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Supports: 3GPP
An .m2v file is an MPEG-2 video elementary stream — the codec defined by ITU-T H.262 and ISO/IEC 13818-2, written out on its own with no container around it. Because there is no container, there is nowhere for a soundtrack to live, so the audio from your .3gpp clip is discarded. That is the format behaving correctly, not a setting you missed. The Audio Codec group on this page renders with nothing selectable inside it for exactly that reason.
This is a mastering format. DVD authoring and MPEG-2 editing pipelines want the video as a bare .m2v and the sound as a separate file, and only join the two at the muxing stage. If what you actually wanted was a playable copy of a phone clip, stop here and use 3GPP to MP4 instead — or 3GPP to MPG if you specifically need MPEG-2 video in a container that keeps the audio.
.3gpp clip onto the page or click "+ Add Files". Several clips can queue and convert with the same settings..m2v file is by definition an MPEG-2 elementary stream. Selecting anything else writes that codec's raw stream under a misleading extension, and DVD-authoring tools reject it. MPEG-2 is the default and it is the right answer..m2v is bound for a DVD, use Width x Height and type an exact legal size from the table below — the Preset Resolutions list sets height only and lets width follow the source, which cannot produce a DVD-legal raster..m2v. Grab the soundtrack separately if you need it. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark.This page opens on Quality Preset, and Constant Quality and Constraint Quality both show a CRF slider ranged 1 to 31 that starts at 5. On an MPEG-2 target none of those controls behaves the way the label suggests, and it is worth understanding why before you spend an hour tuning a number that is thrown away.
.3gpp clip typically runs at a few hundred kbps, so every preset lands under the floor and gets raised to it. On a small source, moving the preset changes nothing.In our testing, a 10-second 352x288 clip that arrived as a 402 KB .3gpp came back as a 1.03 MB .m2v — about two and a half times the size, silent, at the codec's minimum rate. Growing is normal here: MPEG-2 is a 1990s codec being asked to hold footage that a modern codec compressed far harder.
| Property | Value |
|---|---|
| Standard | ITU-T H.262 / ISO/IEC 13818-2 (MPEG-2 Part 2, Video) |
| Structure | Elementary stream — coded video frames only, no container |
| Audio track | None. There is no place in the format to store one |
| Timing / index | No container-level index; no duration header |
| Codec written | MPEG-2 by default; other codecs are selectable but not valid for the extension |
| Rate control available | Bitrate-based only — CRF and quality modes are converted to a bitrate |
| Minimum bitrate enforced | Resolution-derived, with a 2 Mbps absolute floor |
| Metadata | None carried over from the 3GPP container |
| Intended for | DVD authoring, MPEG-2 editing, muxing with a separate audio file |
DVD-Video only accepts a short list of frame sizes, and an authoring tool will reject a stream outside it. Phone footage sits awkwardly against that list — one common 3GPP size is already legal, the other is not.
| Frame size | Legal on DVD-Video? | Notes for a 3GPP source |
|---|---|---|
| 176x144 (QCIF) | No | The most common feature-phone size. Must be resized before authoring |
| 352x288 (CIF) | Yes — PAL quarter-D1 | Passes through unchanged. The lucky case |
| 352x240 | Yes — NTSC quarter-D1 | Use if the disc targets NTSC and you can accept the reframe |
| 704x576 / 704x480 | Yes | Upscaling a phone clip this far is rarely worthwhile |
| 720x576 (PAL full D1) | Yes | The standard PAL target; heavy upscale from phone footage |
| 720x480 (NTSC full D1) | Yes | The standard NTSC target; heavy upscale from phone footage |
If your source is CIF and the disc is PAL, you already have a legal raster and should leave Video resolution alone. Otherwise, type the size you need into Width x Height rather than picking a preset, because presets set height only.
It was discarded, and nothing is saved on the side. An .m2v is a video elementary stream defined by the MPEG-2 video specification, which describes a picture codec and says nothing about sound; without a container there is no track to write audio into. In a DVD-authoring workflow that is intentional — you master the video as .m2v, master the audio separately, and mux them together at the end. To produce that audio file, run a second conversion from the same source: 3GPP to AC3 for the Dolby track DVD tools expect, or 3GPP to MP3 for a general-purpose copy.
The options panel is built from a shared layout used across every video target, so the group header is drawn before the target's restrictions are applied. For an .m2v output every audio codec is filtered out, leaving the heading with nothing under it. Treat an empty Audio Codec group as the interface telling you the output has no audio track rather than as a control that failed to load.
Sometimes, and badly. VLC and authoring-oriented players will open a raw MPEG-2 stream, but there is no index to seek with, no duration recorded in the file, and no sound to hear. Most consumer players, phones and browsers refuse it outright. The format is meant to be consumed by an authoring or editing tool, not watched. For something watchable, convert to 3GPP to MP4.
MPG unless a tool explicitly asked you for an elementary stream. An .mpg is an MPEG program stream — a real container that carries the same MPEG-2 video and your audio in one playable file, which is what most people mean when they say they want "an MPEG". 3GPP to MPG is that conversion. Choose .m2v only when a DVD-authoring application or an MPEG-2 editing pipeline has specifically asked for demuxed video.
Because MPEG-2 is a far less efficient codec than whatever compressed the original, and because it will not encode below a minimum bitrate. A .3gpp clip was squeezed by H.263 or MPEG-4 Part 2 down to a few hundred kbps for a 3G network; MPEG-2 needs several times that to hold the same picture, and the encoder enforces a floor of 2 Mbps to avoid failing. The result is a multiple of the original size carrying no extra detail. That is the cost of targeting a 1990s codec, and it is not something a setting can undo.
Match the television standard the disc targets: 29.97 fps for NTSC or 25 fps for PAL. A 3GPP clip is frequently at neither — 15 fps is common for feature-phone recordings — so the encoder has to conform it, which duplicates frames and can make motion look slightly stuttery. There is no way around that: the missing frames were never captured. If the disc is for archival viewing rather than broadcast, the judder is usually acceptable; if it matters, consider keeping the clip in a modern container instead of authoring it to disc.
No. The 3GPP container can hold creation dates, location tags and other fields in its box structure, but an elementary stream has no metadata layer at all — it is coded frames and nothing else. Anything you need to preserve should be recorded before you convert, because it will not survive the trip. If metadata matters to you, an MP4 target keeps far more of it.
.3gpp the same as .3gp?Yes — two spellings, one container. Both are the 3GPP file format defined in TS 26.244 and built on the ISO base media file format, and a file written with either extension is byte-identical in structure. This page reads the longer spelling; 3GP to M2V is the same conversion for .3gp files.
Your .3gpp file is uploaded over an encrypted connection, converted on our servers, and both it and the .m2v we produce are deleted automatically a few hours later. Files are never shared or made public and no account is required. Since M2V output is several times the size of a phone clip, the download is usually the larger transfer of the two.