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Supports: WMV
WMV files are Microsoft's Advanced Systems Format (ASF) wrapped around the WMV 7/8/9 or VC-1 codec, with WMA audio. M2TS is the file extension of the Blu-ray Disc Audio-Video (BDAV) MPEG-2 Transport Stream — the same container used on commercial Blu-ray discs and on AVCHD camcorder cards. Converting WMV to M2TS rewraps your video into a transport stream that disc authoring software, set-top players, and AVCHD-compatible devices can ingest directly.
| Property | WMV | M2TS |
|---|---|---|
| Container | Advanced Systems Format (ASF) | BDAV MPEG-2 Transport Stream (192-byte packets) |
| Typical video codec | WMV 7 / WMV 8 / WMV 9 / VC-1 | H.264, H.265, MPEG-2, or VC-1 |
| Typical audio codec | Windows Media Audio (WMA) | Dolby Digital, DTS, LPCM (mandatory); Dolby TrueHD, DTS-HD MA, Dolby Digital Plus (optional) |
| Standardization | VC-1 standardized by SMPTE as ST 421 (April 3, 2006) | BDAV under Blu-ray Disc Association, 5th edition Jan 2018 |
| Native use case | Windows streaming, screen capture, legacy training | Blu-ray discs, AVCHD camcorders, broadcast transport |
| Max bitrate (typical spec) | VC-1 Advanced Profile up to 135 Mbit/s | Blu-ray total AV cap 48 Mbit/s (video ≤ 40 Mbit/s); AVCHD ≤ 24 Mbit/s (28 Mbit/s for 1080p50/60) |
| Modern OS playback | Windows native; macOS/Linux via FFmpeg-based players | VLC, MPC-HC, PowerDVD, hardware players |
| Best for | Internal Windows workflows | Disc authoring, HD archival, AVCHD interchange |
| Output codec | When to pick it | Notes |
|---|---|---|
| H.264 / AVC (default) | Almost all Blu-ray, AVCHD, and player workflows | Mandatory Blu-ray codec; widest hardware support |
| H.265 / HEVC | Smaller files at the same visual quality; UHD Blu-ray authoring | Roughly 40–50% smaller than H.264 at matched quality; not all older players decode it |
| MPEG-2 (H.262) | Classic Blu-ray authoring tools that want the legacy mandatory codec | Larger files; required by some retro/broadcast pipelines |
| Quality Preset Very High | Default; visually transparent for most 720p/1080p sources | Good balance of size and fidelity |
| Quality Preset Highest | Archival masters, source for further editing | Larger files; minimal generation loss |
| Constant Bitrate (CBR) | Sizing for a fixed disc budget (25 GB BD25 / 50 GB BD50) | Predictable file size |
| Constant Quality (CRF) | One-pass encode where you care about quality, not size | CRF 18–23 is the typical sweet spot for H.264 |
The.m2ts file produced here is the BDAV transport stream — the same wrapper a Blu-ray player expects. To boot from a disc you still need a full BDMV folder structure (with INDEX.BDMV, MovieObject.bdmv, and a PLAYLIST/CLIPINF/STREAM layout), which is built by authoring software like tsMuxeR, multiAVCHD, or DVDFab. Most players will also play raw M2TS from a USB stick, with some caveats around chapter and menu navigation.
H.264 is the safest default. It's one of three mandatory Blu-ray codecs (alongside H.262/MPEG-2 and VC-1) and the only mandatory AVCHD codec, so every conformant player can decode it. Pick H.265/HEVC if your target is a UHD Blu-ray workflow or you want a smaller file. Pick MPEG-2 only if your authoring tool specifically asks for it — files are roughly twice the size of H.264 at matched quality.
In principle yes — VC-1 is a Blu-ray mandatory codec, so the bitstream itself is allowed inside M2TS. In practice the converter re-encodes to your selected output codec to guarantee Blu-ray-conformant packet sizes (192 bytes) and timing. If you specifically need a pure-VC-1 remux, do the conversion at Highest quality with H.264 or test playback before authoring; for most users H.264 output is preferable for player compatibility.
WMV files from 2005–2012 were typically encoded for 1–3 Mbit/s internet streaming. M2TS for Blu-ray or AVCHD targets disc-quality bitrates — H.264 at 8–20 Mbit/s for 1080p is normal, and the MPEG-2 transport stream itself adds packet overhead (4 bytes per 188-byte payload). The output is larger because it's higher quality and more robust to bitrate spikes, not because it's wasteful. If size matters, drop the Quality Preset to Medium or use Constant Bitrate with a target you choose.
Both are the same BDAV MPEG-2 Transport Stream. The .m2ts extension is what Blu-ray discs and PCs use (long filename support). The .mts extension is what AVCHD camcorders write to SDHC/SDXC cards (legacy 8.3 filename limit). The bytes inside are identical — many players accept either, and you can rename one to the other. xconvert offers a separate WMV to MTS page if your AVCHD pipeline specifically expects .mts.
Yes. The WMA track is decoded and re-encoded into a Blu-ray-permitted audio codec — by default AC-3 (Dolby Digital), which is mandatory on every Blu-ray and AVCHD player. If you need a different audio target (DTS, AAC, lossless LPCM), open Advanced Options and change the audio codec; AVCHD strictly only allows AC-3 or LPCM, so stick with those if you're feeding an AVCHD authoring chain.
The converter runs on our servers, so the practical limit is upload size and connection speed — typically multi-GB on a desktop. The Blu-ray spec caps total AV bitrate at 48 Mbit/s and video at 40 Mbit/s, so a 90-minute HD film tops out around 32 GB; AVCHD on SD media is capped at 24 Mbit/s (28 Mbit/s for 1080p50/60). Stay within those numbers if you intend to burn a conformant disc.
Yes. If you need to edit on Mac or share on the web, M2TS to MP4 rewraps the H.264 video into a more portable container. For Final Cut or DaVinci Resolve workflows, WMV to MOV is often a better intermediate. For Matroska-based archival pipelines, see WMV to MKV.
Open Advanced Options, set Trim to a Time Range, and enter the start time and duration in hours:minutes:seconds. The trim is applied during the encode, so the output M2TS contains only the segment you specified — useful when you're authoring a Blu-ray chapter from a longer screen recording or lecture capture.