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Supports: PUB
.pub is the proprietary file format of Microsoft Publisher, and almost nothing other than Publisher itself opens it cleanly — which matters now that Microsoft is retiring the app on October 1, 2026. This tutorial converts each page of your publication into an MTS (AVCHD) video clip for an AVCHD camcorder or Blu-ray timeline; it walks through the page-to-frame mechanics, the silent/letterboxed result you should expect, and when a different target is the smarter rescue. If you just need to preserve or share a Publisher file, MTS is the wrong format — convert to Publisher to PDF (Microsoft's own recommended path) or Publisher to JPG instead. MTS only makes sense when you specifically need an AVCHD-format clip.
.pub file onto the page or click "+ Add Files" to browse. You can queue several Publisher files at once..mts file. No sign-up, no watermark, no Publisher licence required.This conversion is a two-stage process. First, each page of the .pub is rendered to a still image — the same rasterizing step that Publisher to JPG performs. Then those stills are encoded into an AVCHD H.264 video stream, each page held on screen for the "Image Duration" you set. The result is a static, silent slideshow: there is no motion within a page and no audio track, because a Publisher document carries neither. That is expected, not a defect.
The two "Merge strategy" options decide how a multi-page publication is packaged, and the behavior is worth understanding before you convert:
.mts file that shows page 1, then page 2, then page 3, then page 4 in sequence, each held for the Image Duration. Use this for a one-file clip you can drop on a USB stick and play start-to-finish..mts files, one per page, delivered together. Use this when each page needs to be its own clip on an editing timeline with its own duration or transition.For pacing, match the Image Duration to the content: 5–8 seconds suits a dense page someone needs to read, while 2–3 seconds is enough for a title or cover page. Because Publisher pages are usually portrait print layouts and AVCHD frames are landscape 16:9 (1920×1080 or 1280×720), a portrait page is fit inside the frame with vertical bars on either side in your chosen Background Color — the page is never cropped. If most of your pages are portrait, black bars are unavoidable in a 16:9 clip; that is a property of fitting print pages into a video frame, not a quality problem.
.pub file has no audio, so the rendered MTS is silent. If you need narration or music, add an audio track afterward in a video editor; this converter cannot invent one..pub is Microsoft's proprietary format, so non-Microsoft renderers cannot reproduce it with absolute precision. Fonts not embedded in the file get the closest available match, and heavy layering can shift. Simple flyers and certificates render cleanly; spot-check complex publications.BDMV folder structure rather than as a loose file. Burning an AVCHD-compliant disc, or placing the file in the expected folder layout, usually fixes direct playback.If your goal is to preserve, email, or print a Publisher file rather than feed an AVCHD workflow, MTS is the wrong target and you are making the file harder to use, not easier. Convert to Publisher to PDF for an openable, shareable, multi-page document — this is the path Microsoft itself recommends before Publisher retires — or to Publisher to JPG for a plain page image that opens on any device. MTS earns its place only when you genuinely need an AVCHD-format clip: matching a camcorder's .mts files on an editing timeline, or building an AVCHD slideshow disc for older Blu-ray hardware. For a clip you intend to share online or play on a phone, Publisher to MP4 produces a far more widely playable file than MTS.
No. A Publisher document contains static page layouts with no audio and no motion, so the resulting MTS is a silent slideshow of still page renders — each page held on screen for the Image Duration you set. There is nothing in a .pub file to animate or play as audio. If you need narration or background music, import the MTS into a video editor and add an audio track there.
Publisher pages are usually portrait print layouts (such as A4 or US Letter), while MTS/AVCHD frames are landscape 16:9 at resolutions like 1920×1080. To show the whole page without cropping it, the converter fits the page inside the frame and pads the empty space with the "Background Color" (black by default). You can switch the padding to white or another color, but for a 16:9 clip made from portrait pages, some bars are unavoidable.
That is exactly what the "Merge strategy" option controls. "Merge images" renders all pages into a single .mts clip that plays them in sequence; "Video per image" outputs one .mts file per page instead. Pick "Merge images" for a single playable slideshow, or "Video per image" when each page needs to be a separate clip on an editing timeline. If you instead want every page bundled in one openable document, convert to Publisher to PDF.
MTS is the on-camcorder file extension for AVCHD (Advanced Video Coding High Definition), a format jointly introduced by Sony and Panasonic in 2006 for HD consumer camcorders. It wraps H.264/AVC video and Dolby AC-3 (or linear PCM) audio in an MPEG-2 Transport Stream derived from the Blu-ray spec (AVCHD on Wikipedia). Converting a .pub to MTS only makes sense for AVCHD-specific needs — matching camcorder clips on a Sony Vegas or PowerDirector timeline, or building an AVCHD slideshow disc. For preserving or sharing the document itself, Publisher to PDF is the right target.
Microsoft has confirmed that Publisher loses support on October 1, 2026, after which Microsoft 365 subscribers can no longer open .pub files in Publisher — so getting your artwork out while a tool can still read the file is genuinely time-sensitive. Because .pub is proprietary, non-Microsoft renderers cannot reproduce it perfectly: in our testing, single-page flyers and certificates rendered cleanly, while pages with unusual non-embedded fonts or heavy layering were more likely to shift. Spot-check complex publications, and for a print-exact result export from Publisher itself while you still can.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. For very large publications, the practical limit is upload time rather than the page count itself.