Flip TIFF images online for free. Mirror horizontally or vertically; TIFF output is lossless.
TIFF (Tagged Image File Format) was first published by Aldus in 1986 and reached version 6.0 in June 1992; Adobe acquired Aldus in 1994 and still maintains the spec. Unlike JPG, TIFF is the format prepress shops, archives, scanners, and medical / GIS / scientific pipelines reach for when they need lossless storage, multi-page documents, 16-bit-per-channel color, or CMYK separations. Flipping a TIFF is almost always a fix for how the file was captured, not a creative choice. The pixels are rearranged in place and, when you keep TIFF output, written back losslessly with Deflate compression (the editor has no other compression choice) — the same 8-bit pixel values, just mirrored. Common reasons to flip:
| Operation | What it does | Done twice | TIFF-specific note |
|---|---|---|---|
| Horizontal flip (mirror) | Reflects across the vertical axis (left ↔ right) | Returns to original | The pixels move without loss; the editor has no compression setting, so the source compression is not kept |
| Vertical flip | Reflects across the horizontal axis (top ↔ bottom) | Returns to original | Same losslessness rules as horizontal |
| Rotate 90° / 270° | Turns image a quarter turn | Cycles through 180° / 360° | Use Rotate TIFF; swaps width and height |
| Rotate 180° | Turns image upside down | Returns to original | Visually identical to H-flip + V-flip combined |
| Transpose / Transverse | Diagonal mirror (EXIF Orientation 5 / 7) | Returns to original | Rare in modern files; usually only seen in scanner output |
For other operations on TIFFs, see Rotate TIFF, Resize TIFF, Crop TIFF, or Compress TIFF. Need a different format? Convert TIFF to PDF, TIFF to JPG, or TIFF to PNG. For other image flips: Flip JPG, Flip PNG, Flip HEIC, or Flip WebP.
This editor has no compression choice: a TIFF it saves always uses Deflate (lossless). The table explains the types you may meet in source files and other tools.
| Compression | Lossy? | Best for | Notes |
|---|---|---|---|
| LZW | Lossless | General-purpose photo and color scans | The de-facto TIFF default; broadest reader support since 1988 |
| Deflate (zlib) | Lossless | Smaller archive size than LZW | Standardized for TIFF in 2002; supported by Photoshop, GIMP, ImageMagick |
| ZSTD | Lossless | Fastest decode at small size | Modern; not all legacy RIPs support it — check your destination first |
| PackBits | Lossless | Legacy / Mac compatibility | Run-length encoding; weaker compression but universally readable |
| CCITT Group 4 | Lossless | Bitonal (1-bit) line art and fax-style scans | Only valid at 1-bit depth; produces tiny files for B&W documents |
| JPEG (in TIFF) | Lossy | Continuous-tone photos where size matters more than archival quality | This editor does not write JPEG-in-TIFF; a TIFF edited in your browser is redrawn in 8-bit colour and saved with the editor's own compression |
| None | n/a | Raw archival masters where every read must be byte-identical | Largest files; useful for scientific / forensic chain-of-custody |
Not for an 8-bit TIFF saved as TIFF. Flipping is a pure pixel rearrangement, and a TIFF saved here is always written with lossless Deflate compression (there is no compression choice), whatever the source used — so the pixel values are kept. What does change: 16-bit precision is reduced to 8-bit, CMYK is saved as RGB and wide-gamut colour is converted to sRGB. Saving as JPG, WebP or AVIF instead re-encodes lossily.
A pixel flip rewrites the actual image data so every viewer — modern, legacy, print RIP, or web library — shows the corrected orientation. Changing EXIF Tag 274 only sets a hint; viewers that honor the tag rotate on display, but viewers that ignore it (older Pillow versions, most prepress workflows, many medical imaging tools) still show the wrong orientation. This tool flips the pixels and writes a fresh TIFF without an orientation hint to misread, so the result is consistent everywhere. If you only need a tag change, EXIF editors are faster — but the file will still look wrong in tag-ignorant software.
No. The editor works on the first page of a multi-page TIFF. Downloaded without an edit, the file is your original with every page; once you flip it, the saved TIFF holds the first page only, and the editor says so as soon as the file opens ("This TIFF has N pages: an edit here keeps only the first page"). If you need every page flipped, split the TIFF first (any TIFF splitter or TIFF to PDF followed by per-page work) and recombine after.
No. The editor has no compression-type setting: a bitonal scan whose pixels are all black or white is saved as a 1-bit TIFF again, but with Deflate rather than Group 4, so it can come out larger. If you need Group 4, re-save the flipped file in a tool that writes it (ImageMagick, Acrobat, your scanner software).
They open and flip, but the editor works in 8 bits per channel (it says so when the file opens) and has no bit-depth setting, so 16-bit precision is not kept. For medical scans, camera linearisations or art reproductions that need 16 bits, flip in a desktop tool that keeps the depth and keep the original.
Partly. Alpha channels flip alongside the color channels, and a TIFF saved here keeps them (RGBA), so transparency stays aligned. The print resolution (ResolutionUnit, XResolution, YResolution) is carried over. The embedded ICC profile is not: Adobe RGB or ProPhoto colour is converted to sRGB and saved without the profile, and CMYK is saved as RGB. Other tags — ImageDescription, DateTime, Make, Model — are not carried over either, and the file is written in its intended layout with no Orientation hint.
No. The editor works in RGB: a CMYK TIFF opens with a note ("CMYK converted to RGB; dark tones may look lighter.") and is saved as RGB, and there is no CMYK or Lab output. Grayscale does stay grayscale. For prepress workflows where round-tripping through RGB would break the press-ready ink coverage and dot gain calibration, flip CMYK and Lab files in your prepress or desktop tool instead.
They describe the same operation. "Mirror" most commonly refers to a horizontal flip (left ↔ right reflection, like a bathroom mirror) — that's what most apps and the EXIF Orientation values 2 and 4 mean. "Flip Vertical" is the top ↔ bottom version (Orientation values 4 and 6 in different combinations). If a tool only labels one button "Mirror", it almost always means horizontal. Here the Flip tab's "Mirror" row has both: "Horizontal" for left ↔ right and "Vertical" for the upside-down version.
Flipping mathematically reflects across an axis — only horizontal and vertical exist. For turns, switch to the Rotate tab in the same editor (or open Rotate TIFF): "Quick turn" has "90° left" and "90° right", and "Fine angle" goes from −45° to 45° (1.5° to straighten a tilted scan, for example). Quarter turns move pixels without resampling; fine angles require interpolation, which introduces minor resampling.