Cut and trim AIFC (AIFF Compressed) audio files online. Extract segments from legacy Mac audio with compression control.
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Set exact start and end points with frame accuracy
Maintain original quality with smart re-encoding
.aifc (AIFF-C) file. Batch upload is supported — queue up several legacy Mac recordings and trim them with the same in/out points.00:00:05.000 with duration 00:00:30.000 keeps a 30-second clip beginning at the 5-second mark.AIFC (also written AIFF-C) is the compressed sibling of Apple's Audio Interchange File Format. AIFF, released by Apple in 1988, stores uncompressed PCM. The AIFF-C extension was introduced in July 1991 to add codec support inside the same FORM container — the file's outer chunk type is AIFC instead of AIFF, and the COMM chunk carries a four-byte compression type ID like sowt, ulaw, alaw, ima4, MAC3, MAC6, fl32, or fl64. Notably, when iTunes (now Apple Music) imports or exports a CD as "AIFF," the file written to disk is actually AIFF-C with the sowt (little-endian PCM) tag.
Trimming AIFC keeps you inside the AIFF-C container so the original codec, sample rate, and Mac OS metadata are preserved — useful when you only need a clip and want to avoid a re-encode.
ima4. Trim to loop boundaries without re-encoding.fl32 floating-point data through a trim, so dynamic range stays intact.| Property | AIFC (.aifc) | AIFF (.aiff / .aif) | WAV (.wav) |
|---|---|---|---|
| Created by | Apple, 1991 | Apple, 1988 | Microsoft & IBM, 1991 |
| Container chunk ID | FORM / AIFC |
FORM / AIFF |
RIFF / WAVE |
| Compression | Codec ID in COMM (PCM, MACE, IMA4, ulaw, alaw, fl32, fl64) |
Uncompressed PCM only | Mostly PCM; supports codec tags |
| Byte order | Big-endian; sowt = little-endian PCM |
Big-endian PCM | Little-endian PCM |
| Typical use today | Legacy Mac archives, iTunes CD imports | Mac/pro audio masters | Windows/cross-platform audio |
| Native Apple support | iTunes/Music, QuickTime, Logic Pro, GarageBand, Audacity | Same | Same |
| Codec ID | Name | Ratio vs PCM | Typical use |
|---|---|---|---|
NONE / sowt |
Uncompressed PCM (big- / little-endian) | 1:1 | iTunes CD imports, masters |
fl32 / fl64 |
32- / 64-bit floating-point PCM | 1:1 (larger) | Scientific recording, mastering |
ulaw / alaw |
G.711 µ-law / A-law (8-bit log PCM) | ~2:1 | Telephony, voicemail |
ima4 |
IMA ADPCM 4:1 | 4:1 | Old Mac games, QuickTime |
MAC3 |
MACE 3:1 | 3:1 | Classic Mac OS voice |
MAC6 |
MACE 6:1 | 6:1 | Classic Mac OS voice (lossier) |
When you trim, XConvert re-muxes within the AIFC container. If you change the "File Compression" setting, the output is re-encoded at that quality preset or bitrate — leaving compression on "Original/Unchanged" preserves the source codec.
.aifc instead of .aiff?Apple's authoring tools and iTunes/Music sometimes write the AIFF-C container even when labeling the file "AIFF." The four-character form type inside is AIFC, and the file may carry a compression tag like sowt (little-endian PCM) or ima4. Some apps key off the extension, which is why renaming .aiff to .aifc (or vice versa) doesn't always work — the chunk header has to match.
If you leave "File Compression" on the original/unchanged setting, the trim is a stream copy — the same codec, sample rate, and bit depth come out the other side. If you switch to a different Quality Preset, Constant Bitrate, or Variable Bitrate, the audio is re-encoded at that target.
Yes. The trimmer reads the COMM chunk to detect the compression type, decodes that range, and writes a valid AIFC back out. MACE 3:1, MACE 6:1, IMA 4:1, ulaw, alaw, and PCM variants are all handled.
Match the source. Apple Music CD imports are 44100 Hz, 16-bit, stereo. Pro Tools and Logic sessions are typically 48000 Hz, 24-bit. Voice and telephony AIFC are often 8000 Hz or 22050 Hz. Resampling to a different rate adds a conversion step you usually don't need for a trim.
Keep AIFC if the file is going back into Logic Pro, GarageBand, Final Cut Pro, or a Mac archive that expects it. Convert to FLAC if you want lossless compression with broad modern player support, WAV for Windows/cross-platform PCM, or MP3 for universal sharing and email attachments.
AIFC's most common compression types (PCM, sowt, fl32) are not perceptual codecs — they don't discard inaudible audio the way MP3, AAC, or Opus do. A 3-minute stereo AIFC at 44100 Hz, 16-bit PCM is around 30 MB; the same content as a 192 kbps MP3 is about 4 MB. Even MACE 6:1 only gets AIFC down to ~5 MB, and quality is much worse than a modern lossy codec.
Apple Music, QuickTime Player, Logic Pro, GarageBand, and Final Cut Pro on macOS open AIFC natively. Cross-platform: VLC, Audacity, and Adobe Audition. Most Windows media players will open uncompressed AIFC (PCM/sowt) but may not decode older Apple-only codecs like MACE — convert to WAV or FLAC if you hit a "codec not supported" error.
Yes. Drag in multiple files and the same start/duration applies to each output. Useful for cropping silence off a folder of takes from a single session or extracting matching segments from multitrack stems.
There's no hard length cap from the AIFC container itself — FORM chunks support sizes up to 2 GB in practice. Browser memory is the practical limit, since trimming runs entirely in your browser session. Files in the hundreds of MB work; multi-gigabyte session files may need to be handled in a desktop editor.
The general audio trimmer auto-detects the input format from the file extension. This page hard-binds to AIFC and surfaces the AIFF-C–specific compression options (codec preservation, sample-rate handling for sowt and fl32). If you have AIFF instead of AIFC, use trim AIFF.