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Supports: MJPEG
Motion JPEG stores every frame as a full, independent JPEG, so an MJPEG file carries no inter-frame compression and tends to be bulky — fine for a camera or capture card, awkward to store or share. Converting to MPG re-encodes the footage into an MPEG program stream (MPEG-2 video by default), which compresses across frames as well as within them. The usual result is a much smaller file from the same source — the practical reason most people make this conversion. It does not make the picture sharper; the output is still bounded by the detail in your original MJPEG.
| Property | MJPEG (Motion JPEG) | MPG (MPEG-PS) |
|---|---|---|
| Compression | Intraframe only — each frame a separate JPEG | Interframe (temporal) + intraframe |
| Typical efficiency | Lower, roughly 10:1–20:1 | Higher — redundancy removed across frames |
| Relative file size | Large | Usually much smaller from the same source |
| Default codec here | (source MJPEG) | MPEG-2 video, MP2 audio |
| Standard | JPEG (ISO/IEC 10918) per frame | MPEG-1 (1993) / MPEG-2 (1995), ISO/IEC 13818-1 |
| Decode cost | Low — frames decode independently | Higher — depends on neighboring frames |
| Common origin | CCTV, machine vision, capture cards | Discs, broadcast, general playback |
Usually yes, and that is the main reason to do it. MJPEG compresses each frame on its own with no sharing between frames, so it is inefficient for anything with steady backgrounds or limited motion. MPG's MPEG-2 video removes redundancy across successive frames, so the same footage typically lands at a fraction of the original size. The exact saving depends on how much motion the clip has — near-static surveillance footage shrinks the most.
No. A conversion can only work with the detail already in your source. Re-encoding MJPEG into MPEG-2 will not add sharpness, and because both are lossy you may give up a little fine detail in the pass. The benefit here is a smaller, more portable file at roughly comparable visual quality — not a higher-quality image.
MPEG-2 by default, which is the general-purpose choice for an .mpg program stream and what most disc-authoring and playback tools expect. You can switch the Video Codec dropdown to MPEG-1 if you are targeting Video CD or an older device that specifically needs it. Audio defaults to MP2.
Because Motion JPEG has no inter-frame compression — it is essentially a sequence of standalone JPEG images. That design makes it cheap to decode and lets you pull any single frame cleanly, which is why cameras, capture devices, and machine-vision systems favor it. The cost is size: without sharing data between frames, the format cannot exploit the redundancy that newer codecs rely on.
For broad playback on phones, browsers, and modern apps — and for the smallest file at a given quality — convert MJPEG to MP4 with H.264 instead; MPG is a legacy program-stream format best reserved for older MPEG-only hardware or disc-authoring workflows. If you only need to shrink video without changing its format, the video compressor is the more direct tool.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.