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Supports: PEF
PEF is Pentax's proprietary raw photo format — the unprocessed sensor data from a Pentax or Ricoh DSLR. MOV is Apple's QuickTime video container. This tool renders your raw PEF still and holds it on screen for a duration you choose, wrapping it in a QuickTime MOV file. The result is a still-image clip: one motionless frame, no motion and no audio, ready to drop onto a Final Cut Pro or iMovie timeline as a title card, intro plate, or hold shot.
Because a single photo has no timeline of its own, you set how long it should stay on screen. Pick anything from a single frame up to ten seconds per image, and choose H.264 (the default for MOV) so the clip plays in QuickTime, Final Cut, and Safari without a separate decoder.
| Property | Value |
|---|---|
| Full name | Pentax Electronic File (Pentax RAW) |
| Type | Camera raw image (single still) |
| Vendor | Pentax (now owned by Ricoh) |
| Sensor data | Unprocessed raw, typically 14-bit per channel on modern Pentax DSLRs |
| Container basis | Proprietary, derived from TIFF; full spec not publicly published |
| Metadata | Stored in a separate XMP sidecar file |
| Status | Legacy — Pentax cameras also offer Adobe DNG as a raw option |
| Best for | Maximum editing latitude straight off a Pentax sensor |
| Property | Value |
|---|---|
| Full name | QuickTime File Format (.mov) |
| Type | Video / multimedia container |
| Vendor | Apple |
| Default video codec here | H.264 (AVC) |
| Audio | None — a photo carries no audio track |
| Native playback | QuickTime, Final Cut Pro, iMovie, macOS, iOS, Safari |
| Best for | Apple editing pipelines and title / hold frames on a timeline |
.PEF file onto the page or click "+ Add Files." Add several at once to build a slideshow.No. A PEF is a single photograph, so the output is one motionless frame held for the duration you set, with no audio track. Think of it as a still-image clip — a freeze frame you can place on a video timeline — rather than a moving video.
You control this with the Duration setting. The shortest options are sub-second single frames (1/60s, 1/30s, 1/24s), and the longest is 10 seconds per image. The default is 5 seconds per frame, which reads comfortably as an intro plate or title card.
Yes. Upload multiple files and choose "Merge images" to combine them into a single MOV, where each photo is held for the Duration you set. Choose "Video per image" instead to get a separate MOV for every PEF.
No, and that is expected. PEF stores roughly 14-bit-per-channel raw sensor data, but H.264 video in a MOV is 8-bit. The raw is rendered to a standard video frame during conversion, so you keep the look of the processed image but not the full editing latitude of the original raw. Keep your .PEF if you still need to grade it.
You can — that is the usual path for sharing a photo. Convert directly to MOV instead when your destination is a video timeline: dropping a ready-made clip onto a Final Cut or iMovie track saves you the step of importing a still and manually setting its on-screen duration. For a plain photo, convert PEF to JPG is the simpler choice.
H.264 (AVC) is the default and the safest pick — it plays in QuickTime, Final Cut Pro, iMovie, and Safari without extra software. In our testing, a single PEF rendered to a 5-second 1080p H.264 MOV came out as a small clip of a few megabytes, since one repeated frame compresses very efficiently. If you need a different container, convert PEF to MP4 produces a more universally playable file.
Your PEF is uploaded over an encrypted connection, rendered into a MOV on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.