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Supports: 3GPP
Most people land here with a folder of .3gpp clips off an old handset that nothing on a modern desktop wants to open, and a choice to make about where they should end up. The short answer: convert to MKV when the goal is a durable, open archive that can hold subtitles and extra audio tracks later, and convert to MP4 when the goal is playing the clip on a phone, sending it to someone, or uploading it. Both targets re-encode the same source; the difference is the wrapper and what it is allowed to carry.
.3gpp and .3gp are two extensions for the same container — the 3GPP file format defined in TS 26.244 as a profile of the ISO base media file format — so nothing about the footage changes between them. This page accepts .3gpp; 3GP to MKV takes the .3gp and .3g2 spellings.
| Property | 3GPP (source) | MKV (Matroska) | MP4 |
|---|---|---|---|
| Defined by | 3GPP TS 26.244, profiling ISO/IEC 14496-12 | The Matroska project; published by the IETF as RFC 9559 (2024) | ISO/IEC 14496-14, also profiling ISO/IEC 14496-12 |
| Structure | ISO base media boxes | EBML, a binary derivative of XML | ISO base media boxes |
| Codecs it maps | H.263, MPEG-4 Part 2, H.264 video; AMR and AAC audio | A long list including H.264, HEVC, VP9, AV1, AAC, Opus, FLAC, PCM — but no AMR | Chiefly H.264/HEVC/AV1 video with AAC or similar audio |
| Multiple audio and subtitle tracks | Not in practice | Yes, plus chapters, tags and selectable streams | Yes, though subtitle support is narrower |
| Native browser playback | No | No — WebM is the Matroska-derived subset browsers do handle | Yes, in every current browser |
| Accepted by YouTube uploads | Yes, 3GPP is on YouTube's supported list | No, Matroska is not on that list | Yes |
| Licensing of the container | 3GPP specification | Open and royalty-free | ISO standard, widely licensed |
| Best for | Nothing new; it is a legacy capture format | Long-term archives and multi-track files | Playback, sharing and uploads |
.3gpp clips onto the page or click "+ Add Files". A whole folder of old phone videos can run as one batch with the same settings..mkv. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared or made public.MKV is a wrapper, so what actually determines playback and file size is the pair of codecs inside it.
| Goal | Video Codec | Audio Codec | Why |
|---|---|---|---|
| Widest compatibility (the default) | H.264 | AAC | Decodes on essentially every desktop, phone and player made in the last fifteen years |
| Smallest file at similar quality | H.265 / HEVC | AAC | More efficient than H.264, but heavier to decode on old hardware and less universally supported |
| Royalty-free codecs end to end | VP9 or AV1 | Opus | Open codecs; AV1 encodes slowly and needs a recent player |
| Feeding a picky editor | MPEG-4 or MJPEG | PCM | Older editing software often documents one specific codec — match what it asks for |
| Keeping the speech character of the source | H.264 | AAC | AMR is not in Matroska's codec map, so speech is re-encoded to AAC regardless |
No, and nothing can. The handset recorded H.263 or MPEG-4 Part 2 at a small frame size and a cellular bitrate, and this conversion decodes that and encodes it again — a further lossy generation, not a restoration. Keep Video resolution on "Keep original": raising it enlarges pixels without adding detail. MKV is worth choosing for the container's properties, not for image quality.
Re-encoded. The conversion always decodes the source and encodes a fresh stream into the Matroska container, which is why the codec and quality controls have an effect at all. That also means the output inherits every artefact already baked into the recording, plus whatever the new encode adds — so keep the Quality Preset high if the clip matters.
It is re-encoded, most often to AAC, which is what we write by default. That is not merely a preference: Matroska's published codec-ID list has no entry for AMR, so an AMR track has no standard home inside an MKV. AAC preserves what AMR captured, but AMR-NB itself only sampled at 8 kHz across roughly the telephone speech band at 4.75–12.2 kbit/s, so the result sounds like the original — narrow — rather than better.
Because 3GPP was engineered to be tiny for 3G networks and your new encode is not held to that budget. A faithful H.264 pass at a high quality preset routinely produces a larger file than a heavily compressed cellular original. If size matters, lower the Quality Preset, switch File Compression to "Target file size (%)" or "Specific file size", or re-run the result through the video compressor.
The container can — that is one of Matroska's defining features, along with chapters, tags and selectable streams. Your source cannot: a feature-phone clip contains one video and one audio stream and no subtitles, so the conversion produces a single-track MKV. The benefit is forward-looking; you can mux a subtitle file or a second audio track into that MKV later without changing containers again.
Desktop players such as VLC and mpv open it without fuss, and many media servers prefer it. Browsers do not play Matroska natively — WebM, the Matroska-derived subset, is what they support — and smart-TV and phone support varies by model and app. When the file has to "just work" for someone else, MP4 is the safer container.
If the files are going into long-term storage and you want an open, well-specified wrapper you can add subtitles or restored audio to later, MKV. If relatives will be opening them on phones and tablets, MP4. Converting the same source to both is perfectly reasonable — the master in MKV, the shareable copy in MP4 — since each conversion starts from the original .3gpp, not from the other output.
No. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours. There is no sign-up and no watermark, nothing is shared or made public, and the originals on your device are never modified.