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Supports: WTV
.wtv recording or click "+ Add Files". Batch upload is supported, so a season of recorded TV can queue at once. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared.-q 5 which is roughly 160 kbps VBR..oga downloads when ready — no watermark, no sign-up, no email confirmation.WTV (Windows Recorded TV Show) is the Microsoft container that Windows Media Center wrote to disk for every recorded broadcast starting with the TV Pack 2008 update for Windows Vista, then natively in Windows 7's Media Center editions. WTV typically wraps MPEG-2 or H.264 video with MPEG-1 Layer II or Dolby Digital AC-3 audio. Microsoft announced in May 2015 that Media Center would not ship with Windows 10, and it is absent from Windows 11 as well — so the WTV files sitting on old Media Center PCs need to move into a format current software actually opens. Stripping out the audio into an Ogg container (.oga) is the right move whenever you only need the soundtrack.
.oga play on Android (native since 2.3), Firefox, Chrome, Edge, and any player built on FFmpeg or GStreamer.| Property | WTV | OGA |
|---|---|---|
| Full name | Windows Recorded TV Show | Ogg Audio |
| Type | Video + audio + EPG metadata + DRM | Audio-only Ogg container |
| Maintainer | Microsoft (proprietary) | Xiph.Org Foundation (open) |
| Typical audio inside | MPEG-1 Layer II, Dolby Digital AC-3 | Vorbis, Opus, FLAC, Speex, OggPCM |
| Spec / RFC | Closed; partially documented in Windows Media Center SDK | RFC 5334 (Sept 2008), MIME audio/ogg |
| Native playback in 2026 | VLC, Windows Media Player Legacy; no Media Center on Win 10/11 | Firefox, Chrome, Edge, Safari (via extensions), Android, VLC |
| Royalty status | Patent-encumbered codecs (AC-3 patents largely expired 2017-2018) | Royalty-free, patent-unencumbered |
| Typical use today | Legacy DVR archive | Web audio, game audio, podcasts, FOSS pipelines |
| Codec | Best for | Bitrate sweet spot | Notes |
|---|---|---|---|
| Vorbis | General compatibility, music, podcasts | 96-192 kbps VBR | Default. Plays everywhere .oga plays. Standardized 2002. |
| Opus | Speech, low-bitrate music, real-time | 24-128 kbps VBR | Best modern lossy codec (RFC 6716, 2012). Beats Vorbis below 96 kbps. |
| FLAC | Lossless archival of music recordings | ~700-1000 kbps for stereo CD-rate | Bit-exact; file is large but never re-degrades. |
| Speex | Narrowband voice (legacy) | 8-24 kbps | Deprecated by Xiph in favor of Opus; only useful for compatibility with old tooling. |
Tip: If you don't know which codec to pick, Vorbis at Medium quality is the closest one-to-one swap for the AC-3 track inside most WTV files and works in essentially every player that opens
.oga.
OGA at the same bitrate generally sounds better than MP3, and it is patent-unencumbered, which matters for redistribution. Vorbis at 128 kbps is widely considered transparent for most music content, and Opus at 64 kbps approaches that quality for voice. If your only target is iTunes or an iPod, MP3 is still safer — try WTV to MP3 instead.
The Ogg container can carry multichannel audio in Vorbis, Opus, and FLAC, but most downstream players expect stereo. By default the converter downmixes to stereo, which is usually what you want for music players, browsers, and phones. If you need the original channel count, leave Audio Channel set to ORIGINAL and verify your target player handles 5.1 OGA — VLC does; Firefox and Safari typically render only the front pair.
.oga instead of .ogg?Xiph.Org recommended in 2007 that .ogg be reserved for Ogg Vorbis specifically, with .oga used for any other audio-only Ogg payload (FLAC, Opus, Speex, OggPCM). RFC 5334 (September 2008) formalized this. In practice many tools still accept either extension, but .oga is the spec-correct choice when the codec is anything other than Vorbis.
Windows Media Center began recording a few seconds before the scheduled start time as a safety margin, so leading and trailing commercials are common. Use the Trim controls in Advanced Options to set a start offset and duration in HH:MM:SS.mmm — that excises the padding before encoding so the output .oga lands at the right length and size. For more surgical edits, run the result through the Audio Cutter.
Uploads run on our servers, and a typical 30-minute WTV recording (around 1-2 GB) converts to a Vorbis-quality-5 OGA in roughly the time it takes to upload, since audio extraction is far less CPU-intensive than full transcode. Very large multi-hour recordings should be trimmed first to keep upload time reasonable.
VBR is almost always the right choice for a final listening copy — it spends more bits on complex passages and fewer on silence, producing smaller files at the same perceived quality. CBR is only worth picking when a downstream tool requires it (some old streaming servers, certain hardware decoders) or when you need a predictable per-minute file size for upload caps.
Apple's ecosystem does not natively decode Ogg streams. iOS and macOS will not play .oga in the stock Music app. For Apple devices, convert to AAC or ALAC instead — try WTV to AAC or, for lossless, WTV to FLAC (FLAC plays in Apple Music as of iOS 11 in 2017).
No. Some over-the-air recordings from Windows Media Center carry a CGMS-A "copy once" or "copy never" flag enforced by Microsoft's PlayReady DRM, which prevents re-encoding. Unprotected free-to-air recordings convert without issue. If the conversion fails with a DRM error, you'll need to decrypt the file inside an authorized Media Center environment before uploading — that's a Microsoft licensing constraint, not a converter limitation.
Yes. Drop multiple .wtv files into the uploader and they convert with the same codec, bitrate, sample rate, and trim settings. If you want different settings per file, run them as separate batches. To shrink the resulting library further, follow up with Compress OGA.