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Supports: ARW
ARW is Sony's Alpha RAW format — a digital negative that holds the unprocessed sensor data from α, Cyber-shot, and RX cameras, which is why a RAW file needs software like Lightroom or Capture One just to open. Converting to WebP renders that RAW into a finished image that loads in any modern browser, and WebP's compression makes it markedly smaller than the equivalent JPEG or PNG. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.
| Property | ARW (Sony RAW) | WebP |
|---|---|---|
| Type | Camera RAW (digital negative) | Compressed web image |
| Container | TIFF-based with Sony Makernote fields | RIFF (Google, from On2 VP8 technology) |
| Compression | Minimally processed sensor data | Lossy and lossless |
| Transparency | No | Yes (alpha channel) |
| Editing latitude | Full — white balance, exposure recoverable | Baked in once rendered |
| Typical file size | Large (tens of MB) | Small — 25-34% under JPEG, 26% under PNG |
| Opens in a browser | No (needs RAW software) | Yes — Chrome 32+, Firefox 65+, Edge 18+, Safari 16+ |
| Best for | Editing and archiving the original capture | Publishing the finished photo to the web |
For a more universally compatible still image, convert ARW to JPG instead — JPEG is the safest default when transparency and the last few percent of file size don't matter.
Rendering a RAW always bakes in white balance, exposure, and color decisions that the ARW kept adjustable — that editing latitude is gone once the file is a WebP. The visible pixels, however, hold up well: at "Very High" quality the lossy WebP is hard to tell from the source, and if you flip "Lossless?" to "Yes" the rendered pixels are preserved exactly. The trade-off is RAW flexibility, not visible sharpness.
For photographs, lossy WebP is almost always the better choice — it is far smaller and, at high quality, visually indistinguishable. Reach for lossless only when you need an exact pixel match (for example, a screenshot-like image or artwork with hard edges and flat color). Google measures lossless WebP at about 26% smaller than PNG and lossy WebP at 25-34% smaller than JPEG at equivalent quality, so either way the WebP undercuts the older formats.
A lot. ARW files run to tens of megabytes because they store the full sensor readout for editing; the rendered WebP keeps only the finished image at web resolution. In our testing, a 24-megapixel ARW around 25 MB rendered to a few hundred kilobytes as a "Very High" lossy WebP at full resolution — and smaller still after scaling down with Resolution Percentage. The exact figure depends on the scene and your quality setting.
WebP does support an alpha channel — lossless WebP carries transparency, and lossy WebP can too, typically about 3x smaller than the same image as a PNG. A Sony ARW straight from the camera has no transparency to preserve, so this mainly matters if you plan to edit a cut-out later; for a normal photo it makes no difference.
WebP is supported in Chrome 32+, Firefox 65+, Edge 18+, and Safari 16+, which covers roughly 96% of users worldwide — so the file opens directly in essentially any current browser. Most modern image viewers and editors read it too. If you need to hand the photo to very old software that predates WebP, convert ARW to JPG for maximum compatibility.