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Supports: WMA
.wma tracks. Batch upload is supported, which matters when an audiobook arrives as 40+ chapter files from an older Windows Media library.96k, or use Constant Bitrate with a fixed preset (64, 96, 128, 160, 192 kbps)..m4b extension and AAC audio, then delivered to your browser — no sign-up, no watermark, no email.Windows Media Audio was released in August 1999 and shipped as the default codec in Windows Media Player throughout the Windows XP and Vista era, so a lot of long-form content — ripped audiobooks, lecture series, recorded sermons, dictation — still exists as .wma. The trouble is that WMA has no native playback on iOS, macOS, or Android, and Apple Books, Plex, Audiobookshelf, and BookPlayer all expect M4B for proper audiobook treatment (chapter markers, position bookmarks, the right library shelf). Converting moves your library from a Microsoft-only silo into the cross-platform audiobook ecosystem.
.m4b extension; the same AAC audio with an .m4a extension lands in the Music app instead..m4b as long-form and persist your last position automatically; WMA has no equivalent convention..m4b as audiobook content and parse embedded chapter metadata; WMA shows up as generic "music" or gets skipped.| Property | WMA | M4B |
|---|---|---|
| Container | ASF (Advanced Systems Format) | MP4 / MPEG-4 Part 14 |
| Default codec | WMA v2 (also Pro, Lossless, Voice) | AAC-LC (sometimes ALAC) |
| Introduced | 1999 (Microsoft) | MP4 published 2003; M4B convention from iTunes era |
| Native iOS / macOS playback | No | Yes (Apple Books, Music, VLC) |
| Native Android playback | No (third-party only) | Yes (most players via MP4/AAC) |
| Chapter markers | Not standard | Yes (nero / iTunes chapter atoms) |
| Resume-position bookmarks | Not standard | Yes (player convention on .m4b) |
| Apple Books recognises as audiobook | No | Yes |
| DRM history | PlaysForSure / Windows Media DRM (discontinued) | Apple FairPlay used on iTunes Store audiobooks; user-converted files are DRM-free |
| Typical use today | Legacy Windows libraries | Cross-platform audiobooks, podcasts, lectures |
| Content | Recommended AAC bitrate | 10-hour file size (approx.) |
|---|---|---|
| Single-voice narration, mono | 48-64 kbps | 215-285 MB |
| Single-voice narration, stereo | 64-96 kbps | 285-430 MB |
| Multi-voice / drama / sound effects | 96-128 kbps | 430-570 MB |
| Music-heavy podcasts | 128-160 kbps | 570-715 MB |
| Archive-grade (matches CD quality) | 192-256 kbps | 855 MB - 1.1 GB |
Most commercial audiobooks ship at 64 kbps mono or 64 kbps stereo AAC — there's rarely an audible benefit to going higher for narration.
In most cases, no. Chapter markers were never a standard part of WMA — most .wma audiobooks rely on separate per-chapter files instead of in-file markers. If your source already had ASF script commands, they don't survive the transcode. To add real chapter atoms to the output, you generally need a dedicated audiobook tool (Audiobook Builder on macOS, AudioBookConverter on Windows, or ffmpeg with a metadata file) after the format conversion is done.
This page converts each input file 1:1, so a 40-chapter WMA set becomes 40 M4B files. To combine them into a single audiobook with chapter breaks, do the WMA-to-M4B conversion first and then concatenate the M4B files using a tool that preserves AAC streams (ffmpeg's concat demuxer is the usual choice, since it stitches without re-encoding).
No. The Audible app on iOS, Android, and the web only plays Audible-issued .aax / .aa files tied to an Audible account; it has no import for outside audio. For self-converted M4B files, use Apple Books, Plex, Audiobookshelf, BookPlayer, Prologue, Voice Audiobook Player, or any general AAC-capable player.
Technically yes — you're going from a lossless codec to a lossy one — but for spoken-word content the difference is inaudible, and the file shrinks roughly 5-10x. If the source is music and you want bit-exact output, convert your WMA Lossless to FLAC instead (see WMA to FLAC); M4B is the wrong target for archival music.
The .m4b extension is the signal that triggers the audiobook shelf. If a player or sync tool renamed the file to .m4a, drop it back to .m4b. On older iTunes builds you also had to right-click the track and select "Get Info → Options → Media Kind: Audiobook" manually; modern Apple Books on macOS 13+ handles this from the extension alone.
The audio is identical — both wrap AAC inside an MP4 container. The extension is the only difference, and it changes how players treat the file: .m4a is filed as music, .m4b is filed as an audiobook and gets resume-position bookmarking. If you don't need audiobook behaviour, WMA to M4A produces the same audio with the music-track extension.
Yes — drop the entire folder's worth of files into the upload area in one go. Each file is converted with the same settings, which is convenient when you've ripped a 30-disc audiobook set and every chapter needs the same 64 kbps mono treatment.
Title, artist (often used for "author"), album (often used for "book title"), and embedded cover art from the WMA ASF tags are mapped to the equivalent MP4 atoms during transcode. Fields specific to Windows Media (WM/Composer, WM/Genre subgenre, etc.) may not have a direct iTunes-MP4 equivalent and can be dropped. If you need pristine audiobook metadata, expect to clean it up afterwards in a tag editor like Kid3 or Mp3tag.
There is a per-file limit shown on the upload screen for the free tier; long audiobooks (5+ hours at high bitrate) sometimes exceed it. The workaround is to trim the file into halves first (use Audio Cutter or the in-page Trim control), convert each piece, then re-join. Most spoken-word WMA files at typical bitrates stay well under any per-file cap.