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Supports: PEF
PEF is Pentax's proprietary RAW photo format — the unprocessed sensor data a Pentax DSLR writes to the card. WMV (Windows Media Video) is a legacy Microsoft video format, not an image format, so this conversion does two unusual things at once: it freezes a still photo into a video clip, and it aims that clip at a Windows-only codec. The result is a short, silent WMV that holds your rendered photo on screen for a duration you choose. This pairing is niche — if you just want a viewable photo, convert PEF to JPG; if you need a still as a clip that plays everywhere, PEF to MP4 is far more compatible. Choose WMV only when a specific Windows Media workflow demands the .wmv extension.
| Property | Value |
|---|---|
| Full name | Pentax Electronic File (RAW) |
| Type | Camera RAW still image — single capture, no motion or audio |
| Vendor | Pentax / Ricoh Imaging |
| First release | May 2006 |
| Based on | TIFF / EP standard (TIFF-derived RAW container) |
| Sensor data | Unprocessed; 12-bit or 14-bit depending on camera model |
| Typical size (24 MP) | ~20-40 MB per file |
| Opens in | PENTAX Digital Camera Utility, Lightroom, RawTherapee, darktable |
| Open alternative | DNG — most Pentax bodies can shoot Adobe's open RAW in-camera instead |
| Best for | Editing latitude before export; not for direct playback |
| Property | Value |
|---|---|
| Full name | Windows Media Video |
| Container | ASF (Advanced Systems Format) |
| Default video codec here | WMV 2 — FourCC for Windows Media Video 8 |
| Alternate codec | WMV 1 (Windows Media Video 7) |
| Audio | WMA when present; none here — a still has no sound |
| Vendor | Microsoft |
| Related standard | WMV 9 was submitted to SMPTE and approved March 2006 as SMPTE 421M (VC-1) |
| Native support | Windows / Windows Media Player; thin support elsewhere |
| Best for | Windows-only playback and legacy Windows Media pipelines |
For almost every purpose, no. A PEF is a high-quality RAW still and WMV is a legacy Microsoft video codec, so this pairing mismatches twice — still-into-video and archival-photo-into-consumer-video. To view, print, or share the photo, convert PEF to JPG. If you genuinely need the photo as a playable clip, PEF to MP4 produces an H.264 file that plays on phones, browsers, and modern editors. Pick WMV only when a Windows Media Player, Windows Movie Maker, or Windows-only application insists on the .wmv extension.
No. A PEF is one still photograph with no motion data, so a single-file conversion produces a freeze-frame clip — the rendered image held on screen for the Image Duration you set, with no panning or movement. To build a moving sequence you need multiple PEF files merged into one clip; even then there are no transitions, just each photo shown in turn.
Because a still photo contains no audio data, so the WMV is video-only by design. A .wmv can carry a WMA audio stream, but a single PEF has nothing to fill it, so the converter writes no audio track. If you want music or narration, convert first, then add an audio track in any video editor.
The video defaults to WMV 2 — the FourCC for Windows Media Video 8 — inside an ASF container, the standard convention for a .wmv file. Under the Video Codec menu you can switch to WMV 1 (Windows Media Video 7) for an older target. These are distinct from WMV 9, which Microsoft submitted to SMPTE and which was approved in March 2006 as SMPTE 421M, better known as VC-1. Because the source is a single still, no audio codec is offered and the clip is silent.
Yes, substantially, and that is inherent to the conversion. A PEF holds 12-bit or 14-bit unprocessed sensor data that must be demosaiced to become viewable; that render bakes in white balance, exposure, and tone — the editing latitude that is the whole reason to shoot RAW. A 20-40 MP Pentax frame is then scaled to a standard-definition-to-1080p WMV frame, discarding most of the resolution, and WMV 2 is an older lossy codec. Keep the original PEF as your master; treat the WMV as a one-off delivery file.
PEF is a TIFF/EP-based RAW format Pentax has used since the mid-2000s, but Pentax (now Ricoh Imaging) also lets most bodies shoot Adobe's open, royalty-free DNG straight in-camera — so you can pick either at capture. PEF is slightly smaller and Pentax-native; DNG is broadly supported by third-party tools without a libraw update and is the safer long-term archive. This converter reads PEF directly; if you shoot DNG, see DNG to WMV for the identical workflow.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after the conversion — no sign-up, no watermark, never shared or made public. In our testing, a single 24-megapixel PEF held for 5 seconds at the Very High preset produced a short, silent WMV of roughly 1-3 MB, since one repeated frame compresses efficiently.