Initializing... drag & drop files here
Supports: M4B
.m4b files — audiobooks you created or ripped yourself, public-domain titles, or files whose DRM has already been removed through the rights holder's authorized method. Batch is supported: drop in several M4B files and each converts on our servers in parallel..aac file for muxing into your own containerM4B is the MPEG-4 audiobook format: AAC audio inside an MP4 container (the container is standardized as ISO/IEC 14496-14, first published in 2003), with the .m4b extension signaling to players that the file is a book rather than a song. Its defining features are chapter markers and a resume bookmark — an audiobook player remembers exactly where you stopped and lets you skip by chapter, which a plain MP3 cannot do natively. Apple Books, iTunes, VLC, and most dedicated audiobook apps handle M4B well.
The problem is everything outside that ecosystem. Plenty of devices and apps still don't recognize the .m4b extension — older car stereos, basic MP3 players, some Android music apps, and DJ or editing software. For those you need a format they actually speak. The most common reasons people convert:
| Format | Codec / payload | Container | Chapters & bookmarks | Lossy? | Best for |
|---|---|---|---|---|---|
| M4B (source) | AAC (rarely ALAC) | MP4 (ISO/IEC 14496-14) | Yes — native | Yes (AAC) | Audiobooks on Apple Books, iTunes, VLC |
| MP3 | MP3 (MPEG-1/2 Layer III) | MP3 | No native chapters | Yes | Universal playback on any device |
| M4A | AAC (same codec family) | MP4 | Not used as audiobook cues | Yes | Music apps; closest sibling to M4B |
| AAC | AAC raw stream | ADTS | No | Yes | Re-muxing into your own container |
| OGG | Vorbis | Ogg | Limited (player-dependent) | Yes | Open-source / royalty-free players |
| Opus | Opus | Ogg | Limited (player-dependent) | Yes | Smallest files for spoken-word audio |
| WAV | PCM (uncompressed) | WAV/RIFF | No | No | Editing in Audacity / a DAW |
| FLAC | FLAC | FLAC | No | No | Lossless copy of the decoded audio |
Audiobooks are spoken word, not music, so they need far less bitrate than a song — commercial audiobooks are commonly encoded around 64 kbps. Because your M4B source is already lossy AAC, picking an output bitrate above the source won't add quality back; it only makes a bigger file. Use this as a target reference when converting to MP3, OGG, or Opus.
| Bitrate | Best for |
|---|---|
| 32–48 kbps | Mono narration — smallest files; fine for a single voice, but sibilants start to hiss below ~32 kbps |
| 64 kbps | The audiobook sweet spot — clear voice at a small size; matches many commercial audiobook sources |
| 96–128 kbps | Full, natural voice with room tone or a music bed; more than plain narration needs |
| 192 kbps and up | Only worth it if the M4B carries music or high-fidelity production; wasted space on speech |
For lossless targets (WAV, FLAC) bitrate is not a setting — they store the decoded audio in full. Decoding a lossy AAC audiobook into WAV or FLAC stops further loss but cannot recover what AAC already discarded.
Yes. M4B stores chapter markers and a resume bookmark in the MPEG-4 container, and plain MP3 has no equivalent native mechanism — so the converted MP3 is one continuous file that plays start-to-finish with no chapter skip and no saved position. This is true of every M4B-to-MP3 converter, not just ours, because the target format simply can't carry those cues. If keeping the bookmark and chapter navigation matters most, convert to M4A instead: it stays on the same AAC codec inside the same container family, so the audiobook features survive.
Not automatically. This converter outputs a single file in your chosen format; it does not read the M4B chapter table and slice the book into per-chapter tracks. If you want each chapter as its own file, the practical route is to use the Trim controls to export one Time Range (start + duration) at a time, or use a dedicated audiobook chapter-splitter that reads the embedded chapter marks. Splitting into per-chapter MP3s does give most car stereos and basic players a way to skip between chapters as separate tracks, even though it isn't a true resume bookmark.
Not in the bit-for-bit sense. M4B and M4A are the same MP4 container holding AAC audio — the real difference is the extension and the "this is a book" hint — but this converter always re-encodes the audio; it doesn't copy the existing stream across unchanged. In practice a single AAC-to-AAC pass at the default "Highest" preset is audibly transparent for spoken word, so the M4A sounds the same as the source even though the bytes differ. Changing the bitrate, sample rate, or channels — or targeting another codec like MP3 — adds the usual lossy-transcode tradeoffs on top.
Audiobooks purchased from the iTunes Store or Apple Books can be wrapped in Apple's FairPlay DRM, and Audible's own files use the separate AAX format with its own protection. DRM-locked files are encrypted, so a format converter sees scrambled data and cannot read or transcode them — this is true of every online converter. Only unprotected M4B files convert: audiobooks you created yourself, public-domain titles (LibriVox, Project Gutenberg), or files whose DRM you've already removed through the rights holder's authorized method. If the conversion fails immediately, a DRM lock is the most likely cause.
You can't upload an .aax file here directly — this tool accepts .m4b, and Audible's AAX is a different, DRM-protected format. AAX files are encrypted for your account, so the DRM has to be removed first through Audible's own authorized method before any converter can read the audio. Once you have an unprotected .m4b or .m4a version, you can convert it to MP3 or another format on this page. We don't strip DRM, and converting AAX without authorization isn't something we support.
Match or slightly undercut the source rather than going higher. In our testing, a 10-hour audiobook encoded at 64 kbps runs roughly 275–290 MB whether it's the source M4B or the MP3 output — same bitrate means near-identical size, and MP3 is only marginally less efficient than AAC for speech. Most commercial audiobooks sit at 64–128 kbps AAC, and 64 kbps MP3 is transparent for a single narrator while keeping the file small. Picking a higher bitrate than the original can't add quality back; it only inflates the file.
It depends on where it needs to play. Choose MP3 when the destination is a car stereo, an old MP3 player, or any app that won't open .m4b — it plays essentially everywhere. Choose M4A when you want to keep chapter markers and the resume bookmark and only need a music-app-friendly extension. Choose Opus (or OGG) when you want the smallest possible file for a long book and your player supports it. Choose WAV or FLAC only if you're editing or archiving, since they make the file much larger without improving how it sounds.
There's no fixed per-file cap. Conversion runs on our servers, so the real limit is upload size and your connection speed — a multi-hour, several-hundred-megabyte audiobook is routine, it just takes longer to upload than a short clip. Files are sent over an encrypted connection, processed on our servers, and deleted automatically after a few hours; nothing is shared or made public, and there's no sign-up. If you only need one chapter, use the Trim controls or the dedicated Audio Cutter to export just that segment instead of the whole book.
Most standard tags — title, author/artist, album, and the embedded cover image — carry over when the target format supports them, which MP3, M4A, AAC, and FLAC all do. The fields that don't survive a move to MP3 are the audiobook-specific ones: the chapter markers and resume bookmark, since MP3 has no native slot for them. If preserving the full audiobook metadata set matters, converting M4B to M4A keeps everything intact because it stays in the same container family. To shrink a finished file for email or a chat limit, the Audio Compressor targets an output size directly.