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Supports: TIFF, TIF
.tif / .tiff images from your device. Batch upload is supported — drop in an entire numbered sequence (image-001.tif, image-002.tif, …) and they will be processed in filename order. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared.1/60s, 1/30s, or 1/24s for a true 60/30/24 fps video from a frame sequence, or hold each still longer (1–10 seconds) for slideshow output. Default is 5 seconds per frame.TIFF is the lossless workhorse of photography, scientific imaging, and print pre-press — but a single 24-megapixel uncompressed TIFF runs 50–150 MB, and a multi-frame sequence (microscopy stack, time-lapse, CT scan) can easily hit gigabytes. AV1, finalised by the Alliance for Open Media in 2018, is a royalty-free video codec that delivers roughly 30% smaller files than VP9 and 30–50% smaller than H.264 at matched quality. Packing a TIFF sequence into AV1 keeps every frame's detail recognisable while collapsing the storage and bandwidth bill by one or two orders of magnitude.
Need a different output container? Try TIFF to MP4 for H.264 in the most-compatible wrapper, or TIFF to WebM for VP9 if your target audience still includes pre-2018 hardware. For other source formats, see PNG to AV1 and JPG to AV1.
| Property | TIFF (Tagged Image File Format) | AV1 (AOMedia Video 1) |
|---|---|---|
| Type | Raster image (still); supports multi-page sequences | Video codec, typically muxed in .mp4, .mkv, or .webm |
| Compression | Lossless by default (LZW, Deflate, PackBits); optional lossy JPEG-in-TIFF | Lossy inter-frame coding with intra-only and lossless modes |
| Bit depth | 1, 8, 16, 32 bits per channel; supports 16-bit grayscale + alpha | 8, 10, or 12 bits per component (Main / High / Professional profiles) |
| Colour spaces | RGB, CMYK, Lab, grayscale, palette | YUV 4:2:0 / 4:2:2 / 4:4:4 (Rec. 709, Rec. 2020, HDR PQ/HLG) |
| Typical file size | 50–150 MB per 24 MP uncompressed frame | One full-length 1080p movie under 1 GB at standard streaming bitrates |
| Standardisation | ISO 12639 (TIFF/IT), Adobe TIFF 6.0 specification | AV1 1.0.0 errata 1 (Jan 2019), Alliance for Open Media |
| Royalty status | Open / unencumbered | Royalty-free under AOMedia patent licence |
| Native playback | Photo viewers, Photoshop, GIMP, ImageJ; limited browser support | Chrome 70+, Firefox 67+, Safari 17+ (Apple silicon hardware decode), Edge 121+, Android Chrome 148+ |
| Encoding mode | What it does | Choose it when |
|---|---|---|
| Constant Quality (CRF) | Targets a fixed visual quality per frame; file size floats with content complexity | You want the smallest file at a known quality level — best general-purpose mode for archival or VOD |
| Constraint Quality (preset) | Bounded VBR — quality target with a bitrate ceiling | You need predictable peak bandwidth (mobile delivery, CDN caps) |
| Average bitrate (ABR) | Encoder hits a long-term bitrate average | You need predictable total size (a specific MB target) |
| Constant bitrate (CBR) | Every second uses the same bitrate | Live-streaming or fixed-bandwidth transport |
| Lossless | Bit-exact reconstruction (intra + inter) | Mastering / proxy when you literally cannot lose a pixel |
The xconvert default for TIFF→AV1 is the Very High quality preset, which sits roughly at CRF 23–28 equivalent — visually transparent for most photographic content at output resolutions up to 4K.
TIFF stores every pixel of every frame independently and losslessly. AV1 only stores the differences between successive frames (inter-frame prediction) and uses transform-domain compression on the residual, which is dramatically more efficient for sequences with any temporal coherence. A 1,000-frame time-lapse where adjacent frames are similar will compress 100–1000× tighter in AV1 than as separate TIFFs. The visual result on a screen is effectively identical at sensible quality presets.
It depends on the Duration dropdown. Picking 1/60s gives a 60 fps clip from a 60-frame-per-second sequence; 1/30s gives 30 fps; 1/24s gives cinematic 24 fps. The longer presets (1 s, 5 s, 10 s) produce slideshow-style playback where each TIFF is held on screen for that duration. For a time-lapse from a numbered TIFF burst, pick the fps that matches what your camera shot at; for a portfolio slideshow, 3–5 seconds per frame is typical.
Most modern ones, but not all. AV1 is supported in Chrome 70+ (Oct 2018), Firefox 67+ (May 2019), Edge 121+ (Jan 2024), and Safari 17+ on Apple silicon Macs and iPhones (Sept 2023). Older Intel Macs and pre-A17 iPhones fall back to software decode (slow) or no support at all. If you need universal playback today, encode to MP4/H.264 via TIFF to MP4; reach for AV1 when your audience is on current hardware or when bandwidth savings outweigh the long tail.
Partly. AV1's Main profile is 8/10-bit and the High profile adds 10/12-bit. xconvert encodes to 8-bit by default; the 16-bit linear values from your TIFFs are tone-mapped down. You retain visibly more headroom than JPEG-derived sources, but if you need scientific bit-exactness, encode in Lossless mode (-c:v libaom-av1 -crf 0 -b:v 0 equivalent) and keep the source TIFFs as the authoritative master.
AVIF is the still-image container for AV1-encoded data — a single keyframe in a HEIF wrapper, designed to replace JPEG. AV1 video (this tool's output) is a multi-frame stream in MP4/MKV/WebM with optional audio. If you just need a smaller still image from your TIFF, use TIFF to AVIF instead — AVIF gives JPEG-beating compression without the overhead of a video container.
Image-to-video conversions produce silent AV1 streams by default. If you need a soundtrack, render the AV1 here, then mux audio in a downstream tool that supports the Opus audio codec (AV1's natural pairing) — Opus is also royalty-free and works with the AV1 ecosystem cleanly. xconvert hides the audio codec selector entirely when the source is an image sequence.
The encoder explores a much larger set of block partitions, transforms, and prediction modes per frame than older codecs — that's where the 30% bitrate savings come from. Reference encoders like libaom-av1 and SVT-AV1 typically run 5–10× slower than x264 at the slowest presets, and 1.5–3× slower at fast presets. xconvert processes server-side so your browser isn't the bottleneck — upload a few hundred frames and you'll usually have your file within a couple of minutes.
Use the Video Resolution controls to set a fixed output size (e.g., 1920×1080) and the Background Color dropdown (default Black) to fill the letterbox bars when your TIFF aspect ratio doesn't match. For trimming a finished video down to a specific segment, use Video Cutter after the conversion completes.