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Supports: MPG, MPEG
An MPG file is an MPEG program stream: the Video CD, DVD and broadcast-capture container whose soundtrack is almost always MPEG-1 Audio Layer II (MP2), Dolby AC-3, or occasionally LPCM. FLAC is lossless, which means it reproduces every sample you hand it exactly. The two facts together give an honest answer to the usual question — extracting to FLAC gives you a permanent, edit-safe, generation-proof copy of the soundtrack, but it cannot restore anything the original MP2 or AC-3 encode already discarded. If the source was LPCM on a DVD, the FLAC holds a bit-exact copy of those samples; otherwise it holds a lossless copy of already-lossy audio, which is still the right choice for editing and archiving.
| Property | MPG audio (the source) | FLAC (your output) |
|---|---|---|
| Typical codec | MPEG-1 Audio Layer II (MP2), Dolby AC-3, sometimes LPCM | FLAC |
| Compression | Lossy for MP2 and AC-3; uncompressed for LPCM | Lossless — every sample preserved |
| Specification | ISO/IEC 11172-3 (MPEG-1 Audio) and ISO/IEC 13818-3 (MPEG-2 Audio) | IETF RFC 9639, published December 2024 (Proposed Standard) |
| Licensing | Patent-encumbered historically; AC-3 is Dolby's | Royalty-free, open reference implementation |
| Channels | Stereo MP2; up to 5.1 for AC-3 on DVD | 1 to 8 channels |
| Bit depth | Decoded to 16-bit in practice | 4 to 32 bits per sample |
| Sample rates | 32, 44.1 or 48 kHz for MP2; 48 kHz on DVD | 1 Hz to 1,048,575 Hz |
| Re-encoding cost | Every further lossy pass loses more | None — re-saving a FLAC is free of loss |
| Best for | Playback inside the original video | Archiving, editing, feeding a mastering chain |
This matters more on DVD-sourced MPG files than anywhere else, because a DVD program stream frequently carries more than one soundtrack — a 5.1 AC-3 mix, a stereo AC-3 or MP2 mix, sometimes a commentary track.
We checked this page's own option set: there is no track selector here, so the choice falls to the decoder's default rule. It picks the audio stream with the most channels, and if two streams tie it takes the one with the lowest index. On a typical DVD rip that means the 5.1 surround track wins over the stereo mix, even when the stereo mix is the one listed first. If your FLAC arrives with six channels and you expected two, that is why — and setting Audio Channel to Stereo downmixes it in the same pass. If you need a specific alternate track rather than the widest one, demux it in a desktop tool before uploading.
.mpg or .mpeg file, or click "Add Files". Several files can be queued and each is processed with the same settings.| Your goal | Compression level | Audio Channel | Audio Sample Rate |
|---|---|---|---|
| Faithful archive of the disc audio | 12 (default) | Original | Original |
| Fast batch through a long list of files | 3–5 | Original | Original |
| Stereo working file from a 5.1 DVD track | 12 | Stereo | Original |
| Dialogue or voice reference | 8–12 | Mono | Original |
| Feeding a tool that demands 44.1 kHz | 12 | Original | 44100 Hz |
No, and no format can. MP2 and AC-3 both throw away detail permanently at record time; FLAC preserves whatever it is handed, which by then is the already-reduced signal. What you gain is that the audio stops degrading: you can cut, normalise, re-save and convert a FLAC as many times as you like without ever adding another generation of lossy damage. The ceiling was set by the original encode, not by FLAC.
Because a lossy stream is a compact description of the sound while FLAC stores the decoded waveform, compressed only by patterns it can predict losslessly. A 224 kbps MP2 track becomes a FLAC in the region of several hundred kilobits per second, several times larger. Lossy sources also compress worse than clean recordings, because the encoder's own artefacts break up the patterns FLAC relies on. If a small file matters more than losslessness, MPG to MP3 is the better tool.
Encoder effort and encode time — never the audio. FLAC is lossless at 1 and at 12 alike, and both decode to bit-identical samples. Level 12 asks the encoder to search harder for efficient predictors, which takes longer and typically saves a few percent of file size over the low levels. If you are pushing a large batch through and size is not critical, dropping to 3 or 5 is the sensible trade.
Set Audio Channel to Stereo before converting. The six channels come from the extraction rule described above picking the widest track on the disc — usually the 5.1 AC-3 mix. Choosing Stereo downmixes it in the same pass, so you do not need a second conversion. Choosing Mono collapses it further, which is useful for dialogue references but discards the stereo image.
Both are lossless, so they sound identical; the difference is size and metadata. FLAC compresses the same samples into a smaller file and carries tags natively, which makes it the better archive format. WAV is uncompressed and slightly more universal in older audio software and hardware samplers. If a tool in your chain refuses FLAC, MPG to WAV gives you the uncompressed equivalent from the same source.
Only the audio. The video stream is discarded entirely, which is why the FLAC is a small fraction of the MPG's size even though it is lossless — picture data is the bulk of a video file. Chapter marks, subtitle streams and the program-stream timing structure do not survive either, since FLAC has no place to store them. If you need the picture, convert to a video target such as MPG to MP4 instead.
FLAC is royalty-free with an open reference implementation, and since December 2024 it has been a formally published IETF Proposed Standard, RFC 9639. That combination — an open specification plus a stable, widely implemented decoder — is exactly why libraries, archives and music services standardised on it for long-term storage rather than on a proprietary lossless format.
The Trim control on this page takes a start time and a duration and encodes only that window, which is the fastest route because the rest of the file never reaches the encoder. If you would rather cut afterwards, Audio Cutter accepts FLAC directly. Note that Audio Cutter only takes audio files — to cut the MPG itself before conversion, use Video Cutter, which accepts .mpg among its input formats.