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Supports: PEF
A PEF is Pentax's proprietary RAW photo — a single, unprocessed still frame straight off the sensor — and FLV is Adobe's old Flash Video container. This page walks you through turning that one RAW still into a short, silent FLV clip, explains exactly what is gained and lost, and is honest about when you should pick a different output entirely. If you just want a viewable photo, convert PEF to JPG; if you want the still as a clip that plays on modern devices, PEF to MP4 is far better than a dead Flash format. Choose FLV only when a specific legacy Flash pipeline or archive still expects the .flv extension.
By default this tool writes the FLV with the FLV codec — FFmpeg labels it "FLV / Sorenson Spark / Sorenson H.263," the early H.263 variant that classic Flash Player 6 and 7 required. That is the most authentic .flv you can make, but it is also the oldest and weakest of the choices. Open the Video Codec menu under Advanced Options to change it:
.flv assets, worst for image sharpness..flv extension but better quality, switch to H.264 — modern players that read FLV (VLC, MPV, ffmpeg) handle it cleanly and your single still stays much crisper.Whatever codec you pick, the result is video-only. A PEF carries no audio, so no audio codec is offered and the FLV is silent by design.
.flv natively anymore. Open the file in VLC, which lists FLV among its supported formats, or in ffmpeg, or convert PEF to MP4 instead.For almost everyone, PEF to FLV is the wrong conversion, because it stacks three mismatches: an archival pro-photo RAW becomes a single rendered still, that still becomes a video, and that video targets a container Adobe killed at the end of 2020. If you want to view, print, or share the photo, convert PEF to JPG. If you genuinely need the still as a playable clip, PEF to MP4 produces an H.264 file that plays on phones, browsers, and modern editors with no Flash dependency. Reach for FLV only when a specific legacy Flash workflow — an old web template, an authoring tool, or an archive — insists on the .flv extension. And note the conversion is one-way: demosaicing the RAW bakes in white balance, exposure, and tone, so it cannot recover the editing latitude that is the whole reason to shoot PEF.
For nearly every purpose, no. A PEF is a high-quality RAW still and FLV is a discontinued Flash video container, so this pairing mismatches three ways — still-into-video, archival-RAW-into-consumer-video, and a target format Adobe ended at the close of 2020. To view, print, or share the photo, convert PEF to JPG. If you need the photo as a playable clip, PEF to MP4 outputs H.264 that plays everywhere without Flash. Pick FLV only when a legacy Flash pipeline specifically demands .flv.
No to both. A PEF is one still photograph with no motion and no audio, so a single-file conversion produces a freeze-frame clip — the rendered image held on screen for the Image Duration you set, with no panning, movement, or soundtrack. To build a sequence, upload several PEF files and choose Merge images; even then there are no transitions, just each photo shown in turn.
By default, the FLV codec — what FFmpeg labels "FLV / Sorenson Spark / Sorenson H.263," the early H.263 variant required by classic Flash Player 6 and 7. Under the Video Codec menu you can switch to H.264 for a sharper .flv, to Flash Video or Flash Video (v2) (lossless screen codecs), or to MJPEG. Because the source is a single still, no audio codec is offered and the clip is silent.
Not in a browser. Adobe ended Flash Player support on December 31, 2020, and began blocking Flash content on January 12, 2021, so no mainstream browser plays .flv anymore. Desktop players that bundle their own decoders — VLC and MPV — and the ffmpeg toolchain still open FLV files directly. If you need broad, dependable playback, convert PEF to MP4 instead of FLV.
Yes, substantially, and that is inherent to the conversion. A PEF holds 12-bit or 14-bit unprocessed sensor data that must be demosaiced to become viewable; that render bakes in white balance, exposure, and tone — the editing latitude that is the whole reason to shoot RAW. A 12-40 MP Pentax frame is then scaled to a standard-definition-to-1080p FLV frame, discarding most of the resolution, and the default Sorenson Spark codec is an old lossy format. Keep the original PEF as your master; treat the FLV as a one-off delivery file.
Yes. Most Pentax (Ricoh Imaging) bodies let you shoot Adobe's open, royalty-free DNG straight in-camera instead of PEF, so you can choose either at capture. PEF is slightly smaller and Pentax-native; DNG is broadly supported by third-party tools and is the safer long-term archive. This page reads PEF directly; if your files are DNG, use DNG to FLV for the identical workflow.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after the conversion — no sign-up, no watermark, never shared or made public. In our testing, a single 24-megapixel PEF held for 5 seconds at the Very High preset produced a short, silent FLV of roughly 1-3 MB, since one repeated frame compresses efficiently.