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Supports: PSD
A .psd is an Adobe Photoshop document — a layered raster working file. An .mpg is an MPEG program stream, the container legacy DVD-authoring tools, set-top boxes and broadcast ingest systems still accept. This page turns one into the other: the converter reads the flattened composite of your PSD, holds that single picture on screen for a duration you choose, and writes it as a silent MPEG-2 clip. Two things about this specific pair will decide whether your job succeeds, and both are covered below: the codec dropdown offers an MPEG-1 option that a still image can never satisfy, and very large PSDs can land on a frame size the MPEG-2 encoder refuses outright.
.psd onto the page or click "+ Add Files". Queue several and use Merge strategy — "Merge images" (the default) chains them into one clip, "Video per image" returns a separate MPG per file..mpg. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared.Under File Compression you get three modes — Quality Preset, Constant Quality and Constraint Quality. On an MPEG-2 target none of them behaves the way the labels suggest, and it is worth understanding why before you spend time tuning them.
MPEG-2 has no constant-rate-factor mode at all; it is a pure bitrate codec. Our MPEG-2 encoder therefore converts whatever quality mode you picked into a bitrate target, then compares that target against a minimum derived from the output resolution — roughly 0.10 to 0.18 bits per pixel at a 30 fps reference, with a hard floor of 2 Mbps — and raises anything lower to that minimum. The practical consequences:
So: set the frame size you want, take the bitrate the encoder gives you, and do not expect the quality dropdowns to earn their keep on this pair. If you want a codec where a quality slider genuinely works, PSD to MP4 uses H.264, which is CRF-based.
.mpg is not an HTML5 <video> format and MPEG-2 is not a mobile codec. Use PSD to MP4 for anything that has to play on the modern web.| PSD feature | In the MPG | Why |
|---|---|---|
| Visible composite image | Kept, as repeated frames | The decoder reads the flattened composite only |
| Layers, masks, smart objects | Lost | No video container stores an editable layer stack |
| Layer effects, adjustment layers | Baked in | They are already applied in the composite; they are not addressable separately |
| Hidden layers | Dropped | Hidden in Photoshop means absent from the composite |
| Transparency (alpha) | Filled | Replaced by the Background Color (White by default) |
| Colour depth above 8-bit | Reduced | The frame is normalised to 8-bit before encoding |
| Audio | None | Image sources have no audio track and none is created |
| Property | Value |
|---|---|
| Container | MPEG program stream (.mpg) |
| Video codec | MPEG-2 (ISO/IEC 13818-2, ITU-T H.262); MPEG-1 (ISO/IEC 11172-2) offered but unusable from a still |
| Frame rate | 1 fps |
| B-frames | Off |
| Default clip length | 5 seconds per image |
| Frame size cap | 4096 px on the long edge, and never an exact multiple of 4096 |
| Audio | None — silent by design |
| Rate control | Bitrate only; minimum derived from resolution, 2 Mbps floor |
Because a still image is encoded at 1 fps and MPEG-1 cannot express that frame rate. The MPEG-1 bitstream carries a 4-bit frame-rate code that indexes a fixed table of eight rates — 23.976, 24, 25, 29.97, 30, 50, 59.94 and 60 fps — and there is no extension mechanism to signal anything else. MPEG-2 added frame_rate_extension_n/d fields precisely so arbitrary rates could be carried, which is why the same still encodes fine as MPEG-2. The encoder reports it as "MPEG-1/2 does not support 5/1 fps" and stops. Leave the codec on MPEG-2.
No, and they cannot. The converter reads the flattened composite that Photoshop stores alongside the layer data — the same picture you see with every visible layer turned on — and encodes that. Layers, masks, adjustment layers, smart objects and editable type are not addressable in this pipeline, so no setting brings them back. Keep the original .psd as your working master. If what you actually want is a flat image rather than video, PSD to PNG is lossless and keeps transparency.
Because there is nothing to encode. A flattened Photoshop document carries no audio, and on an image source the audio codec group is hidden outright rather than defaulted to something — the resulting file has a video stream and no audio stream at all. That is deliberate, not a fault. To add music or narration, convert here first and then bring the .mpg into a video editor.
Yes, but not at "Keep original". Anything over 4096 px on the long edge is scaled down to that cap before encoding, which frequently lands the frame on exactly 4096 px — and the MPEG-1/2 encoder rejects any width or height that is an exact multiple of 4096. The reliable move is to pick Fixed Resolutions and an explicit size such as 1920×1080 or 3840×2160, which sidesteps both the cap and the multiple-of-4096 rule.
Not on this page. Quality Preset scales a source bitrate, and a still image does not have one — so on an MPEG-2 target from an image source the preset has nothing to act on. MPEG-2 also has no CRF mode, so Constant Quality is converted to a bitrate and Constraint Quality's Max bitrate is clamped upward to a resolution-derived minimum. If you want a bigger, cleaner file, raise the frame size; if you want a real quality slider, use a CRF codec via PSD to MP4.
Yes. Upload several .psd files and leave Merge strategy on "Merge images"; each flattened still is held for the Image Duration you set and they play back to back as a single clip, so total length is the file count multiplied by the per-image duration. Choose "Video per image" instead if you want one separate MPG per file. Every image in the batch is normalised the same way, so mixed dimensions are padded with the Background Color rather than stretched.
MP4 unless something specifically demands MPEG. .mpg with MPEG-2 exists for DVD authoring, older set-top hardware and broadcast ingest, and it is the right pick when a tool refuses anything else. For everything else MP4/H.264 is smaller at the same visual quality, plays natively in browsers and on phones, and gives you a quality control that actually responds — see PSD to MP4. If you want to compare all the still-to-video targets in one place, the PSD converter hub lists them.
Your PSD is uploaded over an encrypted connection, converted on our servers, and both the upload and the finished .mpg are deleted automatically after a few hours — no sign-up, no watermark, and your file is never shared or made public. There is no fixed file-count cap; on a large layered PSD the practical limit is upload time, since the whole document is sent before it is flattened and encoded.