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Supports: WMV
.wmv file onto the page, or click "+ Add Files" to browse. Batch uploads are supported, so you can queue several clips and convert them in one pass.WMV is Microsoft's container, paired most often with the WMV9 / VC-1 video codec — efficient for Windows desktops in the early 2000s, awkward almost everywhere else two decades later. MTS is the on-camera filename for AVCHD: H.264 video and Dolby AC-3 audio multiplexed into an MPEG transport stream, introduced by Sony and Panasonic in 2006 and still the native format for many Handycam, HDR-CX, and Lumix camcorders. Converting WMV → MTS rewraps your old footage into a format that camcorder firmware, Blu-ray authoring tools, and NLEs treat as first-class native media.
/PRIVATE/AVCHD/BDMV/STREAM/00001.MTS) and H.264 inside MPEG-TS. Re-encoding old WMV interviews to compliant MTS lets the camera play them back from the SD card..mts as AVCHD and route it to the right decoder. Mixing native MTS clips with re-encoded WMV reduces "media offline" rejections and codec-mismatch slowdowns..mts everywhere; Windows-only WMV9 decoders are not installed on macOS, iOS, Android, or Linux by default. Converting once avoids forcing every viewer to install Windows Media Components.| Property | WMV (.wmv) | MTS (.mts) |
|---|---|---|
| Developer | Microsoft (1999) | Sony + Panasonic (2006) |
| Container | ASF (Advanced Systems Format) | MPEG-2 Transport Stream |
| Typical video codec | WMV9 / VC-1 (also WMV7, WMV8) | H.264/AVC (Main or High Profile) |
| Typical audio codec | WMA Pro / WMA2 | Dolby AC-3 or LPCM |
| Max spec resolution | Up to 4K (VC-1 Advanced) but most files are 720p/1080p | 1920×1080 (AVCHD 1.0), 1080p60 (AVCHD 2.0) |
| Typical video bitrate | 1-10 Mbit/s for SD/HD streaming | 12-24 Mbit/s (AVCHD), up to 28 Mbit/s (Progressive) |
| Native camcorder use | None | Sony Handycam, Panasonic Lumix, Canon Vixia |
| Blu-ray / AVCHD disc compatible | No | Yes (native) |
| Streaming use today | Largely deprecated; Microsoft pivoted to MP4/HLS | Rare — used for camera-to-NLE handoff, not streaming |
| Default macOS / iOS playback | No (requires Flip4Mac or VLC) | QuickTime plays MTS via H.264 hardware decode |
| Browser playback | No (no <video> codec support) |
No (browsers want MP4) |
| Preset | Target bitrate range | Best for |
|---|---|---|
| Highest | ~24-28 Mbit/s | Archival master; AVCHD Progressive 1080p60 |
| Very High (default) | ~17-24 Mbit/s | Normal AVCHD 1080i/p — fits ~5 hr on a 64 GB card |
| High | ~12-17 Mbit/s | Long-record mode (LP); ~8 hr on 64 GB |
| Medium | ~6-12 Mbit/s | Web-grade HD; tight SD card budgets |
| Low / Very Low | <6 Mbit/s | Proxies, rough cuts; expect visible macroblocking on motion |
| Custom (Constant / Variable / Constraint) | User-defined | Match a specific delivery spec (broadcast, Blu-ray author) |
MTS is the extension used on the SD card inside a camcorder; M2TS is what Windows Explorer shows after you import the file via Sony PlayMemories or Panasonic HD Writer. The underlying bytestream — H.264 + AC-3 in MPEG-2 Transport Stream — is identical. This tool writes .mts. If you need the .m2ts extension specifically for a Blu-ray disc workflow, use WMV to M2TS instead.
Conversion produces a spec-compliant H.264 + AC-3 transport stream, but camcorders also require the AVCHD directory layout (BDMV/STREAM/, .MPL playlists, .CPI clip info). The MTS file itself will play in any AVCHD-aware player or NLE, but to play back from the camcorder you'll need to (a) copy into the existing AVCHD folder structure on the SD card, or (b) reburn the disc using AVCHD authoring software that rebuilds the playlist metadata.
AVCHD 1.0 caps at 1920×1080, and AVCHD 2.0 still tops out at 1080p60. There is no consumer AVCHD profile that carries 4K. The converter will downscale to the nearest preset (3840×2160 → 1920×1080 by default) unless you pick a custom width. For 4K-native delivery, use WMV to MP4 instead, which carries H.264/H.265 at any resolution.
WMV9 / VC-1 at typical streaming bitrates (1-5 Mbit/s) is much lower-rate than the AVCHD spec range (12-24 Mbit/s). When the Quality Preset targets Very High or Highest, the encoder writes a bitstream sized for HD camcorder masters — often 3-5× the input. Drop to Medium or use Specific file size if you need to keep the file small.
AVCHD/MTS only carries Dolby AC-3 or LPCM audio per the AVCHD spec. WMA inside a transport stream is not valid AVCHD and most camcorders/Blu-ray players will reject it. The converter transcodes the audio track to AC-3 (default 256 kbps stereo). If you specifically need to keep AC-3 lossless, pick LPCM in the audio codec list — file size roughly doubles.
Yes — interlaced WMV9 / VC-1 sources are decoded as fields and re-encoded as 1080i H.264 if the Quality Preset and Resolution Preset match an interlaced target (1080i50/60). If you'd rather deinterlace to 1080p, pick a 720p or 1080p progressive preset and the converter will write a progressive H.264 stream.
Files upload over HTTPS, are processed server-side on xconvert's infrastructure, and deleted from temporary storage after a few hours. No account, no watermark, no logged-in identity required.
Use MTS to WMV for the reverse, WMV to MP4 for general-purpose H.264 in MP4 (more universal than MTS for web/mobile), or WMV to AVCHD if you want the broader AVCHD label rather than the camcorder-side .mts extension. To shrink an existing MTS file, see Compress MTS; to cut a clip without re-encoding the rest, use Trim MTS.
Standard accounts handle WMV files up to several GB per upload — practically more than a 64 GB SDHC card can hold. Conversion time scales with source bitrate and duration; a 1-hour 1080p source typically finishes in 3-8 minutes depending on queue load.