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Supports: MJPEG
A raw .mjpeg file is a run of JPEG frames with no container around them — no duration, no index, no audio. A .mpeg file is an MPEG program stream: a real multiplexed container from the family that ran Video CD, DVD and digital broadcast for two decades. This page documents what each format actually is, and what the converter does when it re-encodes one into the other.
| Property | Value |
|---|---|
| Format | MPEG program stream (MPEG-PS) — a multiplexing container, not a codec |
| Specified in | MPEG-1 Part 1 (ISO/IEC 11172-1) and MPEG-2 Part 1 Systems (ISO/IEC 13818-1, also ITU-T H.222.0) |
| Designed for | Reasonably reliable storage such as discs and files |
| Sibling format | MPEG transport stream, designed instead for lossy transmission such as broadcast |
| Programs per file | One, with its elementary streams; transport streams can carry many |
| Related extensions | .mpg, .m2p, .ps; .vob on DVD-Video and .evo on HD DVD |
| Video it can carry | MPEG-1 Part 2 or MPEG-2 Part 2 video |
| Typical audio | MPEG-1 Part 3 (MP1/MP2/MP3) or MPEG-2 Part 3 |
| Property | MPEG-1 | MPEG-2 |
|---|---|---|
| Standard | ISO/IEC 11172 | ISO/IEC 13818, also ITU-T H.262 |
| Approved | November 1992; first three parts published August 1993 | First public release 1996 |
| Design target | About 1.5 Mbit/s, roughly VHS quality from a CD-ROM | Broadcast and disc resolutions at much higher rates |
| Common resolution | Source Input Format — 352×240, 352×288 or 320×240 | Up to full broadcast resolution; DVD-Video peaks at 9.8 Mbit/s video |
| Scan type | Progressive only | Progressive and interlaced |
| Chroma | 4:2:0 | 4:2:0 in the widely used Main profile |
| Audio channels | Two | Multichannel |
| Patent status | Long expired | Expired worldwide on 3 January 2024, except Malaysia; the last US patent expired 23 February 2018 |
| Used by | Video CD | DVD-Video, ATSC and DVB digital television |
MPEG-2 is preselected in the Video Codec list, and it has no constant-quality mode — the codec predates CRF entirely. That has a consequence worth stating plainly instead of hiding: Quality Preset, Constant Quality and Constraint Quality all end up at the same place, a minimum bitrate derived from the output resolution. Moving between them changes nothing you can measure. The lever that does work is Video resolution, because the floor is calculated from the pixel count:
| Output resolution | Approximate bitrate floor applied |
|---|---|
| 640×480 or smaller | 2 Mbit/s |
| 720×576 | 2 Mbit/s |
| 1280×720 | About 2.8 Mbit/s |
| 1920×1080 | About 7.5 Mbit/s |
| 2560×1440 | About 16.6 Mbit/s |
| 3840×2160 | About 45 Mbit/s |
If you want direct control instead, use Constant Bitrate or Variable Bitrate and type a figure — those values are used as given, provided they sit above the floor for your output resolution. Anything below it is raised, because MPEG-2 fails outright at bitrates it cannot service.
.mjpeg in or click "+ Add Files". Uploads travel over an encrypted connection and convert on our servers..mpeg. No sign-up, no watermark.No. Both extensions name the same MPEG program stream; .mpg simply survives from the era of three-character DOS file names, and plenty of software still prefers it. Nothing inside the file changes, and renaming between the two is safe. If your target system asks for the short spelling, MJPEG to MPG writes it directly.
Keep MPEG-2 unless you are specifically authoring for Video CD hardware. MPEG-2 handles modern resolutions, compresses far better at the same picture quality, and is what DVD players and broadcast equipment expect. MPEG-1 was designed around a 1.5 Mbit/s CD-ROM budget and a 352×240 picture; on today's footage it produces a soft result for the bits it spends. One practical note: because a raw MJPEG stream declares no bitrate of its own, MPEG-1 has nothing to scale a quality preset against — so if you do choose it, set Constant Bitrate to a deliberate value rather than relying on the preset.
Because MPEG-2 has no constant-quality mode to map the preset onto. The codec is rate-controlled by design, so the preset, Constant Quality and Constraint Quality all resolve to the resolution-derived floor in the table above. This is a property of MPEG-2 rather than a limitation of one setting. To change the output size, change Video resolution, or take direct control with Constant Bitrate.
Lower the resolution first — it moves the floor itself, which is the dominant term. A 1080p source dropped to 720p takes the floor from roughly 7.5 to roughly 2.8 Mbit/s. After that, set Constant Bitrate to any value above the floor for the resolution you chose. Trim → Time Range is the other reliable lever: half the duration is half the file. Specific file size works too, but it cannot go below what the floor allows for the duration involved.
No, and nothing on the page can add it. A raw MJPEG elementary stream carries video frames only — cameras and capture cards that write MJPEG either record no audio or store it as a separate file. The Audio Codec list is still shown because the MPEG container supports audio, but with no audio in the source there is no track to encode, so the output is silent.
Usually the bitrate floor. If your footage is a low-rate camera capture at 1080p, MPEG-2 will not encode it below roughly 7.5 Mbit/s regardless of how simple the picture is, and that can exceed what the JPEG frames were costing. The fix is to reduce Video resolution, or to use a modern codec instead — MJPEG to MP4 encodes H.264, which has no such floor and compresses static camera scenes far harder.
Not directly. What you get is a program stream file, not an authored disc: DVD-Video requires a specific directory structure with VIDEO_TS and .vob files, specific frame sizes of 720×480 or 720×576, and conforming audio. Authoring software takes an MPEG-2 program stream like this one as its input and builds that structure around it, so this conversion is the first step rather than the whole job.
No. MPEG-2 patents expired worldwide on 3 January 2024, with Malaysia the sole exception, where the final patent is expected to run to 2035; the last US patent had already expired on 23 February 2018. That is part of why MPEG-2 remains attractive for long-term archival of broadcast-era material — the format is now unencumbered as well as extremely widely supported.
Files are uploaded over an encrypted connection, converted on our servers, and deleted automatically a few hours later. No sign-up, no watermark, nothing shared or made public.