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Supports: DNG
This walks through turning Adobe DNG camera RAW photos into a .mpeg clip — a silent MPEG program stream that holds each still on screen for a set number of seconds — and, just as importantly, when not to. By the end you will know which controls change the output, why there is no audio setting, why the file can end up larger than the photo it came from, and how to tell whether you wanted a video at all.
.dng photos onto the page or click "+ Add Files". Queue as many as you like; Merge strategy starts on "Merge images", which joins them into one clip in listed order, and "Video per image" gives you one clip per photo instead.For a still-to-video render only a few controls change anything, and two of them do most of the work.
Behind the scenes our pipeline demosaics each RAW and re-renders it to a clean 8-bit picture, capped at 4096 px on the long edge, then held for your chosen duration and encoded at one frame per second with B-frames switched off — there is no motion between frames, so predictive frames would only add bytes and a playback start offset.
.mpeg (this output) |
.mp4 |
|
|---|---|---|
| Container | MPEG program stream — ISO/IEC 11172-1 and 13818-1 / ITU-T H.222.0 | ISO base media file format |
| Video codec here | MPEG-2 by default, MPEG-1 optional | H.264 |
| Designed for | Reliable media such as discs and local files | Streaming, web delivery, mobile playback |
| Compression efficiency | 1990s-era; large files for the same picture | Far more efficient at the same quality |
| Plays on phones and in browsers | Patchy | Effectively everywhere |
| Pick it when | An authoring tool, DVD workflow, or broadcast ingest asks for a program stream | You want to share, post, or edit the clip — see DNG to MP4 |
| Duration setting | One photo becomes | Eight photos become | Notes |
|---|---|---|---|
| 1/60s – 1/24s | A single frame | A brief flicker sequence | Useful only as source material for an editor |
| 1 second per frame | 1-second clip | 8-second clip | Snappy slideshow pacing |
| 5 seconds per frame (default) | 5-second clip | 40-second clip | Comfortable for reading a frame |
| 10 seconds per frame | 10-second clip | 80-second clip | Long holds; largest files |
Because the encoder writes a held still rather than moving footage, longer durations grow the file roughly in proportion to time, while lowering the resolution cuts it much faster.
.dng as your master.This tool renders discrete still photographs into held clips. It is not a way to develop CinemaDNG or Blackmagic RAW footage, which arrives as a folder of sequentially numbered .dng frames representing motion — that workflow needs software that ingests the whole sequence with its timecode and metadata, such as DaVinci Resolve. Uploading a handful of frames from such a sequence here produces a slideshow, not the original motion. Likewise, a truncated DNG from a failed card transfer, or a proprietary RAW that was simply renamed .dng, may fail to decode; re-export a clean file from your camera software first.
A silent video that holds your photo on screen as a still frame for the duration you chose. There is no motion within a frame and no sound — the converter renders the RAW into a picture and the encoder repeats it. If you want something you can view, print, or post, convert to DNG to JPG or DNG to PNG instead.
Because the source is a photograph. Image-to-video conversions write a video stream only rather than padding the file with a silent track, so the Audio Codec control is hidden. Add a soundtrack in an editor after downloading if you need one.
.mpeg file?MPEG-2 video by default, with MPEG-1 as the only alternative in the Video Codec dropdown. Those are the codecs the MPEG program stream is specified to carry — MPEG-2 is the DVD and digital-broadcast standard, robust in authoring tools and set-top boxes but far less efficient and less widely supported than H.264 on current phones and browsers.
MP4 for almost everything. The .mpeg output uses a 1990s codec: bigger files, softer picture, and weaker support on modern devices. Choose DNG to MP4 for sharing, editing, or the web, and reserve MPEG for a player or authoring tool that specifically requires a program stream.
Those modes are hidden for image sources. With a single repeated frame, a bitrate ceiling or size target gives the encoder nothing sensible to allocate bits across — quality-based encoding produces a predictable result instead. Compress the finished clip afterwards if you need it smaller.
Change Duration, and add or remove photos. Clip length is duration multiplied by the number of images when Merge strategy is on "Merge images". There is no per-image duration control — the value applies to every still in the batch.
You can, but plan for the padding. Every frame is fitted into the same output frame size, so whichever orientation doesn't match ends up with bars in the Background Color — White unless you change it. Cropping the odd ones out to a common aspect ratio first gives a cleaner result.
Your DNG files are uploaded over an encrypted connection, rendered on our servers, and deleted automatically after a few hours — no sign-up, no watermark, and nothing is shared or made public. The practical constraint on a large batch is upload size and time, since RAW files commonly run 20–60 MB each.