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Supports: PEF
PEF is Pentax's RAW photo format — the unprocessed sensor data a Pentax camera writes straight to the card. MP4 is a video container, not an image format, so this conversion does something specific: it takes your still PEF photo and holds it on screen as a short MP4 clip. There is no motion in the source, so the result is a single frame (or a sequence of your photos) displayed for a duration you choose. People reach for this when a platform that only accepts video — an Instagram Reel, a TikTok, a YouTube Short, or a digital-signage screen — won't take a static RAW file.
| Property | Value |
|---|---|
| Full name | Pentax Electronic File (RAW) |
| Type | Camera RAW still image (single capture, no motion) |
| Vendor | Pentax / Ricoh Imaging |
| First release | May 2006 |
| Sensor data | Unprocessed; 12-bit or 14-bit depending on camera model |
| Opens in | PENTAX Digital Camera Utility, Adobe Lightroom, Photoshop, darktable |
| Best for | Editing latitude before export; not for direct sharing or playback |
| Property | Value |
|---|---|
| Full name | MPEG-4 Part 14 |
| Standard | ISO/IEC 14496-14 |
| Type | Video container (holds video + optional audio) |
| Typical video codec | H.264 / AVC (this tool's default) |
| Browser support | ~96.6% of browsers play H.264 MP4 — Chrome, Firefox, Edge, Safari, and mobile |
| Best for | Posting to social platforms, embedding, and universal playback |
It is static. A PEF is a single still capture with no motion data, so the MP4 simply displays that one frame for the duration you set. If you upload multiple PEF photos and choose to merge them, you get a basic slideshow — each photo shown in turn — but no pans, zooms, or transitions are added.
No — and nothing can. PEF holds 12-bit or 14-bit unprocessed sensor data, while MP4/H.264 video is 8-bit and lossy by design, so the file is rendered (demosaiced) to a standard video frame during conversion. Keeping the Quality Preset on "Very High" minimizes visible compression, but if you want to preserve editing latitude, keep the original PEF and use PEF to JPG for a still you can share.
The clip length equals the per-image duration you pick in the Image Duration setting — the default is 5 seconds for a single photo. Choose a shorter or longer value to match the platform you're posting to; many social feeds prefer clips of a few seconds.
A RAW photo's aspect ratio (often 3:2 from a Pentax sensor) rarely matches a video preset like 16:9 or 9:16. When you pick a fixed resolution that doesn't match, the leftover area is filled with the Background Color — black by default. Set a matching resolution, or change the Background Color, to control how that fill looks.
Yes. Add multiple PEF files, then in Advanced Options choose the merge strategy ("Merge images") to assemble them into a single MP4 with each photo held for the duration you set. The alternative produces one separate video per image.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. In our testing, a single 24-megapixel PEF held for 5 seconds at the "Very High" preset produced an MP4 of roughly 1-3 MB, since one repeated frame compresses efficiently.
Convert straight to MP4 if your only goal is a postable clip of the photo — this tool handles the RAW decode for you in one step. Go through JPG (or PNG) first only if you also want a standalone still image to keep or edit; the same image-to-video tool will then accept that file, the same way JPG to MP4 does.