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Supports: ORF
ORF is the Olympus RAW Format — a single still photo straight off an Olympus or OM System camera sensor, not a movie. Converting it to MPEG wraps that one frame into a short, silent MPEG video clip (MPEG-2 video, program stream), which is useful when you need a slideshow segment or a video-editor-compatible asset rather than a photo. If you actually wanted an editable picture, convert to ORF to JPG or ORF to TIFF instead; this page is for the still-to-video case.
.orf files onto the page or click "+ Add Files." You can queue several at once, and each is encoded into its own clip with the same settings.The single most important control is Image Duration, because an ORF holds exactly one image and MPEG is a timeline. Whatever you pick becomes the entire runtime of the clip. A few patterns:
For Video resolution, "Keep original" preserves the camera's full pixel dimensions — a 20-megapixel Olympus frame is far larger than 1080p, so most people scale down to 1920×1080 or 1280×720 for sharing. There is no audio control on this page because there is no sound to carry: a still photo has no audio track, so the output is a silent clip by design.
One quality note worth understanding: ORF records roughly 12 bits of tonal data per channel (14-bit on some sensors), but MPEG-2 video is 8-bit. The wide RAW latitude that lets you recover highlights and shadows is baked down during encoding, so do any exposure or white-balance edits before converting, or keep a JPG/TIFF copy for editing.
If your goal is an editable photograph rather than a video, ORF-to-MPEG is the wrong path — the 8-bit, locked-down video frame can't be re-developed like RAW. Convert to a still format and edit there. ORF-to-MPEG also can't animate anything: it shows one frozen frame for the chosen duration, so there is no motion unless you stitch multiple stills together in a video editor. Corrupted or partially written ORF files from a failed card transfer may decode with banding or fail outright; re-copy the original from the camera before converting.
Because the source is a single still photograph, not footage. An ORF file has no audio track, so the resulting MPEG clip is silent by design. There is no audio option on this page for that reason. If you need sound, add it in a video editor after conversion.
The runtime equals the Image Duration you choose. At the default of 5 seconds per frame the clip is 5 seconds long; pick 1, 2, or 3 seconds for a shorter hold, or a fractional option like 1/30s for a near-instant single-frame clip.
Some, yes. ORF stores about 12 bits of tonal data per channel (14-bit on certain Olympus and OM System sensors), while MPEG-2 video is 8-bit. The extra highlight and shadow latitude is discarded during encoding, so edit exposure and white balance first, or keep a JPG or TIFF copy for editing.
If you want to view, print, or edit the picture, yes — convert to ORF to JPG for a universally compatible photo or ORF to TIFF for a lossless, high-bit-depth still. Only choose MPEG when you specifically need a video clip for a timeline or slideshow.
Whatever you set under Video resolution. "Keep original" preserves the camera's full pixel dimensions, which are far larger than HD on modern Olympus bodies. Most users scale to a fixed preset like 1920×1080 or 1280×720 to keep the file manageable.
Your ORF file is uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours. There is no sign-up, no watermark, and files are never shared or made public. In our testing, a single 20-megapixel ORF scaled to 1080p at 5 seconds per frame produces an MPEG clip of only a few megabytes.