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.mpg or .mpeg source. Both extensions reference the same MPEG program stream container, so DVD rips, VCD/SVCD discs, set-top DVR recordings, HDV camcorder dumps re-muxed to PS, and old analog-capture cards all work. Batch cutting of multiple files in one session is supported.HH:MM:SS.sss for long DVD rips or plain seconds (30.5) for short clips. The cutter re-encodes only the GOPs touched at each cut point so the output is frame-accurate at the timestamps you entered, even though MPEG-2 I-frames are typically half a second apart.MPG (also .mpeg) is the MPEG program stream container, defined in MPEG-1 Part 1 (ISO/IEC 11172-1) and MPEG-2 Part 1 (ISO/IEC 13818-1). It carries MPEG-1 or MPEG-2 video plus MPEG audio in a layout designed for random-access storage media — DVD-Video, Video CD (VCD), and Super Video CD (SVCD) all use program-stream variants. DVD VOB files are a stricter subset of the same format, which is why most VOB rips are saved as .mpg after extraction.
These files are usually long: a single-layer 4.7 GB DVD holds 90-120 minutes at peak 9.8 Mbit/s, an overnight DVR capture can run several hours, and a multi-VOB DVD title is broken into 1 GB chunks purely because the DVD-Video spec caps individual VOB size. Cutting is how you turn a feature-length capture into a shareable, archivable, or editable clip.
.mpg you ripped from disc, keeping MPEG-2 / MP2 if you plan to re-author back into a DVD-Video VIDEO_TS structure with DVDStyler or similar..mpg, but timeline performance improves with shorter source files. Cut to scene length first, then drop the clip into the project.| Property | MPG (MPEG-PS) | MP4 (MPEG-4 Part 14) | VOB (DVD-Video) | TS / M2TS |
|---|---|---|---|---|
| Container | MPEG program stream | ISO Base Media File | MPEG-PS subset | MPEG transport stream |
| Video codec | MPEG-1, MPEG-2 | H.264, H.265, AV1 | MPEG-2, MPEG-1 | MPEG-2, H.264, HEVC |
| Audio codec | MP2, MP3, LPCM | AAC, MP3, AC-3 | AC-3, DTS, MP2, LPCM | AC-3, AAC, DTS |
| Peak bitrate | ~10 Mbit/s typical | unbounded | 9.8 Mbit/s video / 10.08 total | high (broadcast, Blu-ray) |
| Random access | Designed for it | Designed for it | Designed for it | Designed for streaming |
| Error tolerance | Low (PS) | Low | Low | High (188-byte packets) |
| Browser playback | Limited | Universal HTML5 | None | Limited |
| Best for | DVD / VCD / SVCD authoring | Web, mobile, sharing | DVD-Video discs | Broadcast, HDV, Blu-ray |
| File extension | .mpg, .mpeg |
.mp4, .m4v |
.vob |
.ts, .m2ts |
| Mode | What it does | When to pick it |
|---|---|---|
| Quality Preset: Highest | Re-encodes near-source quality | Default for archive cuts |
| Constant Quality (CRF 18) | Visually lossless target | DVD masters you may re-encode later |
| Constant Quality (CRF 23) | Standard quality, smaller file | General sharing |
| Target file size (%) 50% | Halves the trimmed output size | Cloud uploads, email attachments |
| Specific file size | Hard cap (e.g. 100 MB) | Upload limits like Discord 10 MB free tier |
| Constant Bitrate 4-8 Mbit/s | Fixed throughput, DVD-compliant | Re-authoring to DVD-Video |
| Variable Bitrate | Allocates bits where motion is | Mixed-motion content, smaller file at equal quality |
Pure stream-copy MPG cutting only works at GOP (group-of-pictures) boundaries — MPEG-2 typically uses a 12-18 frame GOP, so I-frames are roughly 0.4-0.6 seconds apart at 25-30 fps, and a true stream-copy cut snaps to those boundaries. XConvert performs a smart-render-style cut: copies most of the stream and only re-encodes the GOPs that contain the actual cut points, so the rest of the video is bit-identical to the source. Pick the Highest Quality Preset or Constant Quality at CRF 18 to keep the re-encoded edges visually indistinguishable.
.mpg and .mpeg the same thing?Both extensions identify an MPEG program stream container. .mpg is the legacy 8.3-filename DOS-era spelling and .mpeg is the spelled-out form. The codec, structure, and contents are identical, and every player treats them interchangeably. XConvert accepts both as input and the cutter doesn't care which one you upload.
MPEG-2's typical 12-frame GOP means I-frames land roughly twice per second. If you enter a cut time that falls between I-frames, the cutter re-encodes the surrounding GOP so the start/end frames are exactly at the timestamps you entered — frame-accurate, not snapped. If you specifically want stream-copy cuts at GOP boundaries (zero generation loss), align your cut times to half-second multiples and pick the Highest Quality Preset; the encoder has near-trivial work to do.
No, as long as you keep the defaults: MPEG-2 video, MP2 or AC-3 audio, and bitrate inside the DVD spec (≤9.8 Mbit/s video, ≤10.08 Mbit/s total per the published DVD-Video specification). NTSC discs are 720×480 at 29.97 fps and PAL discs are 720×576 at 25 fps. If you change resolution or switch the video codec to H.264 / H.265, the file remains a valid MPEG clip but is no longer DVD-Video compliant — most authoring tools (DVDStyler, etc.) will refuse it.
.vob file directly?VOB is a stricter subset of MPEG program stream, so most VOBs cut like MPG. If your VOB doesn't load cleanly, run VOB to MPG first and then cut the result. Multi-VOB DVDs (VTS_01_1.VOB, VTS_01_2.VOB, VTS_01_3.VOB) representing a single title are split at 1 GB by the DVD spec — concatenate them before cutting, or use VOB cutter directly. DVD subtitle tracks and chapter information are dropped on cut.
Keep MPG only if you're feeding the file back into a DVD-authoring workflow, a tool that explicitly expects MPEG-2 (older NLEs, DVDStyler, PVR software), or a VCD/SVCD project. For everything else — web playback, mobile, modern editing apps, social sharing — switch Video Codec to H.264 or convert via MPG to MP4. It's one re-encode pass either way and the H.264 file is roughly half the size at the same visible quality.
When the output stays MPG / MPEG-2, all original audio tracks (English / Spanish / SAP / descriptive audio) carry through. If you switch the output container to MP4, only the primary audio track is reliably preserved — MP4 supports multi-track audio but many players default to the first track. For multi-audio sources, keep the cut as MPG or output to MKV.
Each cut job produces one output range. To extract three separate segments (intro + scene 5 + ending), run the cutter three times against the same upload and download all three clips. To stitch them back into one file, use a video joiner after. For trimming a single contiguous range without splitting, trim MPG is the same operation framed differently.
Re-encoding from MPEG-2 to MPEG-2 is generation loss — the encoder passes once over the cut segments, and fine detail in high-motion scenes can soften. Picking Constant Quality at CRF 18 keeps the difference invisible in normal viewing. If you also want to shrink the result, compress MPG handles bitrate-targeted size reduction in a separate pass, or pick Target file size (%) here to combine both in one operation.