Initializing... drag & drop files here
Supports: 3GPP
.3gpp is a video container, .m4b is an audiobook file — so this conversion is really an audio extraction with an audiobook-friendly extension on the end. This page walks through the controls that matter for spoken-word material, and is honest about the two things people assume wrongly: whether the conversion can invent audio quality that the source never had, and whether chapter markers survive.
.3gpp recordings onto the page or click "+ Add Files". Several files can be queued at once and each is converted independently — useful when a long interview was recorded as a series of clips..m4b is an MPEG-4 audio file and AAC is what audiobook players expect. Under File Compression choose Quality Preset (Highest → Lowest), Specific file size in B/KB/MB, Custom Bitrate, Constant Bitrate from a fixed 8–384 kbps list, or Variable Bitrate across five rungs from 20k-32k up to 96k-112k.HH:MM:SS.sss..m4b. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark.3GPP files come off feature phones, early smartphones, MMS attachments and voice recorders, and the audio track inside is usually one of three things. The conversion re-encodes whatever it finds to AAC; it cannot recover bandwidth that was discarded when the original was recorded.
| Source audio track | Typical capture settings | What to expect in the M4B |
|---|---|---|
AMR-NB (samr) |
8000 Hz mono, 4.75-12.2 kbps | Telephone-band speech. Intelligible, never rich. Raising the output bitrate adds bytes, not detail |
AMR-WB (sawb) |
16000 Hz mono, 6.6-23.85 kbps | Noticeably clearer speech than AMR-NB; still narrow for music |
| AAC-LC | 44100 or 48000 Hz, 64-128 kbps | The good case. A 64-96 kbps mono AAC output is transparent for speech |
| No audio track at all | Video-only clip | The job fails rather than producing silence — see the FAQ below |
All three are legitimate targets for a talk recording. The difference is almost entirely about how player software treats the file, not about how the audio is coded.
| M4B | M4A | MP3 | |
|---|---|---|---|
| Container | ISO base media (MPEG-4) | ISO base media (MPEG-4) | MPEG-1/2 Audio Layer III |
| Codec here | AAC | AAC | MPEG Layer III |
| Treated as an audiobook by Apple Books, Plex and most Android audiobook apps | Yes, from the extension | No — filed as music | No — filed as music |
| Carries a chapter track | Yes, natively | Yes, natively | Only through ID3v2 chapter frames, which few players read |
| Plays on hardware that predates AAC | No | No | Yes |
| Best for | Long single-file listening you want to resume | Short clips, music | Maximum device compatibility |
Yes, and the failure is loud rather than silent. A 3GPP that carries only a video track has nothing left once the video is dropped, so the encoder stops with "output file does not contain any stream" and no file is produced. That is the correct behaviour — an empty audiobook would be worse — but it does mean a failed job on a .3gpp is worth checking for this first. If you are not sure whether your clip has sound, play it before uploading; if it is silent in a player, it will not become audible here.
Yes, if they are genuinely in the file. We tested a .3gpp carrying two named chapters and both markers, with their titles intact, came through into the .m4b as a proper chapter track. What the conversion will not do is invent chapters: a phone recording, an MMS clip or a camcorder file has no chapter track, so the output has none either. If you need chapters in a recording that never had them, add them afterwards in an audiobook tagger such as MP3Tag or Audiobook Builder.
The resume position is a player feature, not something written into the file, and our conversion writes no playback-position data at all. What the .m4b extension does is tell software to treat the file as an audiobook — Apple Books, Plex, Smart AudioBook Player and similar apps then keep your position in their own library. Rename the same file to .m4a and those apps will file it as music and forget the position, which is the whole practical reason the audiobook extension exists.
No. AMR-NB is 8000 Hz mono, so everything above roughly 3.4 kHz was thrown away at record time and no encoder can put it back. We converted an AMR-NB 3GPP with the output bitrate set to 128 kbps and the resulting AAC track still came out 8000 Hz mono at about 48 kbps, because the encoder will not spend bits on bandwidth that is not there. Raising Audio Sample Rate to 44100 Hz resamples the same narrow signal into a wider container; it does not add anything. For speech from an old handset, 32-64 kbps mono is honest and small.
It is discarded. .m4b is an audio-only target, so the picture is dropped and only the re-encoded audio is written. If you also want the video, run the file through 3GPP to MP4 separately — converting to M4B first and hoping to get the picture back later is not possible.
For a single voice, 32-64 kbps mono is usually indistinguishable from higher settings and keeps a long recording small — a several-hour lecture lands in the tens of megabytes rather than hundreds. Use 96-128 kbps if the recording has music, several overlapping speakers, or ambient sound you want to preserve. The Constant Bitrate list makes this easy because the rungs are fixed values rather than a free-text field, and pairing a low bitrate with Audio Channel set to Mono is the single biggest size saving available on this page.
Yes, using the Trim control on this page: set a start time and a duration, either as plain seconds (90) or as HH:MM:SS.sss (00:01:30.000). That is the right way to drop dead air at the head of a recording or cut a long session into parts, because it happens during the same encode. Note that our audio cutter works on audio files and will not accept a .3gpp, so trimming has to happen here on the way out — or afterwards, on the finished .m4b.
Because .m4b and .m4a are the same container. Inspecting our output shows an ISO base media file with the M4A brand written into its ftyp box, exactly as an .m4a would have. That is normal and is what most .m4b files in circulation look like — audiobook players key off the file extension, not the brand. It is worth knowing only so you are not alarmed when a tool such as ffprobe reports the format as mov,mp4,m4a,3gp,3g2,mj2.
No. Audible's .aa and .aax files are DRM-protected and tied to an account; an .m4b produced here is a plain unprotected AAC file that any player can open. That is an advantage for personal recordings, lectures and podcasts, and it also means this conversion cannot be used on purchased Audible content — protected files will not decode. For other targets from the same source, see 3GPP to MP3 for maximum device compatibility or 3GPP to M4A for the music-library equivalent.