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Supports: PEF
Turn a Pentax PEF raw photo into AVIF — a modern, AV1-coded still that delivers a sharp, web-ready picture at a fraction of a JPEG's size. The converter renders your raw and encodes it to AVIF on our servers; treat the result as a finished delivery copy and keep the original .pef as your editable master. Upload, pick a quality level, and download — no sign-up, no watermark.
.pef files onto the page or click "+ Add Files" to browse. You can queue several raw frames from a K-series body and convert them with the same settings.| Property | PEF (input) | AVIF (output) |
|---|---|---|
| What it is | Pentax raw photo (single still) | Compressed delivery image |
| Full name | Pentax Electronic File | AV1 Image File Format |
| Holds | Unprocessed sensor data, TIFF-based | Rendered, AV1-coded picture |
| Container / codec | TIFF-based raw | HEIF / ISO-BMFF container, AV1 codec |
| Standardized | Pentax proprietary | AOMedia, 2019 |
| Editing latitude | Full — white balance and exposure adjustable | None — render is baked in |
| Typical size | Large (tens of MB) | Small — roughly 30-50% smaller than JPEG at similar quality |
| Native browser support | None (needs a raw viewer) | Chrome 85+, Firefox 93+, Safari 16.4+, Edge 121+ (~93% of users) |
| Best for | Archiving and editing with full latitude | Fast-loading web and app delivery |
Yes — completely. A PEF is an unprocessed negative: white balance, exposure, highlight recovery, and tone are all still adjustable in a raw editor. To write an AVIF, the converter has to demosaic that sensor data and bake in the current white balance, exposure, and tone as ordinary pixels. Once it's an AVIF you're editing a finished image, not the raw. Adjust the PEF first if you want control, then convert the result, and keep the original .pef as your master.
Size at a given quality. At similar perceived quality, AVIF files are typically about 30-50% smaller than JPEG, and AVIF degrades more gracefully — its artifacts look like soft blur rather than JPEG's blocky edges, especially across skies, gradients, and fine texture. The trade-off is encoding speed and reach: AVIF takes longer to encode, and a small share of older browsers and desktop viewers can't display it. If universal compatibility matters more than file size, PEF to JPG is the safer choice, and for a high-bit-depth print or lossless-editing master use PEF to TIFF.
The AVIF format itself supports 10- and 12-bit color and HDR (Rec. 2020 wide gamut), which is one of its advantages over 8-bit JPEG. This converter targets a standard, broadly compatible AVIF suitable for web delivery rather than an HDR-graded master, so treat the output as a standard-dynamic-range delivery copy. If you specifically need a wide-gamut, high-bit-depth file for editing or print, render the PEF to PEF to TIFF instead, which preserves high bit depth losslessly.
In browsers, AVIF is supported by Chrome 85+, Firefox 93+, Safari 16.4+, and Edge 121+ — roughly 93% of users worldwide can view it natively, per caniuse. Desktop support is more uneven: recent Windows (with the AV1 Image Extension), macOS Ventura and later, and image tools like GIMP and current Photoshop can open AVIF, but many older viewers and some editors still can't. If you're handing the file to someone on an unknown setup, PEF to JPG opens everywhere.
In our testing, a 24-megapixel Pentax PEF rendered to AVIF at the "Very High" preset produced a file a fraction of the raw original's size while staying visually sharp at normal viewing sizes. Your file is uploaded over an encrypted connection, rendered and encoded into AVIF on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. The main practical limit on a big upload is its size and the time it takes to send, since Pentax raw files often run tens of megabytes each, not your device.