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Supports: RM
RealMedia .rm is a RealNetworks video container from the RealPlayer era; ICO is the Windows icon format. So this is a frame grab that ends in an icon file, and it has two quirks worth knowing before you convert: the only sizing control is a preset list that sets height, and an ICO directory entry can only describe sizes up to 256 pixels. Between them those two facts decide which presets are safe for your footage. This guide covers both, plus how to pick the frame.
.rm onto the page or click "Add Files". Several RealMedia files can be queued and each produces its own icon.0, which is the literal first frame of the file — usually black, a fade-in, or an unsettled shot. Type the second you actually want; decimals like 4.5 are accepted..ico. No sign-up, no watermark; files upload over an encrypted connection, are processed on our servers, and are deleted automatically after a few hours.Icons are conventionally square, but this page does not crop or pad — the preset sets the height and the width comes from your video's aspect ratio. A 4:3 RealMedia clip at 192P becomes 256x192; a 16:9 clip at 192P becomes 341x192. That non-square result is fine for some uses and a problem for others, but the harder limit is the file format itself. In Microsoft's ICONDIRENTRY structure, bWidth and bHeight are each a single byte, so the directory physically cannot describe anything wider than 256 pixels. If the scaled frame comes out wider than that, the size recorded in the file stops matching the bitmap inside it.
We reproduced this with the same height-only resize the converter uses:
| Preset | 4:3 source (e.g. 320x240) | Safe? | 16:9 source (e.g. 640x360) | Safe? |
|---|---|---|---|---|
| 256P | 341x256 | No — the entry no longer matches the image | 455x256 | No — the entry no longer matches the image |
| 192P | 256x192 | Yes — right at the limit | 341x192 | No — the width is recorded as 85 |
| 180P | 240x180 | Yes | 320x180 | No — the width is recorded as 64 |
| 128P | 171x128 | Yes | 228x128 | Yes |
| 64P and below | 85x64 or smaller | Yes | 114x64 or smaller | Yes |
The practical rule: for a 4:3 RealMedia source, 192P is the largest safe preset; for a 16:9 source, 128P is. 256P is never safe for a non-square frame. If your icon has to be square as well as valid, crop the frame after conversion rather than expecting this page to do it.
| Use | Sensible preset | Notes |
|---|---|---|
| Browser favicon | 32P or 16P | ICO is still universally supported for favicons, but modern sites usually link a PNG instead |
| Windows toolbar / list icon | 16P or 32P | The classic small-icon sizes |
| Desktop or application icon | 48P, then 128P | 16, 32 and 48 pixels are the sizes Microsoft's own guidance recommends including |
| Large modern app icon | 128P | The largest preset that stays valid for a widescreen frame |
Nothing else renders on this page. There is no quality setting, no colour-depth setting, and no palette setting for an ICO output — the frame is scaled and written, and that is the whole operation. If you need to control compression or colour, grab the frame as RM to PNG and build the icon from that.
0, the first frame of the file. Set a real timestamp..ico holds still images. For motion use RM to GIF.RealMedia files carrying RealNetworks rights management cannot be decoded for frame extraction at all. Truncated .rm downloads may fail at a late timestamp while an earlier one succeeds — try a smaller Time (seconds) value. And if the file is not really RealMedia (a renamed .rmvb, or a .ram playlist that only points at a stream), there is no video to grab. If you need several candidate frames, switch Frame Selection to "Multiple Screenshots", pick a Capture Rate, and keep the best result. For anything beyond icon dimensions, RM to PNG or RM to JPG give you the full frame.
Because the only resolution control on this page is a preset list that sets the height, and the width is derived from your video's aspect ratio. A 4:3 clip at 128P gives 171x128; a 16:9 clip at the same preset gives 228x128. There is no crop or letterbox option here, so if you need a perfectly square icon, crop the frame after conversion.
192P for 4:3 RealMedia footage and 128P for 16:9. Anything larger scales the width past 256 pixels, and an ICO directory entry stores width in a single byte, so the recorded size stops matching the actual bitmap. We reproduced it with the same height-only resize this converter uses: a 16:9 frame at 192P comes out 341 pixels wide but is recorded as 85, and at 180P a 320-pixel-wide frame is recorded as 64.
No. None of the entries in the Preset Resolutions list is preselected on this page, so you have to choose one before converting. That is deliberate on our part rather than a bug — there is no sensible universal icon size.
No. For an ICO output this page renders only Preset Resolutions and Frame Selection; there is no quality slider, no bit-depth choice, and no palette control. If you need that level of control, extract the frame with RM to PNG and build the .ico from the PNG in an icon editor.
The format can — an ICO is a directory of images and Windows picks the closest match — but this converter writes one image per file at the preset you choose. To assemble a multi-size icon set you would convert at each size you need and combine them in a dedicated icon tool.
Neither. An .ico is a still image of the single frame at your chosen timestamp. The RealAudio track is discarded and there is no animation. For a moving version use RM to GIF; for the playable clip use RM to MP4.
It still works everywhere — every mainstream browser reads ICO — but MDN's guidance is that ICO should not be used in general web content, and favicon practice has largely moved to a PNG referenced from a link element. If the site is yours to change, a 32-pixel PNG is the simpler modern choice; ICO remains the right answer for Windows desktop shortcuts and legacy tooling that demands the extension.
Two reasons stack. RealVideo was compressed hard for dial-up and early broadband, so individual frames carry visible artefacts that motion hides during playback, and nothing in this pipeline de-interlaces, so a still from an interlaced capture can show comb lines. On top of that, an icon is a severe downscale. Picking a static, well-lit moment helps far more than any setting.
It is uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours. There is no sign-up and no watermark, and files are never shared or made public.