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Supports: ASF
.asf and .wmv are not really two formats — they are the same Microsoft container under two extensions. ASF (Advanced Systems Format) is the wrapper; a .wmv file is that same ASF container holding Windows Media Video, labelled with the .wmv extension and its own MIME type. So this conversion is a re-wrap and codec-normalize inside the Windows Media family, not a leap between unrelated formats. Convert here when an app or device specifically wants the .wmv extension or guaranteed Windows Media Video codecs inside; if you instead want a file that plays on phones, browsers, and editors, ASF to MP4 is the right target.
According to Microsoft's own format documentation and the U.S. Library of Congress format registry, .asf, .wmv, and .wma are the same Advanced Systems Format container distinguished mainly by extension and MIME type. .wma marks an ASF that holds audio only; .wmv marks an ASF that also carries video; the generic .asf extension can hold either, and may carry codecs other than Windows Media. The extensions exist so software and users can tell at a glance what kind of stream is inside, not because the underlying file structure differs.
That is why this page treats ASF to WMV as a normalize rather than a true format change. If your source .asf already holds Windows Media Video and Windows Media Audio, the practical difference at the end is the extension plus guaranteed codec conformance. If your .asf holds something else — MPEG-4, an older MS-MPEG4 variant, or a non-Windows-Media audio track — this step transcodes it to the Windows Media codecs a .wmv is expected to carry. Either way, our pipeline re-encodes to the WMV defaults below rather than stream-copying, so the output is a fresh Windows Media encode, not a byte-for-byte remux.
| Property | Value |
|---|---|
| Full name | Advanced Systems Format |
| Developer | Microsoft |
| First released | September 16, 1996 (proprietary); February 26, 1998 (public) |
| Last public spec revision | December 2004 (v01.20.03) |
| Role | Container / wrapper for Windows Media content |
| Typical video codec | Windows Media Video (WMV 7/8/9) |
| Typical audio codec | Windows Media Audio (WMA) |
| Sibling extensions | .wmv (ASF with video), .wma (ASF, audio only) |
| Native playback | Windows Media Player; VLC elsewhere |
| Property | Value |
|---|---|
| Full name | Windows Media Video |
| Developer | Microsoft |
| Codec family introduced | 1999 (WMV 7) |
| Underlying container | ASF (a .wmv is an ASF file) |
| Output video codec here | WMV 2 (Windows Media Video 8); WMV 1 selectable |
| Output audio codec here | WMA v2 (Windows Media Audio) |
| Advanced Profile lineage | WMV 9 became SMPTE 421M (VC-1) in 2006 |
| Native playback | Windows Media Player; VLC plays it cross-platform |
| Best for | Legacy Windows-Media apps and workflows |
.asf file onto the page, or click "+ Add Files" to browse. Batch upload is supported, so you can queue several recordings and convert them with the same settings..wmv. Leave the preset on "Very High (Recommended)", or under File Compression switch to Constant Bitrate or Variable Bitrate to target a specific bitrate..wmv file. No sign-up, no watermark.Largely, yes. Microsoft defines ASF as the container for Windows Media content, and the .wmv extension simply marks an ASF file that carries Windows Media Video; Wikipedia's format reference notes such files are identical to old .asf files apart from the extension and MIME type. The extensions exist to signal what is inside — .wma for audio-only ASF, .wmv for ASF with video — not because the file structure differs. That is why converting .asf to .wmv is mostly a normalize: it standardizes the extension and guarantees the Windows Media codecs a .wmv is expected to hold.
It re-encodes. Even though .asf and .wmv share a container, our pipeline does not stream-copy — it decodes the source and re-encodes the video to WMV 2 and the audio to WMA v2 by default. If your ASF already held WMV plus WMA, the visible change is mostly the extension and codec conformance, but the bytes are still a fresh Windows Media encode rather than a byte-for-byte remux. If the ASF held a non-Windows-Media codec (for example MPEG-4 video or AAC audio), this step transcodes it into the Windows Media codecs a .wmv should carry.
The video defaults to WMV 2, the FourCC for Windows Media Video 8, and the audio to WMA v2 (Windows Media Audio) — the standard pairing inside a .wmv. Under the Video Codec menu you can switch to WMV 1 (Windows Media Video 7) if an older target requires it. Both are distinct from WMV 9 (FourCC WMV3), whose Advanced Profile Microsoft submitted to SMPTE and which was standardized in 2006 as SMPTE 421M, better known as VC-1.
Because it is a re-encode rather than a remux, a small amount of generation loss is unavoidable — the source is decoded and re-compressed. When the input is already WMV plus WMA, keeping a high preset makes that loss negligible for normal viewing. The bigger quality decisions are resolution and bitrate: leave Video resolution on "Keep original" rather than upscaling an old standard-definition capture, since enlarging adds pixels but no detail. In our testing, a 640x480 ASF whose video was already WMV 2 re-encoded cleanly at the "Very High" preset and opened in both Windows Media Player and VLC without an extra codec download.
Whenever broad playback matters more than staying in the Windows Media family. WMV is a Microsoft format with thin native support outside Windows — phones, browsers, macOS, and most editors prefer MP4/H.264, which also uses a newer, more efficient codec than WMV 2. Convert to WMV only when something specifically expects the .wmv extension or Windows Media codecs: a legacy Windows Media Player or Movie Maker workflow, an older Windows-only application, or a deck that embeds .wmv natively. For anything you intend to share or upload, use ASF to MP4; to pull just the sound out as Windows Media audio, see ASF to WMA.
Some older ASF/WMV files carry Windows Media DRM, which encrypts the stream and ties playback to a license on the original device or account. A converter cannot legally or technically decode a protected stream, so the job fails or produces a blank result — that is a property of the DRM, not a fault of the format or the tool. If the recording is yours, obtain an unprotected copy through the original licensed Microsoft software first, then convert that.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. There is no sign-up, no watermark, and your files are never shared or made public. On a large batch the practical limit is upload time, not a per-file size cap.