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Supports: OGG
.ogg file or click "Add Files" to browse. Batch conversion is supported — queue several tracks at once..oga wrapper. You can also re-encode to Opus for smaller voice/music files, FLAC for lossless archival, Speex for narrowband voice, or PCM if a downstream tool wants uncompressed audio..oga file. Files process in your browser session — no sign-up, no watermark, no install.OGG and OGA share the same underlying Xiph.Org Ogg container — the bitstream framing, page structure, and codec packaging are identical. The split is in the file extension: Xiph reserves .ogg for general Ogg files (which may carry audio, video like Theora, or text like Kate), while .oga is the audio-only label. Music players, MIME servers, and Linux media managers use the extension to decide whether to scan the file as music or hand it off to a video pipeline. A copy-codec conversion is essentially a remux that rewrites the container metadata and sets the audio-only extension without touching the audio samples.
.oga as music, but may quietly drop .ogg files into the "video" or "other" bucket. Renaming alone sometimes works; a clean container rewrite is more reliable.audio/ogg mapped to .oga and video/ogg mapped to .ogv per RFC 5334. Serving .ogg over HTML5 <audio> works in most browsers, but .oga is the spec-correct extension for an audio-only <source> tag..oga as a recognized audio extension while rejecting .ogg if their metadata scanner expects an audio-only container..ogg is associated with VLC's video pipeline; .oga nudges the OS to open it in a music player instead.| Property | OGG (.ogg) | OGA (.oga) |
|---|---|---|
| Container | Xiph.Org Ogg | Xiph.Org Ogg |
| Specifying body | Xiph.Org Foundation | Xiph.Org Foundation |
| RFC | RFC 3533 / RFC 5334 | RFC 5334 |
| Common audio codecs | Vorbis, Opus, FLAC, Speex | Vorbis, Opus, FLAC, Speex |
| Can carry video | Yes (Theora, Daala) | No (audio only) |
| Can carry text | Yes (Kate subtitles) | No (audio only) |
| MIME type | application/ogg or video/ogg | audio/ogg |
| Practical difference | General Ogg, may be audio or video | Audio-only label |
Per RFC 5334, byte-for-byte identical bitstreams can use either extension; .oga simply tells the player "this one is audio." A pure remux (copy streams, change wrapper extension) is lossless.
| Codec | Use it for | Notes |
|---|---|---|
| Vorbis | Default for legacy Ogg audio, music | 64–500 kbps, the historical OGG payload |
| Opus | Modern voice + music, smallest files | 6–510 kbps, best quality-per-bit since 2012 |
| FLAC | Lossless archival, master copies | Compresses ~50–60% with no quality loss |
| Speex | Narrowband voice (deprecated by Opus) | 2.15–24.6 kbps, 8/16/32 kHz voice |
| PCM (S16LE/S24LE) | Uncompressed audio for editors | Largest files, zero codec overhead |
Yes, when you keep the source codec. The default flow copies the existing audio stream into a .oga wrapper without re-encoding, so the samples are byte-identical. Quality is only affected if you intentionally change the codec, sample rate, bitrate, or trim points.
.ogg to .oga?Often yes. Because the underlying container is the same Xiph Ogg bitstream, a manual rename works in many players (VLC, mpv, Foobar2000). It fails when an app validates by MIME sniffing, when a server maps .ogg to video/ogg, or when a music library scanner skips .ogg because it can't tell if the file contains a Theora video track. This converter does the rename plus a clean container rewrite, which is more reliable.
.oga for audio at all?RFC 5334 (Xiph's Ogg Media Types update from 2008) was published precisely because the original .ogg extension didn't distinguish audio from video Ogg files. Splitting into .oga (audio), .ogv (video), and .ogx (multiplexed) lets servers, players, and OS file associations route each file to the right pipeline.
Yes. Vorbis, Opus, FLAC, and Speex are all native Ogg payloads, and a copy-codec convert preserves them in the .oga output. If you'd rather change codec at the same time — for example transcoding Vorbis to Opus to shrink the file — pick the target codec in the Audio Codec setting and a constant or variable bitrate to control the output size.
The browser is the limit, not a fixed quota. Typical music tracks at 128–256 kbps Vorbis run 3–8 MB per song; a full album at FLAC averages 200–400 MB. The converter has handled multi-hundred-MB inputs. For very long captures or audiobooks, trim first via the Trim option (start + duration in HH:MM:SS.sss) to extract just the segment you need.
.ogg files but show .oga?Rhythmbox, Banshee, and similar GNOME-stack players historically used the extension as the first filter when deciding what to add to the music library. .ogg was treated as ambiguous (could be a video) and skipped, while .oga matched the audio-only filter immediately. Newer versions sniff the bitstream, but the extension-first behaviour still shows up in older builds and in lightweight media servers.
No. Vorbis comments (the standard Xiph metadata block used for title, artist, album, etc.) live inside the codec stream, not the container header. A copy-codec remux preserves them in the .oga output. If you want to edit tags afterwards, tools like Picard, Mp3tag, or Kid3 read .oga natively.
If your goal is universal playback on hardware that doesn't speak Ogg (older car stereos, certain MP3 players, some smart speakers), MP3 or AAC inside an MP4/M4A wrapper is the safer target. Use OGG to MP3 or OGG to M4A for that route. Stick with .oga only when a specific tool, library, or server explicitly expects the audio-only Ogg extension.