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Supports: WTV
WTV (Windows Recorded TV Show) is the container Windows Media Center wrote when it recorded live TV — typically MPEG-2 video paired with either MPEG-1 Layer II or Dolby Digital AC-3 audio. WAV, defined by Microsoft and IBM in 1991, is a RIFF-based container that holds uncompressed Linear PCM. Extracting WAV from a WTV recording strips out the video and decodes the broadcast audio into the cleanest, most editor-friendly format available.
| Property | WTV (Windows Recorded TV) | WAV (Waveform Audio) |
|---|---|---|
| Type | Video container | Audio container |
| Introduced | TV Pack 2008 (Windows Vista Media Center) | 1991, Microsoft and IBM |
| Container | Proprietary Microsoft, successor to DVR-MS | RIFF (Resource Interchange File Format) |
| Typical codecs | MPEG-2 video + MPEG-1 Layer II or AC-3 audio | Linear PCM (uncompressed), occasionally A-law/μ-law |
| Compression | Lossy (broadcast-grade) | Uncompressed |
| Max file size | Multi-GB recordings common | ~4 GiB (32-bit size field); use W64/RF64 beyond |
| DRM | Yes — broadcast flag and copy-once protection | None |
| Playback today | Limited (Media Center deprecated) | Universal |
| Best for | Capturing live broadcast TV | Editing, mastering, archival audio |
| Setting | Use it when |
|---|---|
| 48000 Hz, Stereo | Matches the ATSC broadcast source — zero resampling, bit-true audio for archival |
| 48000 Hz, Mono | News segments, talk radio, single-mic interviews — halves file size with no perceptual loss |
| 44100 Hz, Stereo | Output destined for CD mastering or Spotify/Apple Music delivery |
| 22050 Hz, Mono | Voice-only transcription pipelines and low-bandwidth speech models |
| Original / Unchanged | When you're not sure — preserves the source exactly so a downstream DAW can resample with its own algorithm |
No. Recordings flagged "Copy Once" or "Copy Never" by the broadcaster — common for premium cable and some over-the-air HD broadcasts — only play back on the PC that recorded them and the linked Media Center Extender. The DRM has to be removed at the OS level before any converter (online or desktop) can read the audio stream. Unprotected over-the-air ATSC recordings convert without issue.
WTV stores audio as compressed AC-3 or MPEG-1 Layer II at roughly 192–384 kbps. WAV stores Linear PCM, which at 48 kHz / 16-bit stereo runs about 1,536 kbps — roughly 5–8x larger. A 30-minute broadcast that takes 80 MB inside the WTV container becomes about 330 MB as 48 kHz/16-bit stereo WAV. If size matters more than editability, convert to MP3 instead or compress the resulting WAV.
48 kHz. US digital broadcast (ATSC) and most digital cable carry audio at 48 kHz. Choosing 48000 Hz means no resampling, so you keep a bit-true copy of what the broadcaster transmitted. Pick 44.1 kHz only if the final destination is CD or a streaming service that targets 44.1 kHz.
No additional loss is introduced by the WAV side — PCM is lossless. The original WTV audio was lossy (AC-3 or MP2 from the broadcaster), so the WAV is a faithful uncompressed copy of an already-lossy source. You can edit, mix, and re-export it without any further generation loss as long as you stay in PCM or another lossless format like FLAC.
Standard WAV has a hard ~4 GiB cap because the chunk size field is a 32-bit unsigned integer. For a 48 kHz/16-bit stereo PCM stream that's about 6.8 hours. Most TV recordings are well under that, but a multi-hour movie marathon or all-day radio capture can exceed it. If you hit the limit, trim into segments first, drop to 16 kHz mono for speech, or use a format that supports 64-bit sizes (W64 or RF64). xconvert outputs standard WAV, so very long recordings should be trimmed in step 3.
Most US digital TV broadcasts carry Dolby Digital (AC-3) at 192–448 kbps in 2.0 or 5.1. European DVB sources more often use MPEG-1 Layer II at 192–384 kbps stereo. The converter decodes either to PCM transparently — you don't pick the input codec, it's detected from the WTV container.
The default output here is stereo. WAV does support multichannel PCM, but most playback chains and DAWs expect 2-channel WAV for general work. If the source is 5.1 AC-3 and you need surround preserved, pick the channel option that matches your project (or downmix to stereo for a normal listening copy).
It's the same audio either way, but going WTV → WAV directly is one step instead of two and avoids a needless video transcode. If you also want a watchable copy of the broadcast, convert WTV to MP4 for the video and run a separate WTV → WAV pass for the editable audio master.
Yes — use the Trim control in step 3 to define start time and duration, and only that range gets written to the WAV. For multiple non-contiguous segments, convert the whole thing first and then use Audio Cutter to split the WAV into the segments you actually want.