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Supports: M4B
This walks through turning a DRM-free .m4b audiobook into a .wma file for an older Windows Media-era device or player that specifically demands that extension. It also covers the two things that surprise people most: the chapter list and resume position do not carry over, and DRM-protected store purchases can't be converted at all. If your goal is modern, broad playback rather than one legacy device, M4B to MP3 is the better target.
.m4b onto the page or click "Add Files." Audiobooks often ship as several part files — queue them all and they run with the same settings..wma. No sign-up, no watermark.Audiobooks run for hours, so the bitrate you pick is the single biggest lever on the output file size — a 20-hour book at 128 kbps is roughly four times the size of the same book at 32 kbps. Because M4B carries AAC and WMA is a different lossy codec, the conversion is a re-encode (AAC decode to PCM, then WMA encode); it can never add detail back, so the goal is to match or slightly exceed the source bitrate, not to crank it past the source and waste space.
To check the source bitrate, look at the M4B's file properties; if it reports, say, 64 kbps AAC, encoding to 128 kbps WMA buys nothing but a bigger file.
.m4b files convert..wma for the one device that requires it.WMA is a legacy target, so this conversion only makes sense when something genuinely requires a .wma file — an old in-car head unit, a pre-2010 Windows Media-era player, or a Windows Media Player library that expects that extension. If you mainly want a converted audiobook that plays on modern phones, cars, and apps, M4B to MP3 is the standard escape and plays almost everywhere. And if the source is a DRM-protected store purchase, no online converter can open it; you would need to format-shift through the vendor's own authorized tools first, where your jurisdiction permits it.
No. M4B stores chapters and the resume position in a dedicated track inside its MPEG-4 container; WMA's ASF container has no equivalent, so a multi-chapter audiobook becomes one continuous file with no chapter navigation and no auto-resume. If chapter-style navigation matters, keep the file as M4B, or convert and then cut it into parts with Audio Cutter. For broad playback with the smaller AAC kept intact, M4B to MP3 is the usual pick.
No. Those purchases are encrypted with Apple's FairPlay DRM, and online converters cannot decrypt them. Only DRM-free .m4b files work. If you have a legal copy and the right to format-shift where you live, you must first remove the DRM through the vendor's own authorized path; xconvert then converts the resulting DRM-free file but never strips DRM itself.
This converter defaults to WMA v2 (WMAV2), and that is the right choice for almost everyone — it is the standard, more efficient encoder, and because the WMA 2 decoding process is compatible with the original codec, the resulting file plays on any reasonably modern Windows Media stack. WMA v1 is the original 1999 codec; choose it only if you are feeding a very old device that predates v2 support.
Almost the only good reason is a device or program that specifically demands .wma. WMA is a Microsoft format that first shipped in 1999 and is decoded mainly by Windows and Windows Media Player; MP3 plays on practically every car stereo, phone, and player ever made. Unless an old Windows-era device forces your hand, M4B to MP3 is the more compatible audiobook conversion.
64 kbps mono is the long-standing default for voice — it fits narration comfortably and keeps a long book manageable. Drop to 32 kbps mono only when you are squeezing many books onto a small device and can tolerate audible compression on "s" and "sh" sounds. Step up to 96–128 kbps stereo if the book includes music between chapters or full audio-drama production. In our testing, a one-hour voice-only M4B at 64 kbps mono produced a WMA of roughly 28–30 MB.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. There is no sign-up, no watermark, and your files are never shared or made public. With a long audiobook, the main wait is upload and encode time, which scale with the length of the file rather than any per-file size cap.