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Supports: MRW
MRW is Minolta's RAW format — the unprocessed sensor data from a DiMAGE or Maxxum/Dynax camera, which most modern photo apps no longer open. Converting MRW to WebP renders that RAW into a finished, broadly viewable image: WebP is a Google format that does lossy and lossless compression plus transparency, and produces smaller files than the same picture saved as JPEG or PNG. This is the right move when you want to view or share an old Minolta shot, not keep editing it.
| Property | Value |
|---|---|
| Full name | Minolta RAW |
| Developer | Minolta, later Konica Minolta |
| Type | Camera RAW (unprocessed sensor data) |
| Used by | DiMAGE 5/7/A1/A2/A200; Maxxum/Dynax 5D & 7D DSLRs |
| Sensor bit depth | 8, 10, or 12 bits per pixel |
| Metadata | Carries Exif and MakerNote (not TIFF-based) |
| Status | Discontinued; Sony replaced it with ARW after acquiring Minolta |
| Best for | Archival originals you intend to develop, not direct viewing |
| Property | Value |
|---|---|
| Developer | Google (based on VP8/On2 technology) |
| Compression | Both lossy and lossless |
| Transparency | Alpha channel supported in both modes |
| Size vs JPEG | Google reports lossy WebP 25–34% smaller than JPEG at equal SSIM |
| Size vs PNG | Google reports lossless WebP ~26% smaller than PNG |
| Browser support | Chrome, Firefox, Edge, Safari 16+, and Opera |
| Best for | Viewing and sharing a rendered photo at a small file size |
.mrw file onto the page or click "+ Add Files". Add several Minolta RAWs to convert them in one batch with the same settings.MRW is a discontinued Minolta RAW format that stores raw sensor data rather than a finished picture, so most current viewers and browsers can't display it without dedicated RAW support. Rendering it to WebP produces a standard image that opens in any modern browser. If you need the widest compatibility instead, use the MRW to JPG converter.
Rendering a RAW bakes in the white balance, exposure, and color decisions and discards the editing latitude the RAW held, so you lose flexibility regardless of output format. The WebP step itself can be lossless if you set "Lossless?" to "Yes"; the default lossy mode trades a small amount of detail for a much smaller file.
MRW carries Exif and MakerNote metadata, but a rendered, web-optimized WebP is meant for viewing and sharing and is not a reliable metadata archive. Keep the original .mrw file if you need the full shooting data, and treat the WebP as a display copy.
Yes. Google reports lossy WebP images run 25–34% smaller than JPEG at an equivalent SSIM quality index, and lossless WebP about 26% smaller than PNG. In our testing, a developed 6-megapixel DiMAGE frame exported to lossy WebP at the Very High preset landed well under 1 MB while staying clean on screen.
ARW is the Sony format that succeeded MRW after Sony absorbed the Minolta line, and it is a separate RAW format. For those files use the ARW to WebP converter; this page is specific to Minolta's older MRW.
For sharing online or saving space, lossy at the Very High preset is the practical choice and keeps files small. Choose lossless only when you want a pixel-exact copy of the developed render — for example to layer it over a background, since WebP keeps the alpha channel in both modes, much like a PNG to WebP conversion.