) | Yes (PCM) |
| Native on macOS | No (third-party plugins) | Yes |
| Native on Windows | Yes | Yes (since Windows 7) |
| Common extension | .wmv |
.aif (Windows convention) or .aiff |
| Typical size, 1 min stereo @ 44.1 kHz | ~1-2 MB (WMA 128-192 kbps) | ~10.1 MB (PCM 16-bit) |
.aif, .aiff, and .aifc all describe the same Audio Interchange File Format from Apple. The naming difference is historical: DOS limited file extensions to three characters, so Windows tools settled on .aif, while macOS uses the four-character .aiff. AIFC is the compressed variant.
| Extension | Where you'll see it | Internal contents |
|---|---|---|
.aif |
Windows-saved files; legacy DOS / Windows ME / Windows 7 tooling | Standard AIFF (PCM) |
.aiff |
macOS, Logic Pro, Final Cut Pro, most DAWs | Standard AIFF (PCM) |
.aifc |
AIFF-C variant; sometimes Apple's little-endian sowt PCM |
Compressed or alternate-endian PCM |
Both .aif and .aiff are bit-for-bit identical inside. If you need the Mac-style four-character name, use WMV to AIFF instead.
| Sample rate | Use case | File size, 1 min stereo 16-bit |
|---|---|---|
| 22050 Hz | Telephone-grade voice; smallest files | ~5.0 MB |
| 44100 Hz | CD audio; podcasts; music delivery | ~10.1 MB |
| 48000 Hz | Video sync (Final Cut, Premiere, broadcast) | ~11.0 MB |
| 96000 Hz | High-resolution mastering; archival | ~22.0 MB |
At 24-bit depth, multiply each row by 1.5. Going above the source WMA's effective bandwidth (typically 22 kHz at 128 kbps) does not recover detail — it only makes a larger file.
Because WMV's audio track was WMA-compressed at roughly 128-192 kbps, while AIFF stores raw PCM at about 1,411 kbps for 16-bit 44.1 kHz stereo. Expect the AIF to be roughly 7-10x the size of the original audio data inside the WMV. That extra size is not "more audio" — it is the same audio stored without compression.
No. WMA is lossy, so audio detail discarded during the original encode cannot be recovered. The AIF is lossless from this point forward, but the ceiling is set by the WMA source. AIFF is the right format for preserving what you have, not for improving it.
.aif and .aiff — should I pick one over the other?They are identical inside. Windows tools historically wrote .aif because of the DOS 8.3 filename limit; macOS uses .aiff because it never had that limit. Pick .aif if your downstream tooling is on Windows or a CMS that rejects four-character extensions; pick .aiff if you are handing files to a Mac-based editor or studio.
No, and you would not want to. AIFF only stores PCM, not WMA. The converter decodes the compressed WMA stream to raw samples and writes them as PCM in the .aif file. You can choose the PCM sample rate (e.g., 44.1 kHz) and channel count (mono/stereo), but the bitrate is dictated by the PCM math — it is not a quality dial.
44100 Hz, 16-bit, stereo (or mono if the source is single-mic). That matches CD quality and is the default for most podcast hosts. Going higher (48 kHz or 96 kHz) inflates file size without adding audible detail when the source is a WMA-compressed interview.
Yes. Windows has shipped AIFF support natively since Windows 7. Windows Media Player, Groove Music, and most third-party Windows audio apps open .aif files directly. On macOS, every Apple audio app — QuickTime, Music, Logic Pro, GarageBand, Final Cut Pro — opens them without conversion.
Yes. Upload multiple WMVs and they convert in the same browser session using the same Audio Channel, Sample Rate, and Trim settings. If you need different settings per file, run them in separate batches.
Use the Trim control in Advanced Options. Enter a start time in HH:MM:SS.mmm and a duration in the same format. Only the selected window is decoded and written to the AIF. For more involved editing after conversion, see Trim AIF.
For a smaller lossy file use WMV to MP3. For Windows-native lossless choose WMV to WAV — WAV is little-endian PCM, AIFF is big-endian PCM, but the audio is otherwise equivalent. For lossless at roughly half the size of PCM, try WMV to FLAC.