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Supports: DCR
DCR is Kodak's professional RAW format, introduced with the DCS series in the early 2000s. Files are TIFF-based containers holding sensor data compressed with lossless JPEG (similar to Canon CR2 and early Adobe DNG). They came out of four cameras built around the FillFactory full-frame CMOS sensor: the 13.89-megapixel DCS Pro 14n (announced September 2002, shipped May 2003), the 14nx upgrade, the Nikon-mount SLR/n, and the Canon-mount SLR/c (2004). Kodak discontinued the DCS line in 2005, and the format never got the long-tail tooling Canon CR2 or Nikon NEF picked up.
That makes DCR awkward to share. Most modern viewers — phone galleries, browsers, email clients, photo printers — won't decode it. Merging to PDF renders each DCR through a RAW pipeline once, then stores the result in a format every device on the planet can open without a plugin.
| Property | DCR (Kodak RAW) | |
|---|---|---|
| Origin | Kodak DCS Pro series, 2001-2005 | Adobe, 1993; ISO 32000 since 2008 |
| Container | TIFF-based with proprietary tags | Independent page-description format |
| Compression | Lossless JPEG on raw sensor data | Configurable: JPEG, JPEG2000, Flate, LZW |
| Bit depth | 12-bit linear sensor data | 8-bit per channel for embedded images (default) |
| Cameras | DCS Pro 14n, 14nx, SLR/n, SLR/c | n/a (output format) |
| Native viewers (2026) | Adobe Camera Raw, Lightroom, RawTherapee, darktable | Every browser, OS, e-reader, phone gallery |
| Editable post-export | Full RAW latitude — exposure, white balance, highlights | Rasterised; treat as a finished proof |
| Typical file size | 12-15 MB per frame (full-frame 13.89 MP) | 0.3-3 MB per page at Image Quality 75 |
| Best for | Archival masters, RAW editing | Sharing, printing, email, long-term readability |
| Setting | What it controls | When to pick it |
|---|---|---|
| Image Quality 30-50 | Aggressive JPEG compression on rendered images | Email-friendly proofs under Gmail's 25 MB cap |
| Image Quality 75 (default) | Balanced — visually clean for screen viewing | Client review, web upload, social sharing |
| Image Quality 90-100 | Near-lossless JPEG inside the PDF | Print-bound proofs, portfolio submissions |
| Compression Type: Screen | Smallest file, 72 DPI, low-res images | Web, email, mobile preview |
| Compression Type: Ebook | Mid-range, 150 DPI | Tablets, e-readers, casual print |
| Compression Type: Printer | High-quality, 300 DPI | Office print, photo lab proof prints |
| Compression Type: Prepress | Maximum quality, 300 DPI, color-managed | Press-ready handoff, archival masters |
DCR was generated by four Kodak DCS Pro bodies — the 14n (2002-2003), the 14nx upgrade (2004), the SLR/n (Nikon mount, 2004), and the SLR/c (Canon mount, 2004). All four write TIFF-based DCR containers with lossless-JPEG-compressed sensor data, and all four are handled by the same RAW decoder we use server-side (LibRaw). If your file came from a Kodak DCS460 or earlier consumer-line Kodak camera, that's a different DCR variant — usually still readable, but check the rendered preview before merging a large batch.
A DCR holds 12-bit linear sensor data straight off the sensor — for a 13.89 MP DCS Pro 14n that's roughly 12-15 MB compressed. The PDF embeds an 8-bit JPEG render of the same image at your chosen quality, typically 0.3-3 MB per page. You're losing the editing latitude (highlight recovery, white-balance shift) but gaining a 5-50× size reduction and universal readability. Keep the DCR originals if you may want to re-edit later.
The rendered images inside the PDF carry their decoded EXIF (capture date, camera model, lens, ISO, shutter speed) where the source DCR provided it. Kodak's DCS bodies wrote complete EXIF, so a merged 14n shoot keeps its 2003-vintage timestamps in the output. The PDF document metadata itself shows the merge time, not the original capture time — that's standard PDF behaviour.
If a DCR has an embedded orientation tag, the merger honours it. But colour, exposure, and highlight tweaks are not exposed in the merge step — DCRs are rendered with default RAW conversion settings. For tonal work, develop the RAW first (Lightroom, RawTherapee, darktable, or Convert DCR to JPG at high quality), then merge the JPEGs with Merge JPG to PDF.
"Single PDF" applies your page size, layout, and margin settings to every image and stitches them in queue order. "Individual PDFs" applies the same settings but writes one PDF per DCR — useful when you need separately addressable proofs (for example, one PDF per insurance claim photo). The image rendering is identical in both modes; only the file count and packaging differ.
This page accepts DCR only. For mixed-format runs, develop the DCRs to a common format first (try Convert DCR to TIFF for lossless or Convert DCR to JPG for size), then run Merge Image to PDF, which accepts JPG, PNG, TIFF, BMP, and many RAW formats together.
A4 (default) and Letter both fit standard office printers. For more frames per page or a wider aspect, pick A3 or Tabloid and combine with Landscape layout. The DCS Pro 14n's 4560×3048 native frame is roughly 3:2 — Landscape + Contained + Narrow margin gives a clean photo-size border with no cropping.
The pipeline is the same — TIFF-based RAW container in, rendered JPEG-in-PDF out — but DCR's 12-bit sensor depth gives slightly less highlight headroom than modern 14-bit Canon CR3 or Nikon NEF files from the last decade. For Canon CR2 see Merge CR2 to PDF, for Nikon NEF see Merge NEF to PDF, and for Adobe DNG (the open-source RAW that succeeded DCR philosophically) see Merge DNG to PDF.
Adobe Camera Raw still lists Kodak DCS Pro 14n, SLR/n, and SLR/c on its supported camera list as of the latest Lightroom releases, but Kodak discontinued the DCS line in 2005 and no new bodies write the format. Our backend uses LibRaw, an open-source RAW decoder maintained independently of Adobe — DCR support there is community-maintained and stable. If you have an active DCR archive, exporting to PDF (or DNG) is a sensible hedge against future tooling rot.